What kind of film are you looking for?
“I lie the truth, until I no longer know whether something did or did not happen.” Who can you trust in this psycho-thriller from Verhoeven.
From: Netherlands, EuropeContinue reading “The Fourth Man – Dutch Thriller Full of Symbolism”
Watch: Trailer, Buy on Amazon
Next: Oldboy, Who Killed Teddy Bear?, The Shining
The Dead and the Others follows Ihjãc, a 15 year old indigenous Krahô father. After his own father dies, he starts to hear voices and receives a visit from the legendary macaw, a signal of the start of his transformation into a shaman. However, instead of accepting his duty, he runs away to a white Brazilian cowboy town a day’s drive away from his community. It’s here, isolated from his people that he faces the reality of being an indigenous person in contemporary Brazil.
In a way, The Dead and the Others feels like a prequel to Maya Da-Rin’s The Fever. Both films are directed by outsiders filming indigenous people in Brazil, but whereas The Dead and the Others centers on a young person leaving his community, The Fever centers on a middle aged man that has already left his community that starts being drawn back to it through visions and the prejudices he faces in ‘white’ Brazil. Both I believe are two great films to watch to get a glimpse into the indigenous experience in Brazil. However, take this opinion with a pinch of salt as I haven’t had the opportunity yet to watch any indigenous films from Brazil actually told by indigenous people. Please let me know if you have any recommendations!
From: Brazil, South America Watch: Short Clip, JustWatch, Mubi Next: Land of Ashes, Zama, A Fever
If you love film and philosophy, Illumination might be the film for you. It’s like watching an existential essay: you’ll follow the main character as he stumbles through life trying to find meaning. It’s experimental and brilliant. Watch the film here (Buy on Amazon).
“What is illumination? Illumination is a term and concept of Augustine. We obtain knowledge by an enlightenment of the mind.”
The film starts by musing what the meaning of illumination is. Then it cuts to a half naked man taking a medical check. The camera cuts from a close up of his hand to a close up of his foot. Then someone asks the male subject for his name, his surname, his place of birth, height, and weight. In this opening, Zanussi (the director) reduces Franciszek to his physical being before we’ve had a chance to get to know him. This raw physical being is the starting point of this philosophical film essay.
After we meet Franciszek the film flashes to ‘reality’. You’ll see footage of the moon landing, and troops marching ready for war. These images quickly provide us with context. From them we can assume that the film is set in the late 1960s/early 1970s during the Cold War between the U.S. and U.S.S.R. These cuts of footage are also included to disrupt the rhythm of the film. Zanussi includes a lot of interjections like this in his film to intentionally jumble up the story. His intention is to show us the mess of images we see during our lifetimes and to make it difficult to follow the film, to reflect the struggle to find meaning in life.
There is a story-line in Illumination (the story of Franciszek) but it is hard to follow. Zanussi only uses Franciszek’s life as a framework for the film’s progression. Franciszek’s struggle to find enlightenment is the framework for the film’s commentary on the world’s struggle to find meaning in life. (Warning: you may be filled with existential angst/dread when watching this film).
First up, you need to watch Ingmar Bergman’s Persona if you haven’t already. It’s one of the best explorations of the human psyche (and at a level above David Lynch’s Mulholland Drive).
For more from Zanussi, I strongly recommend watching The Structure of Crystal before this one. It’s easier to watch and is one of those films that makes you feel at peace with life and death (a bit like Wild Strawberries).
Or for more straight up philosophy check out the stream of conscious genius of My Dinner With Andre.
Panahi is an inspiration for the film industry. He made This is Not a Film whilst under government orders not to make a film (after being charged with making propaganda against the Iranian government). Luckily, Panahi cannot simply stop making films, it’s part of his nature. Also, luckily, someone smuggled this gem out of Iran on a flash drive hidden inside a cake. So consider yourself lucky that you can watch this film!
From: Iran, AsiaContinue reading “This is Not a Film – Film-Making Under House Arrest”
Watch: Trailer, Buy on Amazon, Kanopy
Next: Taxi Tehran, Reminiscences of a Journey to Lithuania, Lost in La Mancha
Meet Theeb and Hussein, two Bedoiun brothers living in the Arabian desert during the First World War. Their lives are relatively peaceful until an Englishman appears from the desert and drags them into the violence of the war.
From: Jordan, AsiaContinue reading “Theeb – Journey Back in Time in Jordan”
Watch: Trailer, Amazon Rent, Amazon Buy
Next: Lawrence of Arabia, Mimosas, Rabbit Proof Fence
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