Set in a dystopian future where society is crumbling, Akira is the anime equivalent of The Matrix. Pay attention to the superbly animated setting of ‘Neo-Tokyo,’ a city which resembles a mix of Bladerunner’s Los Angeles and the Hunger Games’ Panem. See the original before a Hollywood studio remakes their live-action version (which has been in the works for years at various Hollywood studios).
Greek director, Yorgos Lanthimos creates a darkly funny dystopian like you have never seen before. With 1 part Napoleon Dynamite, 1 part Gattaca, and 2 parts art-house, The Lobster deserves its recognition at the Cannes Film Festival 2015.
Why watch The Lobster?
You have watched loads of dystopian films like The Hunger Games, Bladerunner, and The Matrix and want to see a refreshing turn in the genre.
For laugh out loud awkwardness throughout.
What’s your spirit animal? Now’s the time to think of it!
Look ma… no subtitles!
A long shot of a woman driving starts of this slow burner from Greek director Yorgos Lanthimos. We watch her driving, with the sound of windscreen wipers and the car engine being the only sounds we hear. She stops, gets out of the car and walks over to a deer or horse and shoots it dead. Bam – the title credits appear! Welcome to another art-house film!
The premise of this one is intriguingly unique. Being single is banned. All ‘loners’ are taken to this Hotel where they have 45 days to partner up with one of the other temporary residents there. If you fail – you are turned into an animal of your choice (Colin Farrell wants to be… a Lobster). Sound fun!? You’ll find out some of the other strange rules as you watch and you’ll also notice the hilarious awkwardness of everyone there. Single people can be hilarious!
To heighten the awkwardness director Lanthimos uses a few camera techniques. Firstly he uses still long-takes to make everything feel awkward. Just as in the editing in Androids Dream emphasises the absurdity of everything on screen with fixed long-takes The Lobster makes everything look darkly comedic by making you look at the dancing/singing/hotel masturbation for longer than you need to. Secondly, most obviously in the hunt, Lanthimos uses slow-motion to emphasise the absurdity of what the whole hunting event. The people look even more stupid running around with tranquilizers in suits in slow motion. What’s more is that this slow-motion is accompanied by orchestral music, making it all appear even more like a weird ritual or charade.
Lastly, the actors and actresses top off the awkwardness with their speech. Every line is uttered clearly and quickly, and is always followed by a brief silence before the person being talked to actually replies. Their conversations are stunted and artificial which makes their relationships look artificial as well.
For a dystopia like you’ve probably never seen before (unless you’ve seen previously reviewed sci-fi Androids Dream) I’d definitely recommend this one. Just don’t expect a fast-paced thriller – expect an artistic and innovative take on the genre.
Whilst the plot of The Bloodettes may be loose and confusing, it’s something new, sexy and stylish. Neon night club lighting, as well as masses of jump cuts, dissolve cuts, and slow motion shots (that would make John Woo proud), all backed by an energetic Tsotsi-esque soundtrack makes this one of the most original films I’ve seen from Africa. This is Cameroon in 2025.
At last, a film on Film Root that you can watch with a large popcorn and coke. It’s just like the Hollywood blockbusters you are familiar with and you can watch it on Netflix! It has a recognizable cast, action, clear demarcations between good and evil, and drama. You’ll also get Film Root points for watching this, as it is made by Korean Bong Joon-ho and features a bit of Korean! So have a day off from the art-house and slow films usually on here and enjoy!
Here’s a teaser trailer (no spoilers this time)
Why Watch Okja?
It’s a Hollywood film, it’s mostly in English, and it’s on Netflix! It’s an easy way for you to say you’ve watched an international film!
To see more from Bong Joon-ho, the great Korean director behind The Host and Snowpiercer
Learn about the brutal side of the food industry (to learn even more check out Food Inc)
If you like cute pigs!
Breakdown
You’ll see the high heeled Lucy Mirando (Tilda Swinton) open the film with a swanky presentation that is one part Steve Jobs and two parts Pop Idol. She introduces Mirando (a rip on the real life Monsanto) and their latest innovation that will solve world hunger: a Super Pig.
For the Pop Idol twist, Lucy Mirando introduces a worldwide competition. She will send a bunch of Super Pigs to the best farmers from around the world and see who can raise the best Super Pig.
Sure enough, one of these Super Pigs is sent to Korea. As next we follow Mija, the young farm girl who takes care of Okja.
From the scenes with Okja and Mija, the director makes it clear that Okja is more than just a piece of meat. Okja helps Mija catch fish and harvest fruit and even saves Mija’s life in one of the opening scenes. These early scenes with Mija and Okja establish that Okja is a sentient and intelligent being.
However, Mirando, like the real life Monsanto and any good capitalist business is all about profit margins. Despite the best PR attempts of Lucy to hide her company’s lack of responsibility, it is obvious to us that they are bad!
Conclusion
Okja brings the ugly corporate controlled food industry to Hollywood with style! It has everything you want if you’re used to Hollywood blockbusters and you can watch it at home on Netflix!
Favourite quotes from the film (the first is also a personal goal of mine):
Yes! There is a film which is a combination of Austin Powers and The Hunger Games. It’s called The 10th Victim and it was made in Italy in the 1960s. You may be thinking: “how does it work?” My answer is: don’t worry about it, the dystopian world that director Elio Petri creates is worth your time. It’s colours, setting, and subtle critiques of modern society make this film one of the most unique films and one that you should watch.
Why Watch The 10th Victim?
To watch the Italian 60s equivalent to the Hunger Games
This dystopia is complete with brothels, minimalist furniture and fashion, artificial insemination centres, and no old people!
It features Marcello Mastroianni from La Dolce Vita and Ursula Andress (the first Bond girl)
To find out more about ‘The Big Hunt’ – “Hitler would have become a member”
The Breakdown
The 10th Victim starts with a gun shootout between a man and a woman in an abandoned warehouse. As they are firing at each other, a narrator pauses the action to explain what is going on. The man and woman are members of ‘The Big Hunt’, a game where one plays 5 times as a hunter and 5 times as a victim. As a hunter, you are given a target to kill. However, as a victim, you must try and find out who your hunter is and kill them before they kill you. The one who comes out alive after 10 rounds is honoured and given $1million. Would you become a member?
The ‘Big Hunt theory’ is advertised throughout the film with it’s many slogans. Here’s some of the best:
“If you are suicidal, the big hunt has a special place for you”
“An Enemy a day keeps the doctor away”
“Hitler would have become a member”
The whole event was thought up as an outlet for violence (an idea also shown in The Most Dangerous Game based on the Spartan Crypteia event).
In The 10th Victim the violence is limited to those who choose to take part in the big hunt. Taking part is a quick way to find fame as the best killers are constantly stalked by paparazzi and dominate the news. These killers are the equivalent of today’s celebrity. They relish the spotlight, support the biggest brands, and always have to look good for the camera. This is one of the strangest, memorable critiques of capitalism on film.
Conclusion
Elio Petri’s The 10th Victim is a pop-culture blast. The world he creates is unlike anything you’ve seen, with bright colours, minimalistic architecture, and one-tone clothing. The wacky soundtrack confirms that Elio Petri’s tongue was firmly in his cheek when he was making this film. The cheesiness and laughs are all part of the satire that makes fun of consumerism, corporations, and celebrity culture. What a strange but awesome film!
You must be logged in to post a comment.