Films you can watch on Amazon Prime U.K.
From: India, Asia Watch: Trailer, JustWatch, Netflix, Amazon Prime Next: Ferris Bueller's Day Off, PK, Y Tu Mama TambienContinue reading “3 Idiots – A Feel Good College Buddy, Road Trip Musical”
When you think of Samoa, you probably think of pacific island paradise. The Orator not only showcases the island’s beautiful scenery but also Samoan culture. It’s your chance to try and follow the ‘Samoan Way’. Check it out on Amazon here (free for Prime members).
The Orator starts with rain and the views and sounds of the natural landscape. It’s beautiful, lush green, and full of life. Then human voices start singing and the camera cuts to a picture of two grave stones in the middle of the forest.
They’re the graves of Saili’s parents. He visits them almost every day and tries to clear the graves of yam plants local farmers have planted around the site. But because of his size (he’s a dwarf/little person) he gets bullied around by the village. And the farmers planting yams around his parents graves threaten to cut of his head if he keeps vandalizing their crops.
Who’s Saili? It’s not entirely clear. All we know is that he’s a taro farmer and that he has a job as the night-time security guard of a local shop. He lives with his wife and her daughter although their relationship seems pretty cordial and friendly rather than romantic. His wife is an outcast just like him, after she was exiled from her home village for reasons we can only assume (probably for having her daughter out of wedlock?).
Director Tamasese doesn’t waste time with exposition in The Orator. Instead he immerses us straight into the movie, straight into the Samoan landscape, language, and culture. As a result, we have to figure out what is going on, as well as who the characters are and how they’re related to each other.
His aim is to make you feel like an outsider, just like the two main characters. They have lived most of their lives outside of the ‘Samoan Way’ and have to rediscover it whilst we are trying to figure it out. As a result, we identify more with their journey and struggle.
The Orator is a window into another world. With beautiful cinematography and a slow contemplative rhythm, you’ll slowly be introduced to the ‘Samoan Way’.
There are quite a few great films of indigenous people and customs from across Australasia. I strongly recommend checking out:
Or for another contemplative drama with a strong flavour of local life, check out Timbuktu, where you’ll see how the three tribes/ethnic groups of Timbuktu get along.
From: Egypt, Africa Watch: Trailer, Mubi, Prime Video, JustWatch Next: After the Battle, The Insult, Saudi RunawayContinue reading “Scheherazade, Tell Me A Story – Down With the Patriarchy”
Brothers. If you have one you’ll appreciate the sibling rivalry in this Icelandic farmer dry comedy film. Ram’s has got two that hate each other. It’s all because they are both trying to be the best at breeding rams in a very unpopulated valley. There’s only room for one of them. But when serpie (a livestock disease) threatens both their herds, can they come together to keep their heritage alive?
From: Iceland, EuropeContinue reading “Rams – Lock Horns with this Icelandic Sibling Rivalry”
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: Toni Erdmann, The Square, The Orator
From: Cook Islands, Fiji, New Zealand, Niue, Samoa, Solomon Islands, Tonga, Australasia Watch: Trailer, Amazon Prime, Tubi, JustWatch Next: Whale Rider, Boyhood, The Orator
Vai is a collection of eight short films made by 9 women which takes place across seven different countries (Fiji, Tonga, Solomon Islands, New Zealand, Kuki Airani, Samoa, and Niue). The titular character, Vai, is played by eight different indigenous women aging from 6 to 80.
Another interesting thing to note before watching is that ‘Vai’ translates as ‘water’ in each of the countries named above. Water is an integral part of the story. It surrounds each of the islands, which isolates each community, making traveling between islands harder. It’s ability to provide food is threatened as companies infringe on and overfish in traditional fishing waters. Drinking water is also rare and hoarded by the privileged. Most importantly, it gives life, both spiritually (as in the final short) and physically.
“We sweat and cry salt water, so we know that the ocean is really in our blood”
Teresia Teaiwa
Vai’s journey is played by 8 different indigenous actresses across 7 different countries and 8 different ages. In the first short, Vai is a 6 year old girl in Fiji, and the film progresses until the final short shows her as an 80 year old woman in Aeotara (New Zealand). By shooting Vai’s journey with different actresses across different countries, Vai creates a common indigenous Pacific Islander experience.
One common theme is the cycle of leaving and returning. In the first three shorts, Vai lives without her mother or father, as they’ve been forced to travel to New Zealand to try and provide for their family. In the fourth, Vai has already left Samoa and is studying in New Zealand. The final four films feature an older Vai that has returned to home. She returns and has to relearn the traditional ways she has forgotten. Whilst she regains her community, her younger relatives leave their homes just as she did, repeating the cycle of coming and going.
(Insert analogy comparing the coming and going of the people and tradition to the coming and going of the sea tides).
The Pacific Islander experience may be new to some viewers, however, the experience of life is much more universal. It’s scope reminded me a little bit of Linklater’s Boyhood, except here the scope is much larger. Instead of focusing on a child from 8 years old to 18, Vai follows a woman across a whole lifetime. In doing so it encapsulates the entire experience of life in 90 minutes. When you’re watching Vai as an 80 year old, the memories of the shorts of Vai as a 6 and 13 year old are still clear in your head which allows us to enter Vai’s old age with a greater understanding of where she came from. These are memories that we often lose touch of once we hit adulthood in our own lives. Showing it all in one film lets us see life repeating itself and allows us to better empathize with Vai as an older woman.
If you’re after more indigenous stories from the Pacific Islands, check out Whale Rider, The Orator, Waru, or even Tanna. For too crossover films you could also check out Hunt for the Wilderpeople and Rabbit Proof Fence.
Or, if you’re looking for more films which follow a single character across different ages, I’d strongly recommend checking out Boyhood and Moonlight. They’re two great U.S. films about growing up.
You must be logged in to post a comment.