Film

31

Wan Pipel (Suriname) – Pride and Love in Post-Colonial Suriname

Wan Pipel Film Difficulty Ranking: 3

If you don’t know anything about Suriname, you should watch Wan Pipel! First and foremost it’s an ode to the beauty of Suriname, from the diversity of Paramaribo to the Amazon rain forest. Secondly, it’s also a commentary on prejudice, marriage rites, and post-colonialism. Check out the full film below (via YouTube)!

Why Watch Wan Pipel?
  • To see Suriname! You’ll visit the capital, Paramaribo, the Amazon jungle, and get a glimpse of Suriname’s diversity
  • It’s got a love triangle! But luckily this one is not clichéd
  • Witness some of the effects of Colonialism
  • To learn that you often need to leave home in order to appreciate it
The Breakdown

It’s the late 1970s. Suriname is now an independent republic after 300 years of Dutch colonialism. In Paramaribo (Suriname’s capital) a dying mother sends her eldest son Roy a telegram to come home from Amsterdam (where he is studying) to see her before she passes away.

Her son comes home to find his home country completely different to how he remembered it. In contrast to the stuffy Dutch society he is surrounded with in Amsterdam, returning to a vibrant Paramaribo reveals just how much he has missed his home country.

This is obvious in the tone of the film. In Amsterdam, he mingles with his white girlfriend’s family who crack bad jokes about Surinamese people as if he wasn’t Surinamese. However, in contrast, the mood changes right after his mother’s funeral when he is at home in Suriname. At this point, upbeat music starts playing and Roy gorges on all the street food Paramaribo has to offer. He even changes his shirt in the street, donning a  top with the Surinamese flag branded on the front. It’s obvious he is loving being back in his home country.

So there’s a love triangle that isn’t clichéd?

Yup. You’ve probably seen many cheesy love triangles in films such as Twilight, The Notebook, and Pearl Harbour, but luckily for you, Wan Pipel is different. The love triangle actually adds to the film.

  1. Firstly, on a superficial level, Roy’s relationship with Rubia, a Hindu Surinamese nurse, represents the diversity of the people of Suriname.
  2. Secondly, Roy’s relationship with Rubia highlights the prejudice in Suriname. Roy’s dad is incensed that Roy comes home and goes off every night with an Indian girl instead of staying true to his white Dutch girlfriend at home in Amsterdam. Roy’s dads loyalty to his son’s Dutch girlfriend is a sign that the colonial mentality has not disappeared with Surinamese independence.
  3. Thirdly, and perhaps most interestingly, the love triangle is an allegory for the unshackling of Suriname from Dutch colonialism. Roy’s relationship with the Dutch Karina represents Suriname’s attachment to it’s colonisers. It’s a relationship which he is forced to use to sponsor his ticket back to Suriname to see his dying mother. In contrast, his relationship with Rubia represents pride in Suriname’s diversity and it’s independence from Colonialism. She is Hindu, he is Black, and their success vs. Karina represents a triumph for Surinamese independence.
Conclusion and What to Watch Next

Wan Pipel is definitely worth a watch. You’ll feel Surinamese pride flowing in this film and all the effects of the country’s troubled history. Plus, it’s all available to watch for free right here.

If you are looking for more films featuring a rediscovery of how much someone loves their roots, check out Wallay. It features a mischievous boy who is taken and left in Burkina Faso with his Burkinabe family to work back the money he stole from his dad.

If you are looking for another post-colonial film, check out Cuba’s Lucia, which follows three characters called Lucia across different eras of Cuba’s history.

Or, if you’re looking for another good love film, here are a few great options we recommend:

 

 

 

32

The Lobster

Film Difficulty Ranking: 3


Greek director, Yorgos Lanthimos creates a darkly funny dystopian like you have never seen before. With 1 part Napoleon Dynamite, 1 part Gattaca, and 2 parts art-house, The Lobster deserves its recognition at the Cannes Film Festival 2015.

Why watch The Lobster?
  • You have watched loads of dystopian films like The Hunger Games, Bladerunner, and The Matrix and want to see a refreshing turn in the genre.
  • For laugh out loud awkwardness throughout.
  • What’s your spirit animal? Now’s the time to think of it!
  • Look ma… no subtitles!

A long shot of a woman driving starts of this slow burner from Greek director Yorgos Lanthimos. We watch her driving, with the sound of windscreen wipers and the car engine being the only sounds we hear. She stops, gets out of the car and walks over to a deer or horse and shoots it dead. Bam – the title credits appear! Welcome to another art-house film!

