If you’re a boxing fan or simply a regular gym rat, you’ll be able to sympathise with Christ in Boxing Libreville. He’s a boxer who trains all day and works all night to try to become the best boxer in Gabon as the hope of a new political future builds in the background.
From: Gabon, Africa Watch: Trailer Next: Makala, The Happiest Day in the Life of Olli Maki, Fruitvale StationContinue reading “Boxing Libreville – Boxing for Freedom in Gabon”
Factory Film Difficulty Ranking: 3
You’ve got no excuses for ignoring Loznitsa’s documentaries. They are available on YouTube (links below) and are only 30 minutes long. If you are looking for a portrayal of 1930s Russia go watch Portrait. For an otherworldly depiction of a working factory, watch Factory. You’ll be hypnotised by the mechanic sounds and glowing lights in a world where humans have become machines. Is this the future of humanity?
It is still dark. There is a light blanket of snow on the ground. A long billboard of portraits is illuminated by the golden light of two small lamps. A few people walk by, their silhouettes blending into the darkness. The people walk from the darkness into an entry room lit in a spacey green. They all pass through a small turnstile and into the factory to become part of the machine.
In the factory a man crawls out of an orifice in the metal machinery. He picks up a long rod and starts to shovel metal back into the mouth of the machine. A group of women alternate grabbing a metal slab from a slow moving conveyor belt and shelving the blocks on a shelving unit behind them. Both men and women have become parts of the machine. Their movements have become as coordinated and reliable as the machines they work with. Have these people become robots? Are they losing their humanity?
The colours and sounds of the factory create a weirdly relaxing atmosphere. It reminded me of the warm feeling you feel when someone softly speaks to you as you are slowly falling asleep in a warm bed. The sounds of the machinery represent almost every onomatopoeic word. You hear bubbling, grinding, rattling, sloshing, and hissing. Then there are the colours. The warm reds and oranges of the molten metal against the otherwise dark factory and the futuristic greens and blues create an otherworldly environment. It could almost be an image of a dystopian future where humans work for/with the machine.
“What interests me is the possibility of realising thoughts with the resources that make up cinema. The rest is secondary…First an impression, then reflection, then realisation”
– Loznitsa (the director)
In Factory Loznitsa focuses on the physical stuff that makes up an image, namely the location and occupants. Here he moulds an extraordinary film of a Russian factory by depicting the harmony between machines and man. He makes what is real seem unbelievable – as if we are witnessing an alternate dystopian reality.
Most people forget that Australia, like the United States, was already inhabited when Europeans arrived. Just like in the U.S. the natives were almost wiped out by disease, politics, and genocide. Today, Indigenous Australians make up just 3% of the Australian population and Australian politics have pushed them to the side onto pseudo-reservations. Get to know some of them in Another Country – watch it here (Amazon).
Firstly, we’re introduced to our narrator, the ‘living legend’ that is David Gulpilil. You may know him from films like Crocodile Dundee, Rabbit Proof Fence, and Charlie’s Country. He’s even met with the queen and relaxed with Jimi Hendrix and Bob Marley. But, he assures us, “this film is as much about you than it is about me and my people”. Another Country is about what happened to aboriginal culture when it was interrupted by western culture.
The film is set in Ramininging, 400km away from the nearest town (if the dirt tracks haven’t been washed away). No one wanted to live here, but the Australian government set up a town here anyway to host the indigenous people it didn’t know what to do with. It’s as if they picked a completely isolated spot to keep them hidden.
Why would the Australian government want to keep the indigenous population hidden? Because they don’t know anything about the indigenous population. The politicians never learned any indigenous languages and rarely interact with any of the indigenous people out of their own initiative, so keeping them out of sight is a way of hiding their ignorance. All the government does is provide them with just enough to keep them living and reliant on government support.
Yes, Another Country is a documentary, and documentaries are often narrated without the narrator appearing in the film. But Another Country is different. This is David Gulpilil’s home town, and he introduces us to his childhood friends through his narration, so it would only be natural for him to appear and initiate dialogue with his friends and family. But, instead, he is kept separate from what we are seeing on film.
This creates a distance between what we are being told and what we are seeing. As a result, his narration feels similar to the news reporters we see on TV, that narrate over news footage to create a story.
Australians, and the world, are probably used to hearing news reporters and politicians create the story of indigenous Australians without having any understanding of them. And, most of us probably blindly accept what they say as the truth as they are figures of authority.
