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Ali: Fear Eats the Soul (Germany)

Ali: Fear Eats the Soul Film Difficulty Ranking: 2

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Can you imagine a world 20 years after the fall of Hitler and the Nazis in which a former Nazi ended up in love with an Arab immigrant? Well you don’t have to, you just have to watch this film. You’ll experience racism, prejudice, and loneliness. The experience will hopefully be enough to help you feel the loneliness of life as an immigrant and to drop any prejudices you may have. The film is currently available to watch on YouTube (click on link).

Why Watch Ali: Fear Eats the Soul?

It will provoke a lot a debate! So much to talk about!
It is one of acclaimed German director, Rainer Werner Fassbinder’s masterpieces (it won awards at the prestigious Cannes film festival)
Experience racism and prejudice in Western Europe in the 1970s
See some excellent camerawork – partly discusses below

The Breakdown

Emmi, an old white German woman walks into a bar to get out of the pouring rain. The camera cuts 180 degrees to show a group of Arabs watching Emmi from the other end of the bar. Then the camera cuts back 180 degrees to show Emmi sit down at a seat closest to the door. The camera marks the distance between Emmi and the Arabs drinking at the other end of the bar. Will the distance between Emmi and the Arabs be broken?

One of the barmaids challenges Ali, one of the Arabs, to go and dance with the old woman. Not one to refuse a challenge, Ali crosses the race threshold and walks to the other end of the bar where Emmi is sitting. He asks her to dance, and she accepts! They both cross the threshold and walk past the other Arabs to a dance floor at the back of the bar. All of the bar’s clientele watch them in silence.

Through Emmi and Ali’s relationship we get to experience the horrible amount of racism and prejudice they face from shopkeepers, Emmi’s family, and the people she works and lives with. What stuck with me was the image of Emmi’s son-in-law (played by Fassbinder) sitting on the couch reading a newspaper. He is dressed shabbily, is skipping work, and threatens to hit his wife if she doesn’t go get him a beer. Whilst he is acting like a pig, he complains about all the Arab immigrants and refers to them as pigs. The best metaphor of hypocrisy.

Conlcusion and What to Watch Next

The camerawork and unlikely relationship make this film great. It will challenge your own prejudices. Amazingly there are still a load of remnants from the time of Hitler – Emmi even admits she was a Nazi just like everyone else living in Germany whilst he was in power. For an excellent film on race in Europe go watch this film!

For more films about immigration and the migrant experience check out:

Black Girl: Sembene’s classic about a Senegalese girl taken to France to work for a French family. It’s essential viewing and available on YouTube.
Sin Nombre (Amazon): A Central American thriller following one boy trying to flee the country to escape the notorious Mara gang
Paddington (Amazon): One Peruvian immigrant tries to fit in in the U.K.

Wings of Desire (Germany) – Live as an Angel in Cold War Berlin

Wings of Desire Film Difficulty Ranking: 3

Ever wonder what it’s like to be an Angel? In Wings of Desire you’re immortal, but confined to a half-reality. You can see and hear reality, but you cannot feel it. So all you can do is wander the world watching it change. Be an angel and watch Wings of Desire here (rent of buy on Amazon).

Image result for wings of desire

Why Watch Wings of Desire?

To see Berlin before the end of the Cold War, complete with Berlin Wall
Because every line is quotable – it’s a philosophical muser’s paradise
To live like an angel (although it’s not as heavenly as you might think)
Because Wim Wenders won Best Director for this film at Cannes and it has a beautiful soundtrack.

The Breakdown

An eye opens and cuts to a sweeping aerial shot of Berlin. The eye belongs to Damiel, a winged angel, and the aerial shot is his view of Berlin from the top of one of the cities highest monuments. The only people that see him perched at the top of the building are a few passing children who stare at him in awe.

Damiel and the other angels wander the city invisibly. They cannot talk to humans and they cannot be seen by humans, but they can hear all of their thoughts. Therefore, all they can do is wander the human world as observers.