The premise of this one is intriguingly unique. Being single is banned. All ‘loners’ are taken to this Hotel where they have 45 days to partner up with one of the other temporary residents there. If you fail – you are turned into an animal of your choice (Colin Farrell wants to be… a Lobster). Sound fun!? You’ll find out some of the other strange rules as you watch and you’ll also notice the hilarious awkwardness of everyone there. Single people can be hilarious!

To heighten the awkwardness director Lanthimos uses a few camera techniques. Firstly he uses still long-takes to make everything feel awkward. Just as in the editing in Androids Dream emphasises the absurdity of everything on screen with fixed long-takes The Lobster makes everything look darkly comedic by making you look at the dancing/singing/hotel masturbation for longer than you need to. Secondly, most obviously in the hunt, Lanthimos uses slow-motion to emphasise the absurdity of what the whole hunting event. The people look even more stupid running around with tranquilizers in suits in slow motion. What’s more is that this slow-motion is accompanied by orchestral music, making it all appear even more like a weird ritual or charade.

Lastly, the actors and actresses top off the awkwardness with their speech. Every line is uttered clearly and quickly, and is always followed by a brief silence before the person being talked to actually replies. Their conversations are stunted and artificial which makes their relationships look artificial as well.

For a dystopia like you’ve probably never seen before (unless you’ve seen previously reviewed sci-fi Androids Dream) I’d definitely recommend this one. Just don’t expect a fast-paced thriller – expect an artistic and innovative take on the genre.

 

 

33

Cuestion de Fe (Bolivia) – A Saintly Road Trip Around Bolivia

Cuestion de Fe Film Difficulty Ranking: 3
  • Dodgy drug boss: check
  • Drunken protagonist: check
  • High stakes gambling: check

If you’re thinking Cuestion de Fe is a B-movie action flick, you’d be wrong. Whilst it does contain all the elements above, Cuestion de Fe is more of a fun, easy going road trip film. If you’re up for joining a drunk artist, a hanger-on, and a hustler in their bright pink truck to travel across Bolivia, this film is for you. You can watch the film here on Vimeo (Spanish only).

Image result for cuestion de fe bolivia

Why Watch Cuestion de Fe?
The Breakdown

Meet Domingo. He’s a craftsman who’s an expert at making statues of Catholic saints. But, he’s also a drunkard who uses his statues to barter for bottles of spirits at the bar next door.

One evening, a big drug boss from the Yungas (a region in the shadow of the Andes perfect from coca growing) pays Domingo’s local bar a visit. He wants Domingo to make him an exact replica of the Virgin featured in a local church. What’s more, he wants Domingo to deliver the statue to his town deep in the Yungas (a few days drive from them) within 12 days! Of course, it sounds impossible. But Domingo is the only person who could do it, and this drug boss is offering 80 million Bolivianos.

80 million Bolivianos is a very big sum of money, so of course Domingo says yes. He immediately gets to work with his friend and recruit a local hustler who offers to drive them to the Yungas. With the logistics sorted, can they make the statue and transport it in time?

Is it better to be a Statue or a Woman?

Like a lot of movies, Cuestion de Fe doesn’t pass the Bechdel test (that a film has to 1. have at least two women, 2. that talk to each other 3. about something other than a man). But, whilst you may not notice it, the subjugation of women in Cuestion de Fe isn’t great. There are only around 5 women in the film, all with minute roles. Here are the most memorable women in this film:

  1. A young woman sitting with 2 guys in the bar who returns Domingo’s stare and gets slapped by one of the guys, who is presumably her boyfriend, as a result.
  2. A prostitute who Domingo pays to keep him company at a pit stop
  3. The woman who Domingo’s hanger on instantly falls in love with and marries

In short, Cuestion de Fe does not show any independent women, they all rely on the male characters. In addition, the men don’t respect them or show them love.

When you contrast how the women are portrayed to the statue of the virgin that Domingo lovingly creates and looks after, I’d say that statues are treated better than the women in this film.

Conclusion and What to Watch Next

Cuestion de Fe truly is a fun movie to watch if you can either find a subtitled version or are quite good at Spanish. You’ll get to travel across Bolivia with a hilarious trio of oddballs, what more can you want!?

