mountains

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Mimosas (Morocco) – Travel Through the Desert, Mountains, and Time

Mimosas Film Difficulty Ranking: 4

Mimosas is a film of epic journeys. There’s Ahmed and Said who are attempting to guide a Sheikh and his caravan across the Moroccan mountains. Secondly there’s the magical journey of Shakib who travels time to guide Ahmed to a more honourable life. Check out a spoiler free trailer below (I’ve deliberately cut the length).

Why Watch Mimosas?
  • If you’re thinking of going to Morocco but aren’t sure if the scenery is beautiful enough (you’re wrong)
  • To go on an epic journey through the mountains reminiscent of Lawrence of Arabia or Lord of the Rings and an awesome scene with taxis riding across a desert like Mad Max
  • It won Critic’s Week at Cannes in 2016
  • Get lost in time as the past and present meet
The Breakdown

Mimosas starts with a few shots of graffiti on a wall of a castle and garden before switching to a few shots of the mountains. As you’ll see later in the film, the graffiti alludes to the modern world (the present) whilst the mountains provides the setting for the past.

After a screen wipe (a blank shot) we are introduced to Ahmed and Said, two guides helping a dying Sheikh to cross the mountains. They are all wearing traditional clothes and half of them are on horseback. These scenes of Ahmed and Said seem to be from at least hundred years ago, probably more.

In contrast, we enter another world in a Moroccan town bordering the mountains (probably the place where the graffiti from the opening scene was shot). It’s here we meet Shakib, preaching about creation fervently to a group of men. It’s present day, evident from the cars and clothing. He’s picked out by one of the head workmen to go with him for an important job: to go into the mountains, find Ahmed and keep him safe.

It’s in his journey into the mountains and meet up with Ahmed that he magically crosses from the present into the past.

Image result for mimosas film

Conclusion

Who is Shakib? And how did he seem to travel time? Is he a prophet? Mimosas depicts the epic journey of Said and Ahmed which is suddenly surpassed by the epic journey of Shakib. You’ll be actively involved in this film as you try to piece together the gaps.

 

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Piedra Sola – AFI Fest 2020

Piedra Sola

Piedra Sola, like Notturno (one of the other films at this year’s AFI Fest), is beautifully shot. Set in the hamlet of Condor in the northern highlands of Argentina, it contains a lot of otherworldly landscapes and local ceremonies that look unusual to foreign eyes.

However, the exceptional images hint at a higher meaning that isn’t really decipherable in the film. For example, there’s the opening shot of a horse with its two front legs tied, hopping over a rocky hill at dawn. It’s a striking image, and beautifully captured in low light conditions, but it’s not clear how it fits into the narrative of Piedra Sola. The horse never reappears and doesn’t have too much of an impact on how we perceive the film, except to create intrigue. That’s not to say the film needs to have a narrative – it doesn’t – however, the scenes don’t feel like they all come together to unlock the mystery that they each contain. It feels more like a collection of sublime images than something complete.

This also comes across in the focus of the film, the lama herder. We see him go travel to a nearby town to sell his wares and get involved in the local festival, but beyond that we don’t have much of an understanding of him. It’s made vaguely aware that his livestock is being attacked by a puma, but it’s never clear if this is imagined, real, or an allegory for something else. His silence and emotionless face don’t give away any of his feelings either way. He is as mysterious as the collection of images that make up Piedra Sola.

His lack of agency also comes across as a bit problematic. Combined with his silence and lack of emotion, it presents another image of the passive Latin American indigenous person. Like Cleo in Roma and Justino in The Fever (two more films directed by non-indigenous directors), things happen to the lama herder that he quietly reacts to. Instead of initiating things himself, he only responds to things around him, which makes him seem a bit characterless.

There’s also the exoticization of the isolated Andean community. The director, Alejandro Telemaco Tarraf beautifully captures the ceremonies and the hamlet, but he also others it. The unique culture is viewed with a gaze that highlights the differences between the highland culture of Argentina from the city culture of Buenos Aires. It makes their culture seem a bit rustic and old fashioned, situating the community as if it exists in another world and time.

If you’re looking for a beautifully shot, esoteric movie set in the remote highlands of Argentina, you’ll love Piedra Sola. However, the mystery in the images and narrative make it hard to access, whilst the exoticization and passivization of the portrayals of the remote community make it hard to love.

Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.