If you’re looking for a disorientating journey into the Sahara desert inspired by Touareg folk-tales, you’ve come to the right place. Zerzura looks and feels like a budget film, so don’t expect high production quality. However, you can expect a lot of magic, dreams, visions and djinn, as one nomad goes in search of his lost brother.
Right from the beginning, you can tell that 17 year old Sparkle is lonely. Much like Amy, the lead in Maimouna Doucore’s Cuties, she’s stuck doing house chores for her grandparents. It doesn’t look like she has any friends at school or at work, and she doesn’t talk much. So when she meets a group of older girls dancing in the street, she finds the confidence and expressiveness in them that she wants to have. So she works her way into their clique and transforms from the children’s clothes wearing, shy 17 year old kid from the introduction into a vividly dressed, confident dancer.
Her gateway is Trini culture. In particular Soca music: a mix of calypso, reggae, dancehall unique to Trinidad which permeates She Paradise. Soca is present in the dancing and style, which combines with the music to give Sparkle a brand new modern key to her independence. Embracing the contemporary Trini culture through Soca opens up a new world that is totally unique to her world at home with her grandfather. It’s modern and fresh, instead of from the past. It allows her to forget about her childhood and home poverty, and have an opportunity to become a free independent woman.
She Paradise is a feature length version of the brilliant short film that debuted last year at a few festivals that we reviewed here. Like the short, the feature version has many of the same scenes, which are mostly included in the first part of the film. The feature also contains a few hints at Sparkle’s background, but it’s still not clear what she does before she meets the Soca crew. However, unlike the short, this feature film adds in a few male characters which take the focus away from the female friendship of the short. Instead, the focus switches more to Sparkle and how she navigates a world of patriarchy – represented by her father and Skinny, the male Soca artist. It’s a shame as the friendship between Sparkle and Mica was the highlight of the short.
Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.
If you’re looking for an entry point into the Cholombiano sub culture of Monterrey, you’ve come to the right place. I’m No Longer Here has the cumbia music, the dance crews, the slang, and the unique haircuts. The narrative bounces between Monterrey and New York as it follows Ulises from leading a crew in his Mexican hometown, to his new exile in New York to escape the gangs he was mistakenly mixed up in. In New York, he never fits in. He’s only at peace when he’s listening to cumbia or dancing. Otherwise, he’s alone in a world where local Latinos make fun of him and where the Americans that like him can’t communicate with him. Tune in for the music, dancing, and ‘fish out of water’ immigrant experience.
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