For more great road trip films you should check out:

  • Motorcycle Diaries: charting the famous road trip Che Guevara took with his buddy across South America.
  • Into the Wild: follow a recent graduate burn his money before roaming across the United States
  • Y Tu Mama Tambien: a raunchy coming-of-age road trip across Mexico
  • Thelma & Louise: one of Ridley Scott’s greatest films, a road race thriller which passes the Bechdel Test
34

Hana-bi (Japan)

Hana-bi Film Difficulty Ranking: 4

Ever heard of a Yakuza film? The Yakuza are the Japanese gangsters much like the Mafia in Italy or the Triads in China and Hong Kong. Intrigued? Hana-bi is a Yakuza film with more than the usual violence. You’ll meet a former cop who turns to the Yakuza for loans to help his dying wife. Watch the film to find out if he manages to pay of his debts whilst learning about his own life.

Why Watch Hana-bi?
  • It’s a sophisticated Yakuza film
  • To see one of the best gangsters on film in some kick-ass sunglasses!
  • Takeshi Kitano won the Golden Lion for this film, establishing him as one of Japan’s top film-makers
  • Kitano even painted all the paintings seen in this film!
The Breakdown

Hana-bi starts with Joe Hisaishi’s film score (he’s the guy that produced most of the sound of Studio Ghibli) playing over a few pictures of saints (which Kitano starts with in a few of his films). In the opening scene, two men in blue boiler suits are staring silently at a guy in a suit and sunglasses in a half empty parking lot. The soundtrack stops as one of the guys in blue slaps a wet cloth onto a car bonnet and starts cleaning. The guy in the suit watches him clean for a minute before kicking him off of the car.

The guy in the suit and sunglasses is Nishi, a violent former cop, and the main protagonist of this film. We learn about his past in his flashbacks. Nishi has segmented flashbacks to the same event multiple times throughout the opening 30 minutes, but the whole flash back is not shown until later in the film. Early on, it shows two people being shot multiple times on the floor. It is not clear who is shooting them or why they are being shot but it obviously pains Nishi. We learn that he was held responsible for their deaths and relieved of his job.

Without a job, Nishi spends most of his time with his wife who has been diagnosed with a terminal illness. He brings her cakes and puzzles but they never talk. He obviously cares for his wife, but his dead pan face makes it appear like he is begrudgingly keeping her company. As stated by his former colleague ‘work is all they have ever known’ so this unexpected free time to spend with their wives and their hobbies is unfamiliar. Without work they are lost.

Conclusion

Hana-bi is a stripped down Yakuza (Japanese Gangster) film. Instead of focusing on violence and gangs, Kitano chooses to focus on the impact of retirement. Nishi and his colleague are both forced out of their police jobs because of a tragic accident. Both of them cannot forget the accident and both of them do not know what to do with their free time.

35

The Propaganda Game (North Korea) – What do you Know about North Korea?

The Propaganda Game Film Difficulty Ranking: 2

How dangerous do you think North Korea is to the world? Secondly, do you think you are an open minded person? The Propaganda Game exposes life in Korea and the propaganda we and North Koreans see every day. Is one side right? Can we find the truth? Read on.

Image result for the propaganda game

Why Watch The Propaganda Game?
  • To learn about North Korea
  • See how powerful propaganda can be (in this case it shows the propaganda we see that shapes our view of North Korea, and also the propaganda the citizens of North Korea see)
  • It will open your mind as you think about Cultural Relativism: the theory that beliefs, customs, and morality exist in relation to the particular culture from which they originate and are not absolute
  • It’s on Netflix
The Breakdown

The Propaganda Game starts with shots of what appears to be life in a typical Asian city. There are people meditating in parks, kids roller skating over ramps, and everything looks like it comes from a tourist brochure.

The shots are of course of life in North Korea. For a nice juxtaposition, the director layers western news reporters reports of life in North Korea over the top. It is clear that something is wrong as the pictures of North Korea obviously do not match up to the propaganda pushed by western media.

This is what film maker Alvaro Longoria explores in this film: propaganda. He points out that there are two players in the propaganda game, the North Korean government, and western media. Both are perpetrating myths and both myths are pretty much opposite. I’ve set out both myths below:

  1. The western media perpetrate a myth that North Korea is a rogue state which poses a nuclear threat to the world and subjugates all of it’s citizens against their will.
  2. North Korea perpetrates a myth that the west (in particular the U.S.) are the fault of all the problems in the country and that the whole world idolises their leaders and look towards North Korea as a beacon of the revolution.

Though the amazing shots and interviews we get in North Korea we can make our own judgements.

Conclusion

The most important message of this film is that we should always keep an open mind. Blindly accepting a point of view we see in the news can hide the truth. This goes for both the people in North Korea and the anyone who follows western media. We are all subject to propaganda, so we must always remain vigilant in trying to find see all sides of the agenda. In this case, there is no truth. Check out the trailer below.