Prince of Nothingwood Film Difficulty Ranking: 3

“This isn’t Hollywood, this isn’t Bollywood, this is Nothingwood, because there’s no money”. – Salim Shaheen

Salim Shaheen is Afghanistan’s biggest film star. He’s Afghanistan’s working class hero (like Cantiflas or Charlie Chaplin) and action film star (like Sylvester Stallone or Arnold Schwarzenegger). It’s time for you to get to know him!

Why Watch Prince of Nothingwood?
  • To meet Afghanistan’s biggest film star
  • For a positive alternative to the negative war dominated footage of Afghanistan you’ll usually see
  • See the remains of the famous Buddhas of Bamyan
  • Hear about the time when there was a bomb on set…
The Breakdown

Salim Shaheen’s story mirrors the story of Afghani cinema. There should be no role for him or for film within the strict Afghani customs. Back when he was a kid, he was beaten by his mother and brothers when they caught him singing and dancing on film. He was also beaten when he was caught sneaking off to the cinema to see some of the Bollywood hits. He was beaten up whenever he got near to film! Simply put, dancing, singing, and acting were all taboo; it just doesn’t fit in strict Afghani tradition.

However, even though Salim Shaheen’s films are a triumph for creativity, you’ll notice there aren’t any women on camera. The director, Sonia Kronlund, is the only woman you’ll see in the whole film. That’s because she’s treated like a man because she isn’t from there. In contrast, Sonia’s female translator is always hidden off camera. According to Sonia, she refused to say anything on camera. As there are no actresses, some of the men have to dress up as women. Despite the apparently strict society, this is considered acceptable, perhaps because homosexuality is inconceivable.

If you’ve been wanting to go to Afghanistan but are worried about the security, this is the perfect film to see. You’ll meet the people, travel across the country (to Bamyan), hear the music, and see the food.

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Conclusion

All in all The Prince of Nothingwood is a rare opportunity to see life in Afghanistan, and an equally rare opportunity to see a positive story from Afghanistan. Salim Shaheen’s story is a triumph for creativity in a society where access to cinematic resources is pretty much non-existent.

 

 

Shot from Taxi Tehran

Taxi Tehran Film Difficulty Ranking: 4

Taxi Tehran is filmed from a taxi cab driven by Jafar Panahi. As he’s driving round Tehran, he picks up a wide range of characters from a variety of backgrounds. It’s a perfect microcosm for real life in Tehran and Iran and the perfect disguise for a banned filmmaker to practice his art.

From: Iran, Asia
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: Ten, This is Not a Film, Locke
Continue reading “Taxi Tehran – Travel Around Tehran with the Locals”
Wallay Film Difficulty Ranking: 2

How many times have you thought about what your life would be like if you were born in a different country or even in a different era? You may romanticize about life in the past, but in reality, even if you were a king you’re quality of life would be incomparable to what it is now. In Wallay young Ady is taken to stay with his family in Burkina Faso. It’s a completely different world to the one he is used to in France but he walks around like a spoiled brat until he realises that his holiday is permanent.

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Why Watch Wallay?
  • You want to see what life is like in Burkina Faso
  • If you love great coming-of-age stories (perfect for fans of Hunt for the Wilderpeople)
  • If you love seeing arrogant and annoying kids get disciplined
  • To support great African film (to ensure more of it gets made in the future)
Breakdown

Wallay starts with a 13 year old boy in France writing a letter to a girl. The image of a sweet 13 year old is quickly dispelled as the next scene shows him buying some new trainers off of the Parisian black market and getting told off by his dad when he returns home.

So, how does his dad properly discipline him? His dad takes him to spend some time with his family in small town Burkina Faso. What young Ady doesn’t realise is that this is not just a holiday. His father leaves him and he is forced to help his strict uncle work to repay him for the money he stole from his dad.

At the beginning, Ady walks around Burkina still surrounded in his materialist glass house symbolised by his Beats headphones and smartphone. He seems to wear a necklace of the African continent for fashion and not because of his roots. But as he is forced to pay back the money he stole he slowly opens up to life in Burkina Faso and discovers the treasure that is his cultural heritage.

Conclusion

Ady is spoiled. Not in the sense that he was well off, but because he lives in an economically developed country with luxuries that he (like a lot of us) all take for granted. In Burkina Faso, he learns he has been lucky to have grown up in France whilst also discovering the beauty of his Burkinabe roots.

 

The Orator Film Difficulty Ranking: 4

When you think of Samoa, you probably think of pacific island paradise. The Orator not only showcases the island’s beautiful scenery but also Samoan culture. It’s your chance to try and follow the ‘Samoan Way’. Check it out on Amazon here (free for Prime members).

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Why Watch The Orator?
  • Get to know Samoa, from it’s beautiful landscape to the Samoan language and the ‘Samoan way’
  • Meet a courageous little person
  • And a crazy smoking, paint spraying rugby coach
  • To see some great button up shirts
The Breakdown

The Orator starts with rain and the views and sounds of the natural landscape. It’s beautiful, lush green, and full of life. Then human voices start singing and the camera cuts to a picture of two grave stones in the middle of the forest.

They’re the graves of Saili’s parents. He visits them almost every day and tries to clear the graves of yam plants local farmers have planted around the site. But because of his size (he’s a dwarf/little person) he gets bullied around by the village. And the farmers planting yams around his parents graves threaten to cut of his head if he keeps vandalizing their crops.

Who’s Saili? It’s not entirely clear. All we know is that he’s a taro farmer and that he has a job as the night-time security guard of a local shop. He lives with his wife and her daughter although their relationship seems pretty cordial and friendly rather than romantic. His wife is an outcast just like him, after she was exiled from her home village for reasons we can only assume (probably for having her daughter out of wedlock?).

Why is there so little exposition?

Director Tamasese doesn’t waste time with exposition in The Orator. Instead he immerses us straight into the movie, straight into the Samoan landscape, language, and culture. As a result, we have to figure out what is going on, as well as who the characters are and how they’re related to each other.

His aim is to make you feel like an outsider, just like the two main characters. They have lived most of their lives outside of the ‘Samoan Way’ and have to rediscover it whilst we are trying to figure it out. As a result, we identify more with their journey and struggle.

Conclusion and What to Watch Next

The Orator is a window into another world. With beautiful cinematography and a slow contemplative rhythm, you’ll slowly be introduced to the ‘Samoan Way’.

There are quite a few great films of indigenous people and customs from across Australasia. I strongly recommend checking out:

  • Tanna – a Shakespearian love story adapted to the Vanuatan rainforest
  • Rabbit Proof Fence – to cheer on three children from the ‘stolen generation’ trying to walk home after they are separated from their parents
  • Another Country – to meet an indigenous community in Australia

Or for another contemplative drama with a strong flavour of local life, check out Timbuktu, where you’ll see how the three tribes/ethnic groups of Timbuktu get along.