Film Difficulty 2

To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 2.

Film Difficulty Ranking 2: These films are perfect introductions to those new to foreign films. These one’s may have subtitles, or be in black and white, but these films are all easy to follow and enjoy.

For the next step, check out Film Difficulty Ranking 3.

Train to Busan (South Korea)

Train to Busan Film Difficulty Ranking: 2

This is the best Zombie Train film there is. If you love zombies (think Walking Dead, 24 days later, or World War Z) you’ll love this film. If you love train films (Snowpiercer, Transsiberian) you’ll love this film. Finally, if you love a great thriller film, you’ll also love this film. Need I say more?

As usual, best to only watch 40secs of the trailer to avoid any spoilers!

Why Watch Train to Busan?

It’s one of the good zombie films out there
It’s also a great train movie (on terms with Snowpiercer, another great South Korean film)
There’s plenty of glorious action
All complemented by some great action cinematography (mostly shot within the confines of the train carriage)

The Breakdown

Train to Busan, like many great horror movies starts with a prelude of what’s to come. A farmer drives his truck through a quarantine zone. His truck is sprayed and ushered through the quarantine. On the other side, he runs over a young deer, curses his shitty day, and drives off. The camera stays fixed on the dead deer in the road, and after a few seconds, comes back to life and limps off into the bush.

Following the dramatic opening, the film introduces us to Seok-woo, a cold office boss who doesn’t really care about his little daughter. He treats his mum like a maid and messes up his kids birthday. He even stands up his daughter when she is singing a song at a concert especially for him. What a guy! Will it take a train full of zombies to make him care for his daughter?

Conclusion

This is the best zombie train movie that I have ever seen (it’s also a great thriller). It has the typical range of characters, the genre faithful story-line, and doesn’t take it self too seriously.

What caught my eye was the great camera work within the small space of the train carriage. Most of the action is shot from within the carriage with a mix of handheld shots. But the director creates space by mixing in tracking shots from outside the train carriage (where the camera moves alongside the train) and shots looking at the other carriages. Check it out for yourself!

Wallay (Burkina Faso) – Open Your Eyes to Life in Burkina

Wallay Film Difficulty Ranking: 2

How many times have you thought about what your life would be like if you were born in a different country or even in a different era? You may romanticize about life in the past, but in reality, even if you were a king you’re quality of life would be incomparable to what it is now. In Wallay young Ady is taken to stay with his family in Burkina Faso. It’s a completely different world to the one he is used to in France but he walks around like a spoiled brat until he realises that his holiday is permanent.

Image result for wallay film

Why Watch Wallay?

You want to see what life is like in Burkina Faso
If you love great coming-of-age stories (perfect for fans of Hunt for the Wilderpeople)
If you love seeing arrogant and annoying kids get disciplined
To support great African film (to ensure more of it gets made in the future)

Breakdown

Wallay starts with a 13 year old boy in France writing a letter to a girl. The image of a sweet 13 year old is quickly dispelled as the next scene shows him buying some new trainers off of the Parisian black market and getting told off by his dad when he returns home.

So, how does his dad properly discipline him? His dad takes him to spend some time with his family in small town Burkina Faso. What young Ady doesn’t realise is that this is not just a holiday. His father leaves him and he is forced to help his strict uncle work to repay him for the money he stole from his dad.

At the beginning, Ady walks around Burkina still surrounded in his materialist glass house symbolised by his Beats headphones and smartphone. He seems to wear a necklace of the African continent for fashion and not because of his roots. But as he is forced to pay back the money he stole he slowly opens up to life in Burkina Faso and discovers the treasure that is his cultural heritage.

Conclusion

Ady is spoiled. Not in the sense that he was well off, but because he lives in an economically developed country with luxuries that he (like a lot of us) all take for granted. In Burkina Faso, he learns he has been lucky to have grown up in France whilst also discovering the beauty of his Burkinabe roots.

Bacurau – One Fun Brazilian Genre Free For All

WARNING: SPOILERS

Bacurau is one fun genre film with a bunch of memorable cult action film characters on the level of Arnold Schwarzenegger in Predator or Song Kang-ho in Snowpiercer. Problem is, it builds up the cult vibe a bit too high, which leaves the ending doomed to underwhelm.

However, that’s not to say you shouldn’t watch this film. On the contrary, you should. It’s still exciting. Plus it presents a positive message (in a High Noon esque conflict with a lot of violence that I cannot advocate) of a diverse community in rural Brazil that comes together to stand up to attacks from local politicians and foreign interests. It’s an obvious allegory to a Brazil that has become increasingly polarized due to the rise of the Brazilian far right, led by President Jair Bolsonaro. It is interesting to see that this adaptation of The Most Dangerous Game arrived in the U.S. the same weekend as The Hunt, a U.S. adaptation of the same book, considering both countries are led by right-wing leaders.

Bacurau is the name of the fictional isolated town in the heart of Brazil where the film takes place. The town is a Brazilian copy of the towns you’d expect to see in an American western. It’s surrounded by dusty land and sparse vegetation, with only one road leading into the town. The same road all the town’s buildings are built on. The residents also represent a diverse range of backgrounds, like you’d expect to see on the American frontier (see First Cow), with black, white, and brown people, young and old, from a variety of professions. It’s almost a utopian community of the future, where everyone gets along and respects each other, or maybe it just feels utopian because communities like this are disappearing.

