Film Difficulty 2

To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 2.

Film Difficulty Ranking 2: These films are perfect introductions to those new to foreign films. These one’s may have subtitles, or be in black and white, but these films are all easy to follow and enjoy.

For the next step, check out Film Difficulty Ranking 3.

111

Le Pupille – AFI Fest 2022

Le Pupille brings you into a Catholic Orphanage during Christmas in the height of the Second World War. Despite the frugal times and strict Mother Superior, the girls find joy in a few magical scenes reminiscent of the wonder of early cinema.

In the Catholic Orphanage, objects are a scarcity. Unlike the often stuffy materialism of today’s modern world, the girls in Le Pupille live in large rooms with very few things around them. This partly emphasizes the frugality of the war period, and in turn, distinguishing any warm nostalgia for Italian fascism, but it also sets a blank slate for the rare objects included in the movie to star. The radio and the giant red cake are enhanced by the absence around them, making them seem much more luxurious than they should be.

The frugality in front of the camera is also seen in the film’s production. The director, Alice Rohrwacher, shot Le Pupille completely on film, and therefore all of the special effects are completely VFX free. This gives the film a playful magic that feels like the wonder of the Melies’ silent films. In one scene a baby appears out of thin air (from one shot to the next), whilst a freeze-framed shouting Mother Superior conveys shock from what feels like the kids perspective in another. Unlike the seriousness of modern VFX, that often strives for digital realism, the old school special effects used here add wonder and magic to film. It encourages wonder rather than inhibiting it.

It’s this simplicity both in front of the camera (with the limited objects and distractions) and behind the camera (in the production process) that makes this short Christmas film feel so playful and joyful.

Head to our AFI Fest 2022 Hub for more reviews from AFI Fest 2022.

112

La Botera – Los Angeles Latino International Film Festival 2021

Set within a neglected Buenos Aires neighborhood, La Botera follows Tati, a girl living alone with her father whilst navigating the challenges of adolescence.

Tati is already an independent woman. The opening scene shows her getting up, making breakfast, and getting ready for school on her own. We’d think she was living alone until the phone rings and Tati tries to wake up her previously unseen dad to answer it. She also sticks up for herself against the bullies at and outside of school in contrast to her childhood friend and confidently initiates conversation with people older than herself, such as a local boat rower she plays boyfriend and girlfriend with. However, she still retains the naivety of a young adult as shown in her awkwardly brash interactions with older kids and her friendship with another young neighborhood boy. The army games and relationship with the latter show she’s still connected to the young girl she’s slowly moving away from whilst the conversation with older kids represent the pull of her growing up.

Her coming of age feels a bit more hostile than others. It’s partly due to the bleak environment La Botera is set within – the constantly overcast skies and heavily clothed characters emphasize the cold unwelcoming environment. But the hostility is mostly due to the strained relationship she has with the dad she lives with alone. Unlike the gentler fathers in other father-daughter coming of age movies like Eighth Grade and Alba, Tati’s father offers little love and sympathy. He punishes and chastises her in almost every scene they share. Even when he has an opportunity to share a moment with her, such as when they’re watching football on TV, he gets annoyed as she apparently shouldn’t enjoy a ‘man’s game’. Maybe he’s been affected by the neighborhood they live in or his own experiences, or maybe his machismo just hides his fatherly insecurities. Either way, he contributes to the hostility of his daughter’s coming of age.

If you’re into coming of age stories set within a pretty bleak environment, La Botera is worth a watch. The close-up shots that follow Tati give it an edge that make it feel more real and personal than others.

Head to our LALIFF 2021 Hub for more reviews from the 20th edition of LALIFF.

113

Hive – A Group of Widows Bond Against the Patriarchy and Grief

Hive Film Difficulty Ranking: 2

In Hive, a struggling widow starts making Ajvar to get by. Setting an example for self sufficiency, the town’s widows flock to her to share their grief and start healing. However their independence faces backlash from the patriarchy.

From: Kosovo, Europe
Watch: Trailer, JustWatch
Next: Writing With Fire, Beatriz' War, Shok

Hive – The Breakdown

Before watching Hive, all of the films I’d previously watched from Kosovo were affected by the Kosovo war. Whether directly or more indirectly, the trauma of the war that forged the country’s birth just over 20 years ago has never had a chance to heal.