The director (Wim Wenders) portrays their wandering with extreme melancholy. Firstly, he shows them trying to help people in vain, like a man who commits suicide. Secondly, he shows their lives in black and white whilst the Berliners they listen and watch are shown in vibrant colour. By creating their lives as a half life (without feeling, colour, and action) it makes us sympathize with their desire to be human.

Portrayal of Berlin

Wings of Desire was shot in the decade before the reunification of Germany. Therefore you will see the Berlin Wall and East Germany looming in the distance. The melancholic lives of the Angels are a reflection of the melancholy in Berlin, a city that still hasn’t recovered from the the Second World War.

There are reminders of the war placed throughout the film, from the actors dressed as Nazis and Jews on a nearby film set to the Berlin Wall. However, the most prominent example of the wars devastation on life in Berlin is the fate of Potsdamer Plaza.

A storytelling character aptly named Homer walks through the no-man’s land wasteland by the Berlin wall where Potsdamer Plaza used to be located. He reminisces about the Plaza when it was full of life. Before the war, it was full of friendly people and tradesmen. But later Nazi flags filled the square and the people became unfriendly. And now it’s just part of an empty wasteland that runs alongside the Berlin wall, with no life at all.

Conclusion

Wings of Desire is a beautifully melancholic film that meditates on the plight of humanity in the 20th century. In the political volatility today, this film is particularly relevant. It’s almost a warning of what could happen if we let love abandon us; we’d become Angels wandering the wastelands.

For another great German film of almost epic proportions I strongly recommend watching Fassbinder’s The Marriage of Maria Braun. It charts 20th century German history through the stoic Maria Braun, who is widowed as her husband fights in WW2.

If you love the melancholic philosophical musings I also recommend watching The Seventh Seal (rent or buy on Amazon), the story of a knight who is stalked by death.

The Merchant of Four Seasons (Germany)

The Merchant of Four Seasons Film Difficulty Ranking: 4

For ‘real’ German cinema, look no further than here. For this is the New German Cinema of the 1960s-1980s, a cinema where commercial interests were kicked out of the window. In The Merchant of Four Seasons, you will see the real Germany of the 1950s in it’s grim glory. You’ll see everything commercial films won’t show you: class prejudices, domestic violence, and depression. Watch this film if you’re intrigued!

Why Watch The Merchant of Four Seasons?

You want to see the bleakness of humanity
To see something from the New Wave of German cinema (1970s) by one of it’s leaders: Fassbinder
Was life good in Germany in the 1950s?
For some 70s film cinematography: quick zooms and close ups

The Breakdown

The film starts with Hans (our protagonist) arriving home in the middle of the night. He has just come back from Africa where he spent 7 years with the French Foreign Legion. Instead of being pleased to see him, his mother tells him off for turning up in the middle of the night. She tells him “the good die young, and the bad always come back.” What a lovely mother! What has he done to deserve this?

We learn that Hans is a fruit salesman and doesn’t earn much money. However, before you start feeling sorry for him, he is an alcoholic and a wife beater as well. So much so, that his wife nearly leaves him after he comes back from the pub drunk and beats her. Is Hans a really bad guy or someone who has been forced down a bad path? The film argues both. West Germany in the 1950s looks bleak and without much opportunity, but Hans’ alcoholism and violent nature does not help him.

More important than Hans is the story of Irmgard, Hans’ wife. She is threatened and beaten by her husband, looks after the kid by herself, and is asked how much she costs when walking along the street. She is treated as a maid and a sexual object. Irmgard’s position as the ‘German woman’ of the 1950s shows the absence of equality and respect for women at the time.

Conclusion

Fassbinder’s portrait of post-war Germany is very negative. He doesn’t seem to think much of human nature and portrays life in West Germany as pretty grim. Both the protagonists are in positions they didn’t want to be in. For a gritty look at life in post-war Germany watch this. However, if you do not want to see class prejudices, domestic violence, infidelity, family discord, depression and self-destructive behaviour, watch something else.