To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 3.
Film Difficulty Ranking 3: More of a challenge for those familiar with foreign films. Level 3 is like a mix between an intriguing European mime artist and your most interesting and demanding school teacher.
If you’re looking for a snapshot of the people’s struggle for Angolan independence, you’ve come to the right place. Sambizanga follows a woman as she tries to track down her husband with her newborn baby. Meanwhile, in the background, the Angolan liberation movement slowly builds momentum. The director, Sarah Maldoror, worked with Gillo Pontecurvo on The Battle of Algiers before directing Sambizanga so it’s no surprise there are plenty of links between the two. If you need another reason to watch, it’s also one of the first feature films directed by a woman of colour.
Here’s a truly original action film. You’ll get to see some truly quirky (and Argentinian?) humour in this fast paced action comedy that you won’t see anywhere else. But even if you don’t understand why this trio is running all over town in search of one guy you can appreciate the cinematography (the editing and camera movement make it tick). Tune in for some Latin American fun!
Why Watch Castro?
You like your action films quirky and fast
You loved Naked Gun and Airplane! and want to see Argentina’s equivalent
For more films from Argentina’s El Pampero films – check out Extraordinary Stories for more great contemporary Argentine film
Watch out for the great score and cinematography
Breakdown
There’s a lot of running in the introduction to Castro. An awkward trio are chasing another guy across busy roads and city streets to a train station. Unfortunately for the trio, the guy they’re chasing disappears onto a train. At this point you’re probably thinking what the hell is going on!
And you’d be right to question. This isn’t your typical action movie. The characters are hilariously strange (almost on a Monty Python level). One of the spies hobbles around on crutches after injuring his leg and the guy they’re chasing always sleeps in closets. Argentine humour I guess?
Even if you’re not sold on the quirky humour, you can still appreciate the great editing. The fast paced feel comes directly from the editing. The camera moves along with runners and has a lot of moving close-ups which both reminded me (and might remind you) or the Oscar winning Birdman.
Conclusion
So if you love simple, quirky action films you’ll love Castro. It kind of reminded me of a mix between Robert Rodriguez’ El Mariachi and Monty Python. It’d fun, fast, and well made (look out for the cinematography).
For more Argentine films check out:
Wild Tales – a sublime collection of hilarious short films
Uncertain Future gives you a rare look into the small country at the heart of Africa: Burundi. It takes place in 2015 when President Nkurunziza seeks to rule for a third term against the wishes of a lot of the citizens of Bujumbura (the capital). Get a first hand look at the protests and violence in Eddy Munyaneza’s brave documentary.
How much do you know about Lebanon? Lebanon Factory will give you a taster of life across the country. From Beirut to the Lebanese countryside watching this film is your cheap ticket to seeing Lebanon.
Why Watch The Lebanon Factory?
To experience Lebanon from a collection of 4 different perspectives in 4 short films
See what kind of films are made by pairs of native and foreign directors (each of these 4 films were made by pairs of directors – one from Lebanon and another from elsewhere)
For an Octupus cruelty scene that matches that famous one in Oldboy
The Breakdown
Lebanon Factory is made up of 4 short films. First up was a dark comedy featuring a rookie cop on his first shift under a bridge late at night. It doesn’t look like an area you’d pick to hang out. There’s some shady deals going on between motorbike owners, there’s a few gang members, and one old man that keeps jumping off the bridge (unsuccessfully trying to commit suicide).
The next three films were about a conman, a group of guys trying to emigrate to the EU, and a crazy middle aged man living in rural Lebanon. It’s a good mix of films and will give you a bit of a feel for life in Lebanon.
Although each film was made by different directors, there are still a few things in common with the four movies. Firstly, you’ll notice the stubbornness and loudness of the main characters. Secondly you’ll also see that most of the characters hate Lebanon and their lives. This is reflected in the old man that keeps jumping off the bridge and cursing God and the country when he survives. In the other films there’s the guys trying to emigrate and also the hotel owner that curses the bigger hotel owner that is destroying his hotel.
Conclusion
Through the four short stories you get an idea of life in Lebanon. There’s a lot of passion, but not the romantic passion you’ll see in Hollywood movies. But even though the characters are not enjoying life in Lebanon there’s obviously a lot of life in the country.
Dakan is the first Sub-Saharan African film to deal with homosexuality. The focus of the film is the plight of two high school lovers in a society rejects them. They don’t fit into traditional or modern Guinean society, shown through Manga’s ‘traditional’ mother and Sori’s ‘modern’ father. As a result, they’re condemned to a life without love.
Dakan experienced a lot of protests in Guinea during its production, and once you see the first scene, you’ll understand why. For many countries around the world, homosexuality is taboo or illegal, so to have an opening scene of two men making out in an orange convertible like a scene from an American hetero high school romance is a bit of a shock for the world’s conservative viewers.
The two lovers are both high school students hoping to get into university. They openly show affection for each other at school, where they are largely accepted and left alone, but at home their relationship provides a source of friction for their parents. For Manga’s single mother, she sees Manga’s relationship with Sori as a curse that will deprive her of grandchildren. In contrast, Sori’s father sees Sori’s relationship with Manga as a distraction from his studies and his prosperous future in business.
They also differ in their way of stopping their son’s relationship. Manga’s mum relies on traditional methods, sending Manga away to a traditional witch doctor to be cured. In contrast, Sori’s father, a ‘modern’ businessman, sends Sori to work for him in his company. However, neither route changes how they feel about each other. Their solemn faces throughout the film only emphasizes that there is no place for them in a traditional society founded on the family, or a ‘modern’ society founded on economic growth. There’s no place for their love in Guinea.
Overall Dakan is a good African film that uses homophobia to talk about the common African and third cinema tropes of modernity and tradition. There was a moment in Dakan where I feared the film would turn into an HIV disaster film like Kijiji Changu but fortunately Mohamed Camara doesn’t diminish the relatively progressive portrayal of homosexuality in Africa.
What to Watch Next
If you’re looking for more films from the global south that portray homosexual relationships in countries that don’t have a place for it, check out Jose from Guatemala and Rafiki from Kenya.
Or for more witch doctors trying to cure people in Africa, Zambia’s unique I Am Not A Witch is a must watch.
Finally for more films that feature Romeo + Juliet relationships that are forbidden by society, check out Tanna, featuring an controversial relationship that crosses tribes in Vanuata.
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