Documentary - Page 7 of 14

Food Inc. (USA)

Watch on Netflix or click the poster to buy on Amazon

Food Inc. Film Difficulty Ranking: 2

Food INC. is one of the great documentaries to watch to open your eyes to the giant that is the food industry of the United States of America. You’ll learn what makes a McDonalds burger and how almost everything in Walmart contains some form of corn. But along with all the bad stuff you’re going to here (which will make you think twice about what you buy) you also learn how you can make a difference (which will also make you think twice about what you buy).

The simple answer: You can change the food industry and the world when you go to the supermarket and buy your food. Everything you buy is a vote for that product!

Check out the trailer below to find out more before you head to Netflix, YouTube, or Amazon to watch!

Why Watch Food Inc?

To learn where your food is coming from (mostly you America, but relevant to the whole world)
See how the food industry has been monopolised by a few big companies
Learn how you can change the world with what you eat
It’s on Netflix!

Mysterious Object at Noon

Mysterious Object at Noon Film Difficulty Ranking: 4

Are you looking for something new? If you’re tired of watching films which all look the same then we have something for you here. Mysterious Object at Noon explores the role of storytelling in film by creating a game of Exquisite Corpse (where you create the start of the story and get different people to write the next lines). People from all across Thailand give their input, through a range of storytelling devices. If you’re a fan of creativity, give this film a go!

Why Watch Mysterious Object at Noon?

Have you seen a Thai film before? If you have, great to hear, here’s another one, if you haven’t hears something interesting to start you off!
To see the parts of Thailand that you probably won’t see from the tourist resorts
To see the debut from innovative Thai director Apichatpong Weerasethakul
Explore the world of storytelling through a wide range of arts: music, theatre, sign language, writing, and spoken word.
Did you know after the war

The Breakdown

Once upon a time… Mysterious Object at Noon starts with the famous four letter opening. It marks the fine division between non-fiction and fiction that the film will follow. The camera starts at the front of a vehicle driving along a highway in the Thai capital, Bangkok. Whilst Thai music blares through the radio, the driver takes an exit and within a few turns is in what could be the country. We hear a voice on the loudspeaker:

“Fish sauce for your curry…Tuna fish is coming…steamed of salted”

The camera then cuts to a woman sitting in the back of the fish sales truck and the director starts interviewing her. We learn that her father sold her to her Aunt and Uncle for the price of a bus fare! She never went home again. The shots of the lady telling the story are cut with shots of election posters with men in smart suits. Is Apichatpong implying this hardship was the fault of the government?

After she tells her story, Apichatpong asks the lady if she has any other stories to tell us, true or fake. This question sets up the game of Exquisite Corpse that Apichatpong plays for the rest of the film. He travels around the country asking the next person or group of people he meets to add a few more lines to the story he starts with. We hear parts added from kids at a school, from a theatre production, an old woman, and more. In this regard it is a celebration of the creative process, and the imagination of people. However, the myth/story they create is a mess. As put by one lady:

“My story is not really connected. I just made it up in an instant”

Conclusion

Once you realise that Apichatpong is playing a game of Exquisite Corpse the film gains meaning. It is a puzzle of stories from across the country. It is also a puzzle of images collected from his tour of Thailand, introducing us to a country that isn’t obvious from the guide books. Film needs innovators like Apichatpong to show others what is possible with this artistic medium. Film also needs viewers open to innovation, so go watch this!

Impression of a War – The Legacy of Violence in Colombia

Impression of a War Film Difficulty Ranking: 4

You probably know who Pablo Escobar is and what he did. You also may know about the war that has raged on in Colombia across the last several decades. While the wars have ceased, the mist of violence still remains. In Impression of a War you’ll see that violence still lingers in Colombia. It is hidden in the landscapes, the music, and the people of Colombia. This film will show you where to look.

Image result for impression of a war

Why Watch Impression of a War?

You’ve seen Narcos and possibly Colours of the Mountain and Maria Full of Grace and want to see a more experimental look at the legacy of violence in Colombia
It’s a kaleidoscope of images showing how violence has permeated all aspects of life in Colombia
To see Colombian soldiers shooting at guerillas one minute, and dancing salsa the next
It’s a Silver Leopard winner at the Locarno Film Festival

The Breakdown

The river of Medellin has changed colours many times in it’s contemporary history as textile factories up river dumped excess dye into the river. One time the factory chucked bucket loads of red dye into the river turning the whole river red. This happened at the height of Escobar’s violence in Medellin and as a result, the media turned this blood red river into a symbol of the cities violence.

This anecdote is one example of the violence entrenched in Colombian society. An entrenchment that cannot see a river coloured red by red dye, but a river soaked in blood.

Impression of a War is a work of art that tries to cast a subjective gaze at the legacy of violence in Colombia. Restrepo (the director) captures any visible trace of violence in the daily lives of the people living in Colombia. He shows us images from the battlefields, images from the landscape (as above), and interviews with those affected by the violence.

All these traces, whether deliberate or accidental, constitute the raw material for Impression of a War.

Conclusion

This 30 minute documentary covers a lot. Violence has affected everything from the colour of the taxis to the cities music. Will the new generation be freed from this legacy?