Hive is no different. Fahrije’s husband has been missing for what might be years. Her father in law and two kids still believe he is alive. But she seems to believe he must be dead. Her face has been sucked of all emotion – as pointed out by her daughter – and she has started to move on. She visits mourning sites, such as the river where many local men were killed, and has also taken over some of her husband’s chores (bee keeping). She’s accepted his fate.

In addition to being a mother, Fahrije is forced to assume her husband’s role in his absence. So she seeks work to make a living in a neighboring town. However, she’s ostracized for behaving like a man with locals shooting her threatening stares and throwing bricks at her car and windows. Faithful wives aren’t supposed to learn how to drive and leave the house. In response, Fahrije also subconsciously takes on the stereotypical masculine emotions too, assuming an unemotional stoicism that confuses her kids. She hides her grief so deep to avoid dealing with it.

Her way out is not in independence through work but in company. Her successful Ajvar making business inspirationally brings together other widows together in community. They’re willing to sacrifice their honor because she’s taken the brave step to doing something about her situation and trying to move on.

What to Watch Next

If you’re looking for another inspirational story about a group of entrepreneurial women fighting the odds to succeed, try Writing with Fire. It features India’s only women-run news channel. Or if you’re looking for another story set within another traumatic event, Beatriz’ War follows a widow and her community fighting for freedom in East Timor. Or for more stories from Kosovo, try the tragic short, Shok, and feature film, Three Windows and a Hanging.

114

Alcarras – AFI Fest 2022

The Sole family have farmed fields in the small municipality of Alcarras in Catalonia for generations. However, the wealthy landowner that owns the property has found more profitable ways to use his land, which doesn’t involve farming or what the Sole family wants. He’s looking to destroy the orchards that provide the Sole family’s livelihood to install more profitable solar panels.

What Alcarras does brilliantly is tell a very specific local story in order to highlight how capitalism is affecting not just the Sole family, but the local community and many other people around the globe. It’s set completely in one small municipality in Spain centered one family, all played by non-actors from similar backgrounds to the family on screen, living on one farm. Through the film’s run-time, we get to intimately know each member of the Sole family to understand their life on the farm as well as how they are each affected by the threatening eviction. We see why they love the freedom and independence of farming their own land as well as how they’re pulled apart by an uncertain future. Whilst a multi-family or multi-country film might fail to generate sympathy for it’s characters because of it’s broad scope, Alcarras, in spending time with one family in one region, gives the audience more time and closeness to sympathize with not just them, but everyone affected by capitalism around the world.

The hidden message in Alcarras is that the Sole family’s experience is not isolated to Alcarras, nor Spain. The few short scenes showing the community’s labor strikes, which Quimet and his son join, show that the Sole family’s experiences are not isolated. The priority of progress and profit over personal and community happiness is destroying families across the world.

Head to our AFI Fest 2022 Hub for more reviews from AFI Fest 2022.

115

Something Blue – Los Angeles Latino International Film Festival 2021

As the news channels in Panama look forward to a big celebrity wedding featuring popular TV star Lucia de la Fuente, Ana gets ready for her own wedding taking place in 8 days time. However, an unexpected chain of events sees her racing around Panama City trying to get married as soon as possible. Something Blue is a rare festival rom-com that anyone can enjoy if they know what they’re in for.

If you’re into Eugenio Derbez rom-coms (see Overboard) then Something Blue is a film to look out for. The tone of the film is very similar, with it’s well lit production, light music, and a healthy serving of slapstick and cringe humor to propel the narrative forward. Plus Ana carries the comedy well, being the slightly overwhelming ‘bimbo’ character to laugh at throughout the film. Because of the light-hearted tone of the film, Something Blue feels more like an addition to a streaming service than a film festival film. It’s not particularly artistic or unique, things you’d typically expect from a festival film, but it plays into the cheesy rom-com genre well. So if you’re aware that it’s a cheesy rom-com before you start watching, you’ll be in a good position to enjoy it.

It’s fun to run around the city, with lots of establishing shots of the Panama City skyline and the restored old town. No doubt, these shots will help boost tourism to the city if this film is widely seen. However, Something Blue, like the majority of Latino telenovelas has a pretty un undiverse cast. Whilst only a small proportion of Panamanians define themselves as white, almost the entire cast of Something Blue is white. It’s unfortunately not unexpected, as this is pretty typical of Latino popular films and novelas, but it would have been great to see more diversity considering this is not a big TV production.

So if you’re up for a rom-com refresher to your film festival schedule, Something Blue is worth a watch.

Head to our LALIFF 2021 Hub for more reviews from the 20th edition of LALIFF.