road trip

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Tenere – Pan African Film Festival 2020

Tenere documents the incredible real life Mad Max journey of Nigerien people crossing the Sahara on customized trucks in search of an escape from their poverty. It’s an almost unbelievable journey, and although more people try to cross the desert than the Atlantic to get to Europe, it surprisingly rarely makes the news.

Tenere itself is an observational documentary that follows Bachir on his journey from Agadez to Dirkou in search of work. Bachir is one of the most experienced members of the group, having already made the journey across the Sahara a few times in order to provide for his family. This time, instead of going to Libya, which is no longer a land of opportunity because of the raging civil war, Bachir plans to stop and find work in Dirkou, 584km away from Agadez in the northeastern corner of Niger. However, what might be a days journey by car on normal roads is a perilous 5 day trek across the sands of the Sahara in blistering 45 degree heat (that’s over 110 degrees Fahrenheit). In this part of the world, roads don’t exist, just a lot of sand.

Tenere takes off cinematically when the journey leaves Agadez. There’s a point, roughly 10-15 minutes into their journey that the craziness of it hit me. Agadez is the 5th largest city in Niger, albeit a small one when compared to cities around the world with just over 100,000 inhabitants. It doesn’t look like a city teeming with opportunity when we see it on camera. The dust roads, mud houses, and lack of greenery indicate that human life here isn’t sustainable. However, compared to the desert the migrants travel through, Agadez is an oasis of life. After 10-15 minutes of traveling through the desert, the director starts using drone shots to shoot the truck loaded with goats, people, wares, and water, allowing us to see just how perilous the journey is. We can see that their truck is the only sign of life for miles, an island in a landscape that is purely sand and hot air. They’re truck is the desert equivalent of the Senegalese pirogues aimed towards Europe, completely isolated and just a few punctures away from certain death.

You might be wondering: “well, these people were never going to die because the filmmaker and his crew were there just in case something went wrong”. However, you might not know that this film was all shot by one Turkish man, Hasan Söylemez, with just a few cameras and a convoy of hired soldiers to protect them from desert bandits. There’s not much a camera and soldiers can do to help if your car breaks down when you’re two days drive from civilization and surrounded by sand and a 45 degree heat. It’s exactly at the halfway point of their journey that one man emerges inexplicably from the desert. He has just walked 17km to find help because his truck has broken down whilst carrying 20-25 migrants on its back. They’re all stuck by the car with their water supplies running out. If he didn’t find anyone willing to help, this truck load of people would succumb to the desert, like the many other people buried under car tire tombstones. It’s an unforgiving journey, and death always feels precariously close because of a lack of visible support. There are no signs of backup help, because there isn’t any.

Tenere is almost unbelievable. These guys and their custom stacked truck would fit perfectly into an apocalyptic Mad Max film. But the handheld camera and drone shots make it almost feel like we’re there with them, minus the heat and glaring sun. It’s a brilliant observational documentary that exposes another migration route that rarely makes the news. I watched this film whilst I was halfway through reading ‘The Devil’s Highway’, an account of the Yuma 14 who died crossing the Arizona desert, which made this film even more pertinent. If you’re sitting comfortably in your home in Europe or the U.S. thinking that you deserved the luck to be born there, watch this film and see exactly how people are risking their lives to try and reverse their own fortunes.

Head to our Pan African Film Festival Hub for more reviews from PAFF 2020.

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Suleiman Mountain – Join a Bunch of Outcasts on the Road

Suleiman Mountain

Suleiman Mountain Film Difficulty Ranking: 3

Ever wondered what life would be like growing up in the back of a converted East German truck with an alcoholic con man for a father, a practicing witch doctor for a mum, and your father’s second wife who’s probably young enough to be your sister. Well, here’s your chance to experience it. Join the crazy road trip in Suleiman Mountain.

From: Kyrgyzstan, Asia
Watch: Trailer, Amazon
Next: Shoplifters, Little Miss Sunshine, The Wounded Angel
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Cuestion de Fe (Bolivia) – A Saintly Road Trip Around Bolivia

Cuestion de Fe Film Difficulty Ranking: 3
  • Dodgy drug boss: check
  • Drunken protagonist: check
  • High stakes gambling: check

If you’re thinking Cuestion de Fe is a B-movie action flick, you’d be wrong. Whilst it does contain all the elements above, Cuestion de Fe is more of a fun, easy going road trip film. If you’re up for joining a drunk artist, a hanger-on, and a hustler in their bright pink truck to travel across Bolivia, this film is for you. You can watch the film here on Vimeo (Spanish only).

Image result for cuestion de fe bolivia

Why Watch Cuestion de Fe?
The Breakdown

Meet Domingo. He’s a craftsman who’s an expert at making statues of Catholic saints. But, he’s also a drunkard who uses his statues to barter for bottles of spirits at the bar next door.

One evening, a big drug boss from the Yungas (a region in the shadow of the Andes perfect from coca growing) pays Domingo’s local bar a visit. He wants Domingo to make him an exact replica of the Virgin featured in a local church. What’s more, he wants Domingo to deliver the statue to his town deep in the Yungas (a few days drive from them) within 12 days! Of course, it sounds impossible. But Domingo is the only person who could do it, and this drug boss is offering 80 million Bolivianos.

80 million Bolivianos is a very big sum of money, so of course Domingo says yes. He immediately gets to work with his friend and recruit a local hustler who offers to drive them to the Yungas. With the logistics sorted, can they make the statue and transport it in time?

Is it better to be a Statue or a Woman?