They’re rightly suspicious of and prepared for anything that tries to break their community. A couple stationed a mile outside of their town uses walkie-talkies to inform the DJ in town of any visitors, who then uses his speakers to pass their warnings onto everyone in town. Their lines of communication allow them to avoid interacting with the lying local politician and prepare themselves from the attacks of foreigners. They can survive by embracing outcasts and standing together in the face of danger.

There are even a few clues that the community has done this before. The town’s museum is full of memorabilia from countless rebellions against the government. The town’s residents encourage outsiders to visit the museum to show off their pride in their independence, and also warn them of what might happen if they don’t receive respect. In one of the last scenes, the museum curator asks the clean up crew to leave the mark of a bloodied hand on the wall to serve as another mark of their resistance. Their respect for their local museum indicates a respect for their history. Knowing their past, allows them to be better prepared for the future. In this case, their experience defending their town from the government and foreigners in the past has made them more wary of the same people today. It’s a lesson for everyone living today: know your history or fall victim to a cycle of racism and division that has been reborn in the rise of the prejudiced right-wing governments of the world.

If you liked Bacurau, director Kleber Mendonça Filho and co-director Juliano Dornelles handpicked an assortment of films that map the rich cinematic universe to which their inventive creation belong for the Lincoln Center in New York. Whilst the film series had to be cancelled due to Coronavirus, many of the films listed are available for streaming. Check out their program here or the link below, featuring works by John Carpenter, Sergio Corbucci, Eduardo Coutinho, and more.

https://www.filmlinc.org/series/mapping-bacurau/#films

Scheherazade, Tell Me A Story – Down With the Patriarchy

Scheherazade, Tell Me A Story Film Difficulty Ranking: 2

Why Watch Scheherazade, Tell Me A Story?

If you like ‘real’ stories and storytelling
To see how entrenched the patriarchy can be (and is)
It’s an entertaining watch, because of it’s brilliant use of melodrama

From: Egypt, Africa
Watch: Trailer, Mubi, Prime Video, JustWatch
Next: After the Battle, The Insult, Saudi Runaway

The Lunchbox (India)

The Lunchbox Film Difficulty Ranking: 2

“Sometimes the wrong train gets you to the right station”

Are you looking for a great Indian film that isn’t a musical? Well here’s a good place to start. Ritesh Batra’s The Lunchbox is a beautiful celebration of Indian culture alongside a warning of the effects of rapid economic development. At the heart of the film is food; what it symbolises and how it can bring people together. For a trip to Mumbai, go watch The Lunchbox available on YouTube and (I think) Netflix – it’s also worth your money – click on the picture for a link to buy.

Why Watch The Lunchbox?

You don’t like musicals, but you want to see a great Indian film.
To see the amazing lunch-box service system in action
Meet ‘Auntie’ the go-to lady for all your questions – also a character that we don’t even see
For Irrfan Khan on top form (you may recognise him from Jurassic World, Life of Pi, Slumdog Millionaire, or Talvar which was reviewed here earlier).

The Breakdown

The Lunchbox starts with a montage of Mumbai. Director, Ritesh Batra, shows us the trains, shoes cleaners, and cars before stopping at the house of Ila. Ila is fussing over her young daughter before she goes to school, telling her be careful. Her daughter disappears and she goes straight to her cooking. She tastes the contents of one of the pots and figures it is missing something. A basket appears at the window with a pot of spices, lowered down by ‘Auntie’. Ila adds the spices and readies the food for collection.

The lunch box prepared by Ila travels through the incredible lunch box system and ends on the desk of Saajan (played by Irrfan Khan) who is seduced by the amazing smells of this unexpected lunchbox.

Food is central to the narrative of this film and also shows us a lot about each of the characters. At home, Saajan eats heated up food from a plastic bag. In comparison with the fresh cooked meals that a family next door eats, his plastic meals are a symbol of his loneliness.

Food also symbolises class. Shaikh, an orphan who becomes Saajan’s apprentice, always brings in two pieces of fruit for lunch, usually two bananas. In comparison with the lunch box that Saajan can afford, a banana is a lunch for the lower class.

In addition, The Lunchbox does not hide the stress of life in Mumbai. Each of the main characters has experienced the death or absence of family. On the news, we hear of a mother jumping off the top of a tall building with her daughter to escape life. Ila blames it on the government that prioritises the GDP over happiness. The country has got caught up striving for a greater economy and forgotten about the importance of happiness.

Conclusion

The Lunchbox cleverly shows the current state of life in Mumbai through a romantic tribute to the lunchbox system. In doing so, it shows us a lot of Indian life: the food, the people, the transport, and relationships. It also subtly depicts the burdens that the Indian people are carrying as the country develops rapidly. This reminded me a lot of the Chinese film A Touch of Sin, which shows the strain of economic growth on people in China. However, in contrast to A Touch of Sin, The Lunchbox is much more upbeat and has plenty to celebrate.