To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 2.
Film Difficulty Ranking 2: These films are perfect introductions to those new to foreign films. These one’s may have subtitles, or be in black and white, but these films are all easy to follow and enjoy.
For the next step, check out Film Difficulty Ranking 3.
“If you run, the beast catches you; if you stay, the beast eats you”
Opening the film with a chicken chase, City of God is the most gripping history of drug-wars in the Rio de Janeiro favelas that anyone could hope for.
From: Brazil, South AmericaContinue reading “City of God – Get Involved in the Drug Dealing Gangs of Rio”
Watch: Trailer, Rent on Amazon, Buy on Amazon, Netflix
Next: Elite Squad, El Infierno, Traffic
Oooweee you are in for a treat. Oldboy is the best revenge film you can find in the 21st century, let alone South Korea. Prepare yourself for a witches brew of 1 part The Truman Show, 1 part Memento, and 1 part “what the f**k! Park Chan-wook has made one crazy movie!
You’re in for a treat. Oldboy is the best revenge film you can find in the 21st century, let alone South Korea. Prepare yourself for a witches brew of 1 part The Truman Show, 1 part Memento, and 1 part “what the f**k! Park Chan-wook has made one crazy movie!
From: South Korea, AsiaContinue reading “Oldboy – THE Revenge Thriller to Rule them All”
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: The Truman Show, Memento, Le Samourai
Ali: Fear Eats the Soul Film Difficulty Ranking: 2
Emmi, an old white German woman walks into a bar to get out of the pouring rain. The camera cuts 180 degrees to show a group of Arabs watching Emmi from the other end of the bar. Then the camera cuts back 180 degrees to show Emmi sit down at a seat closest to the door. The camera marks the distance between Emmi and the Arabs drinking at the other end of the bar. Will the distance between Emmi and the Arabs be broken?
One of the barmaids challenges Ali, one of the Arabs, to go and dance with the old woman. Not one to refuse a challenge, Ali crosses the race threshold and walks to the other end of the bar where Emmi is sitting. He asks her to dance, and she accepts! They both cross the threshold and walk past the other Arabs to a dance floor at the back of the bar. All of the bar’s clientele watch them in silence.
Through Emmi and Ali’s relationship we get to experience the horrible amount of racism and prejudice they face from shopkeepers, Emmi’s family, and the people she works and lives with. What stuck with me was the image of Emmi’s son-in-law (played by Fassbinder) sitting on the couch reading a newspaper. He is dressed shabbily, is skipping work, and threatens to hit his wife if she doesn’t go get him a beer. Whilst he is acting like a pig, he complains about all the Arab immigrants and refers to them as pigs. The best metaphor of hypocrisy.
The camerawork and unlikely relationship make this film great. It will challenge your own prejudices. Amazingly there are still a load of remnants from the time of Hitler – Emmi even admits she was a Nazi just like everyone else living in Germany whilst he was in power. For an excellent film on race in Europe go watch this film!
For more films about immigration and the migrant experience check out:
This is your opportunity to see the perfect heartwarming story from Saudi Arabia. In fact, it’s probably your best chance to see a film from Saudi Arabia, as this was the first feature film shot entirely in the country. So go watch it here (rent on Amazon) now.
The film starts in a girls school in Saudi Arabia. The very first thing you see is a close up of the shoes on the feet of the girls as their names are being taken for register in the morning. The camera passes an array of smart school shoes before settling on a pair of converses. This is how we meet our protagonist Wadjda.
The close up shots don’t stop when we meet Wadjda, as all the scenes of her at school and at home are never shot from far away. Therefore we are never given a complete view of her school or her home, and you rarely get an establishing shot (a shot which allows you to ‘establish’ the setting) of the area she lives in. But this changes as she begins to challenge the authority of her parents and school. Towards the end of the film, these establishing shots are more common. You’ll see a wider view of the school assembly hall, complete shots of the square by their house, and a shot of Wadjda cycling through the town. The whole world frees up just as Wadjda starts breaking boundaries. It’s an subtle way of using camera distance to reflect the restrictive social boundaries.
Of course you’ll also witness all the lack of freedom of women in Saudi Arabia in this film. You’ll hear some great quotes, such as:
These lines are meant to be provocative, but they’re also pretty funny and add to the slightly comic tone of the film. And that’s what makes this film great: it’s a feelgood film but it doesn’t hide the repressive society.
Wadjda perfectly walks the line between becoming a heavy political movie and a childish one. As a result, it’s the perfect coming of age film: Wadjda is an awesome character oppressed by the cultural and religious restrictions. The way she stands up to society is amazing. So go and watch it here.
If you want more, I’d first check out another awesome family friendly film from Iran: Children of Heaven. It’s even more heartwarming.
But I’d also recommend checking out The Bicycle Thieves. It’s obvious that Wadjda draws a lot of influences from The Bicycle Thieves. It uses bikes as a symbol of freedom and even shares a similar final shot.
Kids Return Film Difficulty Ranking: 3
Kids Return starts with two guys in sequin jackets on a stage performing their comedy act. We only see them from back stage. We later learn that these two guys are from the same school as the two main protagonists who we are introduced to in the next scene. They both meet each other for the first time in ages and go for a nostalgic bike ride in the city.
Following the introduction, we are taken back to school days with Masaru and Shinji (the two main characters). They are bullies who skip school to mess around. They steal money from other students, beat up people, and prank their teachers. As a result, nobody thinks they have many future prospects. Their teachers all agree that the best they’ll be is become petty crooks.
At this time, both of them are vulnerable to the allure of power. This leads them both to boxing. At this time in the film, Kitano dresses one of them in red and the other in blue. Their opposing colours are a metaphor for them drifting apart. After a pivotal boxing match showing red vs. blue, they both follow different paths.
It’s harder to write about your favorite films. I end up trying to hard to mention everything that’s great about the film to persuade you to watch it. But the best films have something intangible, something you can’t write about. It’s a cathartic ability to truly immerse the viewer in the images and story and temporarily forget about your own reality. Kids Return does this cathartic ability perhaps aided by the soundtrack and story.
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