The Eagle Huntress (Mongolia) – How to Train Your Eagle

The Eagle Huntress Film Difficulty Ranking: 2

For beautiful scenery, eagles, and sexism check out The Eagle Huntress. It’s the closest you’ll get to a real life version of How to Train Your Dragon. Plus you can watch it here on Amazon (free with Prime).

Image result for eagle huntress

Why Watch The Eagle Huntress?

If you love good documentaries
Experience nomadic life in Mongolia – complete with freezing winters
Learn how to catch, train, and hunt with an Eagle
To see a 13 year old girl beat a bunch of old men

The Breakdown

The Eagle Huntress starts with a montage of epic scenery shots. There’s the stunning snow capped mountains, the endless salt flats, and beautiful valleys. It’s a perfect opening for Mongolian tourism. However, one thing you might notice from the opening is the lack of humans and wildlife. Whilst it’s beautiful, this area isn’t made for human life. Winter temperatures often drop to -40 degrees Fahrenheit. The brutal landscape provides the perfect setting to demonstrate the strength of Aisholpan and her father.

Anyone that lives as a nomad in Mongolia has got to be pretty hardy. Therefore if any girl can train an eagle to compete against the men in the local tournament, it has got to be this girl who grew up in the bitter cold countryside watching her father train them.

You’ll be with her every step of the way to the eagle festival. First, you’ll see her father rebelliously train her up with his own eagle. Secondly, you’ll see him take her into the mountains to catch an eaglet of her own (not the best advertisement of animal rights). Then she manages to get her grandfather’s blessing to train her own eagle before she eventually enters the eagle competition. If you ever wanted to own your own bird of prey, here’s your chance to experience it.

Documentary or Drama?

Whilst this film looks like a documentary, it definitely plays up the gender narrative. Every time Aisholpan takes a new step with training the eagle the film cuts to a montage of old Mongolian/Kazakh men saying that a women’s place is in the kitchen.

The grumpy old men are edited into the film to highlight how Aisholpan is not welcome in this male-only tradition. However, none of the people she comes into contact with on camera with her eagle seem offended that she’s training an eagle (the judges of the festival, her grandfather, the other competitors). Instead, all of the controversy comes from shots edited into the documentary narrative. The director uses these shots to dramatise her ‘against-all-odds’ story.

In addition, the pop-idol style music that plays whenever Aisholpan overcomes an obstacle in her training and the English narration from Daisy Ridley take you out of the documentary intimacy and add to the drama. Whilst this is a documentary, it’s editing, music, and narration add unnecessary dramatic tension to the film which ultimately holds you back from fully immersing yourself in the film, whilst also making it feel more manufactured.

Conclusion and What to Watch Next

Don’t be put off from watching this documentary based on the documentary or drama debate above as the narrative is still great (I just thought it was dramatised unnecessarily). Plus, The Eagle Huntress is worth watching for the incredible footage alone – some parts feel like another episode of Planet Earth.

If you love the girl-power vibe then I strongly recommend you check out both The Little Girl who Sold the Sun and Wadjda. The Little Girl who Sold the Sun features a young Senegalese girl who tries selling a local newspaper to support her blind mother. Wadjda features a young Saudi Arabian girl who fights for her right to ride a bicycle in a patriarchal society.

Or if you want to see another film where someone struggles to become something they want against all odds, check out The Orator. It features a little person from Samoa who is bullied by all the regular sized locals.

Le Moulin (Taiwan) – An Inventive Documentary of Surrealism in Taiwan

Le Moulin Film Difficulty Ranking: 5

Watching Le Moulin is like walking round a great Taiwanese museum. All the interesting stuff is listed next to some intriguing artifacts from the period. You will come out of the film feeling like an expert on Taiwanese literature in the 20th century.

Why Watch Le Moulin?

If you want to see a proper art house film
To learn a contemporary history of Taiwanese literature, especially the influence of Surrealism (pretty specialist stuff)
See a documentary told through a range of artistic forms (paintings, poems, and of course film) reminiscent of Weerasethakul’s A Mysterious Object at Noon
Learn a bit about the history of Taiwan as well from the pre-war 1930s to the Kuomintang ruled 1950s

The Breakdown

Le Moulin starts with dice rolling on a board. Disorientating music plays as we watch four men with their heads and feet out of frame line up to be photographed. Next we see the picture crystalising on a piece of photo paper in it’s chemical bath.

The four men are part of a collective of Taiwanese poets that tried to establish a Taiwanese voice against the Japanese colonisers. You’ll follow their story from the early 1930s when Taiwan was occupied by Japan, through to the 1950s when Kuomintang declared martial law.

You will learn a lot about Taiwanese history and literature watching Le Moulin. However, the main attraction is it’s form. One minute you’re watching a re enactment of the collective and the next you are being shown incredible still pictures from the era and having poems read to you in full. You’ll even notice art work from Picasso, Cocteau, and Chaplin dotted around the film.

All in all it is a complete documentation of modern Taiwanese literature. It leaves no rock unturned.

Conclusion

The style and form sets Le Moulin apart. It weaves in photos, mementos, art, poetry, and reenactments to create what is effectively a museum exhibit on Taiwanese literature. A must for someone interested in how to use form in historic documentary films.

For a fictional film which also experiments with form, I’d recommend checking out Apichatpong Weerasethakul’s Mysterious Object at Noon.