Like a lot of movies, Cuestion de Fe doesn’t pass the Bechdel test (that a film has to 1. have at least two women, 2. that talk to each other 3. about something other than a man). But, whilst you may not notice it, the subjugation of women in Cuestion de Fe isn’t great. There are only around 5 women in the film, all with minute roles. Here are the most memorable women in this film:

  1. A young woman sitting with 2 guys in the bar who returns Domingo’s stare and gets slapped by one of the guys, who is presumably her boyfriend, as a result.
  2. A prostitute who Domingo pays to keep him company at a pit stop
  3. The woman who Domingo’s hanger on instantly falls in love with and marries

In short, Cuestion de Fe does not show any independent women, they all rely on the male characters. In addition, the men don’t respect them or show them love.

When you contrast how the women are portrayed to the statue of the virgin that Domingo lovingly creates and looks after, I’d say that statues are treated better than the women in this film.

Conclusion and What to Watch Next

Cuestion de Fe truly is a fun movie to watch if you can either find a subtitled version or are quite good at Spanish. You’ll get to travel across Bolivia with a hilarious trio of oddballs, what more can you want!?

For more great road trip films you should check out:

  • Motorcycle Diaries: charting the famous road trip Che Guevara took with his buddy across South America.
  • Into the Wild: follow a recent graduate burn his money before roaming across the United States
  • Y Tu Mama Tambien: a raunchy coming-of-age road trip across Mexico
  • Thelma & Louise: one of Ridley Scott’s greatest films, a road race thriller which passes the Bechdel Test
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Munyurangabo – Post-War Rwanda through the Eyes of Friends

Ngabo and Sangwa

Munyurangabo Film Difficulty Ranking: 3

If you want to see a great film about life in post-genocide Rwanda then watch Munyurangabo. The production quality isn’t great and there’s a lot of singing that pops up now and then, but the dialogue is simple and waterproof. It doesn’t offer you much at the start, but it slowly reveals more and more as the film progresses until you realise you’re watching a much deeper film than you thought.

From: Rwanda, Africa
Watch: Trailer, Rent on Amazon, Buy on Amazon, Tubi, Kanopy
Next: Hotel Rwanda, Look of Silence, Sleepwalking Land
Continue reading “Munyurangabo – Post-War Rwanda through the Eyes of Friends”
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Tinpis Run – A Road Trip Across PNG with One Man and His Father-in-law

Tinpis Run

Tinpis Run Film Difficulty Ranking: 3

Why Watch Tinpis Run?

  • If you’re looking for a light-hearted road-trip comedy
  • If you’re a fan of Don Quixote and Sancho Panza and want to see PNG’s equivalent
  • To see cycles of exploitation stemming from colonialism
From: Papua New Guinea, Australasia
Watch: Watch on YouTube, IMDb
Next: Cuestion de Fe, Akasha, Tanna

One Crazy Road Trip

In the opening of Tinpis Run, Papa meets Naaki. Papa is driving one of his regular taxi routes across the highlands when he almost falls asleep at the wheel and crashes his car. Naaki pulls him out of the car and rushes him to hospital, saving him from certain death. In thanks, Papa promises Naaki his daughter’s hand in marriage (she refuses). However, despite his daughter’s refusal, Naaki convinces Papa to buy a new vehicle and get back in the taxi business to cement their new bond of friendship. Together, they drive around the country going along with whatever life throws at them, whether that’s gambling losses that force them to bond with local politician/criminals, highway robberies, and tribal warfare. Whatever misfortunes hit them, they’re treated with deadpan comedy instead of concern, much like the slapstick adventures of Don Quixote and Sancho Panza.

PNG’s Don Quixote and Sancho Panza

Papa and Naaki’s unlikely friendship was the first thing that reminded me of Don Quixote and Sancho Panza. Papa is an old highland chief making a living through his taxi business whilst Naaki is a regular guy from the city. Whilst Papa still identifies with traditional PNG life, such as tribal rivalries and giving away his daughter’s hand in marriage, Naaki rejects them. He prefers the simple manly pleasures of life such as womanizing and life by the beach. Papa’s fervor for traditionalism matches Don Quixote’s dreams of being a chivalrous knight. Naaki, like Sancho Panza, is happy to go along with Papa just to get closer to his daughter and to make a living.

Colonialism’s lasting cycles of exploitation

Under the comedy, there’s a critique of the lasting effects of colonialism. In the early scenes of the movie, when Papa is looking for a new truck to restart his taxi business with Naaki, he finds a beat-up truck being sold by a white man. Papa, old enough to remember the neocolonialist rule of the country under Australia, calls the white man ‘master’ and doesn’t question his extortionate price. His unquestioned trust of the white man shows the lasting effect of colonialism’s promotion of white superiority.

But it’s not just the white man that tries to exploit the indigenous PNG citizens. We see a PNG citizen from the mainland trying to exploit PNG citizens on the islands (as well as Papa and Naaki). He tricks Papa and Naaki into taking their car on one of his boats to a nearby island to promote his campaign in the local elections. He uses their car as a symbol of the ‘civilization’ and technology he will bring to the island if the islanders vote for him. Just as the white man used his white status to rip off Papa, this PNG citizen uses his status as a city dweller to trick the islanders. It marks that the cycles of exploitation founded in colonialism didn’t end with independence.

What to Watch Next

If you’d like to watch another light road trip adventure, head to Bolivia to watch Cuestion de Fe. There’s also Ghana’s Bigman Wahala if you want a big more laugh out loud humor.

Or if you’re looking for another film featuring characters letting life lead them where it wills, check out Sudanese film aKasha or Portugal/Cape Verde’s Djon Africa.

Lastly, for more films featuring tropical island life, go watch Jamaica’s Outdeh, and Hawaii’s August at Akiko’s. Whilst it’s not an island, Suriname’s Wan Pipel also has that same laid back tropical island feel too, and is a great film from a country without much of a film industry.