Therefore, having David Gulpilil as the narrator, and keeping him as just a narrator, keeps him in a position of narrative authority that news reporters and politicians often inhabit. He gets to create the story as he sees it, and we, the audience, get to finally listen to an indigenous voice narrating the indigenous people in Australia.
Another Country is the documentary to watch if you want to get to know some of the marginalised Indigenous Australians. You get a first hand introduction to the isolated community of Ramininging through it’s most famous former resident, David Gulpilil.
If you’re interested in learning a bit more about the history of the indigenous Australians, check out Rabbit Proof Fence. It’s a story about a couple of girls from the Stolen Generations who were removed from their families by the Australian government in the 19th and 20th centuries.
Or if you want to see more films exploring the damage done by generations of European colonists around the world, check out:
Inside Job Film Difficulty Ranking: 2
The global economics crisis of 2008 cost tens of millions of people their savings, their jobs, and their homes. This is how it happened.
Iceland. A country of just 320,000 people, a bunch of small towns, beautiful landscape, low unemployment and low government debt. There was lots of clean energy, well managed fisheries, clean air, and pride. But this all changed in 2000 with deregulation and bank privatization.
After Iceland, we zoom across the Atlantic, and back in time, to New York in the 90s. The finance sector is booming. We are shown a montage of New York City skyscrapers, businessmen, and snappy quotes from finance experts set to a poppy soundtrack. This montage offers a stark contrast to the peaceful beauty of the shots of Iceland from the opening scene. This is the place laden with greed. This is the place which has disrupted the peaceful beauty of Iceland and the whole world.
After the introduction to Iceland and the New York City montage we start hearing from those involved in the build up to the crisis. Luckily for me, the narrator firstly explains all the financial jargon extremely clearly and at a gentle pace (unlike the rushed explanations in The Big Short). With a clear understanding of how the recession happened, the documentary then starts questioning some of the culprits. At this point we can understand the questions being asked and know when the interviewees (the culprits) are avoiding giving proper answers. He gives us the basic understanding so we can make our own judgement.
For a good understanding of how the global recession happened, this film is the best I have seen. It also carries an impressive selection of interviewees (from Federal Reserve, IMF, and Academia). Some of the interviewees were in charge before and during the recession and defend their actions, and others fuel the fire. You’ll also learn what will happen next – will there be another recession?
A lot of places in the world you can’t just do what you want to do. In Jamaica it’s a lot like that. And I use that as a positive motivation to get me to pursue it and achieve it.
Shama
Outdeh follows three young men (Shama, Bakersteez, and Romar) in their quest to try and make something of their lives. They all want to do something new to build a platform for the next generation. Shama is the first professional surfer from the island, Bakersteez is trying to forge a career as a rapper from a country dominated by dancehall stars such as Popcaan, whilst Romar is trying to make it out of one of the islands most notorious ghettoes by playing football. They’re all going for their dreams because no other path has been cleared for them. And they all want to prove that their dreams are achievable.
The first thing that draws you into Outdeh is the idyllic slow motion shots of the island backed by the Jamaican soundtrack. It captures a musical-esque utopia that we are happy to be immersed in. There’s the ocean waves which Shama effortlessly glides through in front of empty Sandy beaches. There’s also shots of Shama carelessly skateboarding through city streets, dancing in front of cars as if he’s invincible. Then there’s shots of Romar playing football with a large group of guys from the neighbourhood. It doesn’t look like he has any worries even though we hear that he has to beg for money to eat from the neighbourhood boss. The evidence of an unhappy life is only spoken about, leaving the slow motion shots to show the utopian side of the idyllic island they live on. It’s a sign of a hopeful, positive future.
You’ll also be drawn in by the laid back characters of Bakersteez and Shama which hide a restless energy. Despite saying he gets nervous before his gigs, Bakersteez always appears completely confident and in control of his life’s direction. Shama is no different. Even though he’s the first professional surfer from Jamaica, he doesn’t even act like it’s a big thing, it’s just something he’s picked up for followed what he loves to do. Like Bakersteez, even though they’re forging new paths for a new generation, he never appears flustered or out of place.
The future looks bright for these three in Outdeh and the youth of Jamaica.
Head to our Santa Barbara International Film Festival Hub for more reviews from the Santa Barbara International Film Festival 2020.
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