gentrification

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Epicentro – An Outsider’s Perspective of Cuba

Epicentro Film Difficulty Ranking: 3

Why Watch Epicentro?

  • It’s an interesting outsider’s perspective of a forgotten country
  • To meet anti-imperialist and anti-colonialist locals
  • Watch a filmmaker unwittingly become part of the cycle of exploitation
From: Cuba, North America
Watch: Trailer, IMDb, Website
Next: The Project of the Century, I Am Cuba, Let it Burn
Continue reading “Epicentro – An Outsider’s Perspective of Cuba”
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The Black Pin – Gentrification in a Small Montenegrin Village

The Black Pin

The Black Pin Film Difficulty Ranking: 2

Why Watch The Black Pin?

  • If you like films set in quaint rural villages
  • To see how gentrification affects small rural towns around the world
  • For classic friendly dry humor
From: Montenegro, Europe
Watch: Trailer, IMDb
Next: Underground, The Flying Circus, Cosy Dens
Continue reading “The Black Pin – Gentrification in a Small Montenegrin Village”
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Landfall – Los Angeles Latino International Film Festival 2021

Landfall

Landfall is a political film imbued with anger at the current state of Puerto Rico. It captures life in the aftermath of Hurricane Maria, choosing to depict the current post-Hurricane tragedies instead of the actual Hurricane, and setting them within the history of U.S. imperialism. In doing so, Landfall presents a critique of disaster capitalism (see Naomi Klein’s Shock Doctrine) and the U.S. stranglehold on Puerto Rico and it’s ineffectual politicians.

That being said, the actual footage isn’t inherently political. Each scene from each part of the island is shot observationally without any directorial input or opinion. For example, the profile on the wealthy real estate family by itself doesn’t include any tough questions for the family or a political lens. However, by moving between these profiles of wealthy families and crypto-billionaires and profiles of rural farmers struggling to make a living and activists protesting the governor, the film becomes political. It juxtaposes the increasingly wealthy with the increasingly poor to highlight the growing inequality on the island. And by jumping around the country to visit a range of communities, Aldarondo shows that this inequality is endemic to all parts of the country.

One of the most memorable snapshots captures the arrival of U.S. crypto billionaires. They’ve arrived on the island cloaked in good intentions with promises for employment and wealth via the blockchain. However, when confronted by locals on their similarities with the white American imperialists that preceded them their benevolent facade crumbles. One represents the danger of a white savior – talking down on the locals as if he’s the only one that can solve their issues – whilst another represents the cultural eradication of cultural appropriation in her dreaded hair. Cut with scenes documenting the history of U.S. imperialism and speakers pressing Puerto Rico to privatize the country to encourage foreign investment and the warning signs are clear. Puerto Rico is on the brink of being re-colonized by wealthy Americans looking for a clean tax-haven for their millions. Their arrival is a threat to indigenous Puerto Rican life.

Landfall is made as an urgent warning to the precarious situation on the island. Just like Zuckerberg’s land grabs in Hawaii, and the privatization of post-Katrina New Orleans, post-Maria Puerto Rico is arriving at its own tipping point. Fortunately there is some hope that indigenous way of life prevails, represented in the people protesting the Governor, the community schools, and the family standing up to real estate in Vieques. The fight for Puerto Rico isn’t quite over.

Head to our LALIFF 2021 Hub for more reviews from the 20th edition of LALIFF.