Journey: Whether it’s the journey or the destination, films to transport you and shift your perspective
If you’re looking for a heart warming family to guide you around contemporary Japan, check out Shoplifters. Everyone is welcome to join this oddball family and find beauty in life’s simple pleasures.
From: Japan, AsiaContinue reading “Shoplifters – Let this Oddball Family guide you around Japan”
Watch: Trailer, Hulu, Rent on Amazon, Buy on Amazon
Next: Boyhood, Kikujiro, Little Miss Sunshine
In Ixcanul, the volcano is a reminder of the power that nature holds over our lives. Follow Maria as she tries to find a way to escape from her rural community and the looming presence of the volcano.
Ixcanul starts with a close up of a teenage girl’s face. Her mum appears behind her and starts tidying her hair, cleaning her face, and tying her colourful head band. Maria (the teenage girl) looks blankly at the camera. It’s clear that she’s being prepared for something that’s out of her control. Is she getting married? Whatever it is, she seems too stunned to care.
The next scene flashes back to the two of them feeding rum to some pigs to make them horny. The girl waits around and watches the pigs as they copulate. It’s clear she’s bored. The only things she does at home is help her mum with the cooking and care for their livestock. Therefore it’s not a surprise that she finds another teenager that works nearby to have sex with.
The only problem is that her parents have just promised her hand in marriage to their boss. He’s the reason why they’re living in their house with the things they own as he’s the one renting it to them. So when her mum finds out Maria is pregnant she tells her off for ‘not counting her moons’ and puts together a plan to try and get rid of the baby.
Whilst the volcano never erupts, it’s power is always felt through the film. In every shot of the landscape, it looms in the background as if it is controlling their lives. In a way it is.
It is the wall that is blocking them from prosperity. On their side of the volcano, there is nothing, just barren land and boredom. But on the other side there is the United States and Guatemala City which both promise a better life. Just look at Maria’s fiance who travels to see them once every few weeks. He comes from the other side of the volcano and owns a car, the house Maria and her family live in, and is able to speak Spanish. He is obviously from the same part of Guatemala as her (as he also speaks Kaqchikel), and therefore the same lifestyle, but he has managed to find prosperity by venturing past the volcano.
Ixcanul has great cinematography and strong female characters ensnared by the power of the volcano. It is the blockade between their barren farm and a better life as on the other side is the city and the influence of the U.S. Can they make it to the other side?
If you want to see another film about a young kid/teenager trying to break the monotony of their life, check out Wadjda. It’s a coming-of-age story of a young girl in Saudi Arabia who is desperate to ride a bike, despite all the pressures on her to become a woman.
Or if you want to see more films about young adults trying to find a better life, check out:
What do you do when you mother is dying and you need to find a replacement teacher to do your job whilst you go visit her? You find a 13 year old girl from a neighboring town that hasn’t been to high school to take over from you for a month. What could go wrong? Find out here (buy to watch on Amazon).
Not One Less starts with the arrival of the substitute teacher named Wei. She’s only 13 and hasn’t completed high school yet. But as it’s just a month and this rural town has no one else remotely qualified to teach their kids, she seems like a great option.
Before the actual teacher goes, he gives her a 5 minute 101 in teaching. Here are the golden rules:
It doesn’t sound too hard. As he leaves, he promises to give her 50 Yuan for her month’s work, and an extra 10 if she keeps all the students until he gets back. Just for perspective, a ticket to town on the bus costs around 20 Yuan. The pay is poor, but it’s what drives this 13 year old substitute teacher – she does whatever she can to keep these kids until the teacher returns for that extra 10 Yuan.
However, as you’ll see, this extra clause is a harder than it might seem. Firstly, as expected, she’s not a great teacher. She doesn’t ‘teach’ the kids, as she just writes on the board, tells the kids to copy it down, and sits outside the exit to block anyone from escaping early. Secondly, her students are poor. One is moved to an athletic school under the promise that her life might be better elsewhere, and another is taken out of school to go work in the city. So what does she do? She turns her lessons into a mission to get them back to school encouraging the students to help her in her quest. If it weren’t for the promise of money, she would be the most caring teacher in the world.
Wei learns a lot in this film, and so do we. We learn about the Chinese education system, poverty, work, local politics, salesmanship, marketing, the consequences of cheating, and more. Even though this film is about teaching, it shows us that the most valuable lessons are learned outside the classroom in life itself. To learn about China and life in general, go watch this film!
For more great Chinese film, check out the following:
Or, if you’re looking for more coming-of-age films in which kids are forced to grow up quickly, check out Mustang from Turkey and Abouna from Chad. I’d even recommend watching the heartwarming Kikujiro from Takeshi Kitano as well!
A Touch of Zen is one of the most inventive martial arts films you’ll see. It combines a bunch of genres, including the historic Samurai films of Japan, haunted house horror, and the classic hero’s journey adventure films. Plus it adds it’s own styles have been hugely influential on later martial arts films. There’s plenty of epic widescreen landscape shots, bouncing characters (that you’ll also see most noticeably in Crouching Tiger, Hidden Dragon), and innovative editing to create some stunning CGI-free action sequences. On top of that, it focuses on a powerful female fugitive and an unstoppable Buddhist monk. It’s all shot from the perspective of a regular guy like us to bring us into the action. It’s one of the best wuxia films you’ll see.
From: Taiwan, Asia Watch: Trailer, JustWatch, Criterion Next: Seven Samurai, Crouching Tiger, Hidden Dragon, Dragon Inn
This documentary film is on another level. You’ll rarely get this close to a life completely different to the one you’re used to. Not just because you probably have no idea about the lives of charcoal miners in DR Congo, but because you rarely get films that are this intimate. There are so many close ups and shots where Kabwita’s emotion is so clearly visible that you’ll feel like you’re there right beside him. The only problem is that you’ll feel even worse for not being able to help him up those hills.
Makala starts with Kabwita (our protagonist). The camera follows him through the bush. He’s carrying two axes on his shoulders. He’s looking for a good tree. After a minute or so, the perfect tree appears near the top of the shrub covered hill. After a quick prayer, Kabwita starts cutting down the tree.
Makala covers the whole process of making a living from charcoal. You’ll see Kabwita make the product (charcoal), transport it, and sell it. This is how he manages to live.
What’s amazing about the film is how intimate it is. The director, Emmanuel Gras, found Kabwita whilst working on his previous documentary (also set in DRC). Kabwita agreed to the film in return for help building the home he mentions in the film. This is how the director manages to get so many close-up shots of Kabwita documenting his trials and tribulations.
Because of the connection the close-ups establish between us (the audience) and Kabwita, there are many times when we want to reach out and help him. We can feel his struggle pushing the charcoal logs up hills and also his frustration when a lorry crashes into his livelihood. Of course, the director could help, but to do so would be to take away from our experience. It’s the director’s responsibility to direct the life of the charcoal maker. It’s our responsibility (the viewers) to be enlightened and be inspired to make a change.
Makala is a beautiful film. The cinematography at times is almost unbelievably real. A lot of the shots are so intimate and close that you’d be forgiven for forgetting that this is a documentary. We are so used to seeing unrealistic intimate shots in Hollywood films (close-ups of people kissing that you’d never see in real life) but this kind of intimacy is unusual in Documentary film. In Makala you get to experience the life of the charcoal maker, not just witness it.
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