ingmar bergman - FilmRoot

Wild Strawberries (Sweden) – How Did You Live Your Life?

Wild Strawberries Film Difficulty Ranking: 3

Do you have a grouchy grandpa or a grumpy old friend? Well this is the perfect film to watch with them. It reminds of us of our mortality and explores the meaning of life. Are we better off grumpy or friendly – watch and decide. I admit, it’s not a barrel of laughs, but it is thoughtful, beautiful, and worth every minute of your time.

Check three reasons to watch it below. Then watch it here on YouTube.

Why Watch Wild Strawberries?

For the perfect introduction to Swedish maestro, Ingmar Bergman
To explore the meaning of life!
It’s one of the greatest road trip films (although it is completely different to the extroverted Hollywood road trip films)
To see some scary dreams and visions

The Breakdown

Wild Strawberries starts with Isak, a 78 year old professor about to receive a doctorate. He thinks how he has become lonely in his old age (in an inner-monologue that we hear from a lot in this film) before he introduces us to his family and goes to wake up his maid. He is ready for a road trip!

It doesn’t seem like anyone really likes him though. In his old age, he has become lonely because he doesn’t like hanging out with his family or community. To add to that, he is plain rude. Whilst driving, he chauvinistically tells Marianne to stop smoking because she is a woman, and feigns forgetfulness when she brings up how rudely he dismissed her relationship with his son.

Luckily, he begins to change as he starts to look back on his life. One particular dream sets him on this path. In this dream Isak stops outside a house with boarded windows. He anxiously walks to the left of the house, but doesn’t walk more than 10 steps (the camera stops him). He walks to the right, but stops himself again. He looks up at the town clock, but there are no hands on it to tell the time. Then he sees a hearse approaching. As it moves closer, one of the wheels of the hearse gets stuck on a lamppost and the coffin falls out. As Isak moves closer to close it’s lid, the hand of his own corpse tries to pull him inside. Is he already dead?

Conclusion

Wild Strawberries is one of Ingmar Bergman’s classics. It takes a grumpy old man who doesn’t care for his family or community and shakes him with dreams and visions to try and change him. The road trip is his journey to understanding the meaning of life.

Cries and Whispers (Sweden) – A Brutal Family Drama

Cries and Whispers Film Difficulty Ranking: 4

This is the ultimate malfunctioning family. One of the three sisters is dying, but the other two are preoccupied with their own lives. Watch this amazingly coloured film if you are looking for a brutal family drama. It’s not for the faint hearted!

Here’s three reasons to watch along with the film’s eerie soundtrack

Why Watch Cries and Whispers?

This is brutal family drama Shakespearean style
If you want to see a bit more from celebrated Swedish director Ingmar Bergman outside his big three (Seventh Seal, Persona, and Wild Strawberries)
For another exploration of life and death (this exploration is far more disturbing than Bergman’s Wild Strawberries)
To see some more beautiful colours (just as you just saw in Jude’s Scarred Hearts)

The Breakdown

The film starts with the colour red. The only other thing we can perceive is the chimes of a small bell. Next, we see shots of statues and trees in what looks like a misty churchyard. After a few cuts, the misty churchyard fades into redness.

The red themes continue into the films beautiful red and white pictures (see below).

Image result for ingmar bergman cries and whispers — Vivid red and white palette used in Cries and Whispers

The colour grades are beautifully vivid, but why does Bergman use red and white? Well as put by Bergman below, the red represents the soul. You will notice that the red fades as the film progresses – along with the souls of the characters.

“Cries and Whispers is an exploration of the soul, and ever since childhood, I have imagined the soul to be a damp membrane in varying shades of red”

Another thing that fades as the film progresses is time. From the start you’ll hear the chimes of bells and clocks ticking. You’ll even see shots of clock faces that break up the film narrative. However, just like the fading of the vivid reds (that represent the soul), the images and sounds of time will fade. Agnes, and the other characters, are losing their time on earth.

Conclusion

Cries and Whispers is another dark Bergman film to satisfy your inner demons. It explores life and death and finds emptiness in one of the most vividly coloured sets I’ve seen. Watch this one after you’ve seen Wild Strawberries, Seventh Seal, and Persona to expand your film knowledge of the fantastic Ingmar Bergman.

After the Rehearsal (Sweden) – Bergman vs. Your Mind

After the Rehearsal Film Difficulty Ranking: 4

Bergman is back on FilmRoot to play with your mind. What initially seems like an ordinary conversation between two characters becomes something that you start doubting. See if you can gauge whether the characters are acting or just having a regular conversation. Top marks to anyone that can decipher it!

Image result for after the rehearsal

Why Watch After the Rehearsal?

For more Ingmar Bergman! We’ve already looked at Persona and Cries and Whispers so here’s more from the Swedish maestro!
If you love the theatre – this one has plenty of Strindberg references and even looks like a play
You love character focused dramas
It’s another film that messes with you (like in Persona and Mulholland Drive)

The Breakdown

After the Rehearsal starts with a shot of the floor which works its way across a carpet, up to a desk to show a man’s head lying on the desk. He is lingering on the stage set after the rehearsal to reflect. His narrative voice kicks in with an inner monologue reminiscent of Bergman’s opening to Wild Strawberries.

The man’s inner monologue is interrupted by an actress returning to the set to collect something she left behind. The man wants to carry on thinking, and whilst he politely greets the actress with his voice, his inner voice shouts at her to go away.

Unfortunately for him (and for the sake of entertainment) the young actress does not go away and they start talking. They talk about life and the future and other things. However, the manner they both show emotions and talk to each other becomes more and more unclear to us. Are the acting? Is the actress a figment of the man’s imagination? Or are they just chatting?

Conclusion

Bergman always likes to play with his audience (most notably in Persona) and he does it again here. In this film, he blurs the lines between life and acting. He even hints that the actress could just be a figment of the man’s imagination. What a trickster! This one is another classic Bergman to play with your head!

I recommend checking out the ‘Breaking Down Bergman’ YouTube channel after you’ve seen this film to find out more. Link here.