Death of Nintendo feels a lot like your typical nostalgic American middle school coming of age story. It has a group of friends that are desperate to become more popular than they are and a lot of pop culture references. However, there are a few unique Filipino elements in Death of Nintendo that you’re unlikely to see in American productions: a volcano, a body eating monster, and circumcision. These help the film to stand out in a pretty crowded genre.

A strong nostalgia for the early 1990’s is what hits you at the start of Death of Nintendo. It starts with two kids slotting colorful Nintendo games into their Nintendo, something that many 90’s kids will happily remember doing. Then in the following 15 minutes, you’ll hear hip hop and dancehall, and see them skateboarding and playing basketball in Nike shoes. The combination of visual and aural references quickly sets the film within the 1990’s. The way it’s presented, lit up in vibrant colors under the Filipino sun and with a few slow motion takes, makes sure it looks good enough to evoke a warm nostalgia for the era. If you’re a 90’s kid, this opening will make you want to be back in your happy childhood memories.

We’re knocked out of the nostalgic 1990’s childhood opening by a bully and love. The American bully disrupts their love for all things American, whilst their young love prompts a quick quest to grow up and become men. Being men = being popular and being popular = girls and no bullies. However, to become men, they have to embrace their Filipino identity. They have to come to terms with the volcano which threatens their neighborhood, their fear of the Manananggal (a Filipino man-eating mythical creature), and finally, they have to get circumcised (to help them grow and turn into men). Plus, they have to figure this all out on their own. Neither of the three boys have a fatherly role model to guide them through puberty, which perhaps leads to their strange idea of how to become men.

The 1990’s references and coming-of-age tropes are all taken from American culture. Without the Filipino references (volcano, Manananggal, and circumcision) and Tagalog, you’d be forgiven for thinking this was a U.S. film. Whilst every international film shouldn’t have to set out cultural identifiers to situate it within the country it was made, they should try and differentiate themselves from existing films and make something new. Whilst Death of Nintendo is an enjoyable coming of age film from the Philippines, there’s not too much to help it stand out from an already crowded genre of nostalgic coming of age films.

However, don’t let that stop you from watching more films from Raya Martin. Manila, a film he co-directed with Adolfo Alix Jr. is much darker and intriguing. Read our review here.

The Courtyard of Songs Film Difficulty Ranking: 2

Image result for o patio das cantigas

If you’re looking for a bunch of laughs after a long hard day at work, watch this. You have the option of watching the classic original from the Portuguese golden age, or the updated version (which I’ve reviewed here). Either way, watching it is your chance to experience life in Lisbon. You’ll meet a mix of Portuguese stereotypes that you’ll quickly fall in love with.

Why Watch The Courtyard of Songs
  • To see life in beautiful Lisbon!
  • For a good, light comedy (a rarity on Film Root, for more comedy check out the German Toni Erdmann)
  • It’s a great alternative to art-house Portuguese film (such as Tabu or In Vanda’s Room) and the old Portuguese classics (Aniki Bobo)
  • It was recommended by a Lisboeta (someone from Lisbon)
The Breakdown

The film starts with a view of the neighbourhood. We can see lines of colourful bunting stretched across a courtyard in Lisbon surrounded by houses with balconies. A guy with a slicked back hair and a Mohawk walks out onto his balcony, scratches his balls, and cat calls an attractive woman walking past. The woman acknowledges him (luckily they know each other) and the narrator steps in to introduce us to all of the characters in the neighbourhood.

In this neighbourhood, everyone knows everyone. They are like one big family. They fight, they argue, but they will also support each other when it matters (such as when Amalia sings or when Evaristo bails out his neighbours). On the street, they share their emotions: their life ambitions, their love interests, and their gossip, which travels like wildfire. Gossip is their form of news. People are so eager to be on top of the local news, that they all follow the inspector round to try and solve the crime before him!

In addition, pay attention to the structure of the neighbourhood because it is typically Lisbon. The neighbourhood is divided into two levels: the street level, and the balcony level. People go to their balcony when they want to watch life in the neighbourhood and each character uses it differently. Evaristo uses it to watch out for Rosa, another character uses it to cat call girls, Amalia uses it to showcase her figure, and another uses it for his exercise bike. In contrast, people go to the streets when they want to share their emotions and party.

Conclusion

The Courtyard of Songs is great to watch to get an understanding of neighbourhood dynamics in Lisbon. The film is full of wittiness and laughs, a lot like a good episode of Friends. Watch this if you’re interested in visiting Lisbon, and if you want to go make sure you visit during the June festival!

 

Many decades before the internet gave us nerd culture, there was Hugo Gernsback, an eccentric Luxembourgish writer and inventory who went on to become the father of modern science fiction.

Festival Scope

Tune into the Future tracks Hugo Gernsback’s life and inventions from his roots in Luxembourg and Europe, to finding his path and career in New York. It’s a story told with plenty of animations, interviews, personal anecdotes from his grandson, with references stretching from Tesla and Superman (Superman’s creator was inspired by Hugo’s publications).

Tune into the Future starts with some small square black and white footage of Hugo back in the day before the narrator interrupts the footage to tell us we’re missing the true (colorful) story. At this point the small black and white square footage expands to take up the entire screen and starts parading through images of Hugo’s fantastic speculative inventions from the future. The director, Eric Schockmel knows the inventions are the most eye catching part of Hugo’s work so he uses them to get us hooked in order to tell Hugo’s life story.

The director’s experience working with Museum Exhibits definitely shines through this documentary. He successfully manages to keep the audience engaged and interested throughout by mixing dry one on one interviews and personal anecdotes with animations that bring the anecdotes and Hugo’s ideas to life. It reminded me a bit of the educational YouTube videos made by Kurzgesagt – informative, but always engaging.

The way the documentary is presented matches Hugo’s own attempts to popularize science. He, like the director, used a mix of media to promote visions of utopia and drive interest in science across the world. In Schockmel’s case, he makes the film to rejuvenate Hugo’s efforts to popularize science in a time when experts and utopian ideas are being forgotten around the world. It’s time for the world to start dreaming again.

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Zero Point Film Difficulty Ranking: 2

If you know your John Hughes from your Richard Linklater, or your Stephen King from Stranger Things, this is the film for you. Zero Point is your classic high school film. There’s plenty of drama and enough gossip and bullying to keep you entertained throughout. It’s perfect for fans Dazed and Confused, Carrie, or Sixteen Candles.

From: Estonia, Europe
Watch: Trailer, Amazon Prime, YouTube Rent
Next: Thelma, Bad Genius, Kids Return
Continue reading “Zero Point – Your Prototypical High School Movie from Estonia”
Men in the Arena

Men in the Arena Film Difficulty Ranking: 2

The American Dream doesn’t just exist in the United States. In Men in the Arena you’ll meet two footballers trying to follow their dreams in a country that has banned football. It’s a documentary full of hope and optimism for a better future for Somalia and the Somali football team.

From: Somalia, Africa
Watch: Trailer, Tubi, Kanopy, Amazon Prime, Rent on Amazon, Buy on Amazon
Next: Freedom Fields, Uncertain Future, The Eagle Huntress
Read The Full Review