Family: Films for the young… and young at heart
One of my favorite films as a kid, this one follows the journey of three aboriginal kids escaping the internment camp they were placed in to try and return home.
From: Australia, AustralasiaContinue reading “Rabbit Proof Fence – Institutionalized Racism in Australia”
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: Whale Rider, Another Country, Tanna
In If Only, Alma and her older brothers are sent to Rome to spend New Years skiing with their dad. Life with him is a world apart from their mother. He’s a disorganised failing scriptwriter with a young partner whilst their mother is a converted orthodox Christian with a strict husband. Instead of skiing, which is just a front to show his ex wife he is a success, he takes them to his friend’s beach house.
By the beach, the kids make friends with some of the locals whilst their father and his younger partner argue, make love, and write. They are your typical dysfunctional family.
Nothing much happens in If Only which feels for the most part like your typical light hearted Italian art house film. As a result, it’s quite hard to describe. However, it succeeds because of the performances of Alma, her dad and his partner.
Alma, the 8 year old daughter, has the benefit of the narrative voice, which she uses to comically picture her dreams of reuniting her mother and father. She’s the naive one – always blissfully unaware of her fathers current relationship with his partner and her and her brothers. Her rose tinted glasses make this a heart warming disfuncional family film rather than a more depressing one.
Her dad plays the stereotypical Italian dad. He’s all over the place and always emotional. One second he’s writing and angry at anyone who disturbs him, the next he’s a loving dad that’s present but will disappear in another second. His partner plays a free loving, spontaneous woman that doesn’t shy away from anything. However she’s always the one in control vs. Alma’s dad.
The other two brothers don’t offer too much, apart from two events which the director uses to help bring the film to a close.
Ultimately, If Only is a nice coming of age Italian art house film featuring a dysfunctional family. It’s a light and enjoyable watch. However, outside of the three characters, there isn’t much to distinguish it from other films in the genre.
If you love entrepreneurship and seeing deserving, hard working kids succeed, you’ll love this film. The Boy Who Harnessed the Wind is a humble success story of one bright kid in Malawi. It’s also a quick 101 of the causes of the Malawian famine, and a brilliant addition to the Netflix catalogue.
From: Malawi, AfricaContinue reading “The Boy Who Harnessed the Wind – Invention Saves the Day”
Watch: Trailer, Watch on Netflix
Next: Queen of Katwe, October Sky, Not One Less
Kings of Mulberry Street feels like it could have been your 9 year old self’s favorite film. A film that your parents would happily let you watch when you’ve grown out of Disney animation, or that your teachers might put on at school when it’s raining at break-time. A film that the adults would end up staying to watch it with you, because it’s a fun coming-of-age story that everyone can enjoy, set in an Indian community in South Africa.
The first minute immediately sets the tone for the rest of the film. It’s where we first meet 11 year old Ticky dancing along to a classic Bollywood action film projected on the big screen in front of him. He knows all the words and all the action routines. He wants to be the next Amitabh Bachchan, and judging by his confidence, his dreams don’t look too farfetched. The opening establishes Ticky’s charisma and energy; a playful energy and humor that carries through Kings of Mulberry Street.
In the next scene we meet his future sidekick Harold, a chubby kid spoiled by his single dad. They’re posh Indians, as demonstrated by their knitted jumpers and English accents. Harold’s dad even pop quizzes his son on his spelling on their way to their new house. They arrive in Ticky’s neighborhood and immediately try to stay away from mingling with any of the neighbors. Even though they’ve just moved to the hood, and the dad is now writing obituaries for a little local paper, they still see themselves as better then everyone else. They’re the stereotypical wannabe English upper class, complete with the stiff upper lips, that want to stay away from anyone that might disrupt their peace and quiet (see Elton’s dad in Rocketman or Stevens in Remains for the Day for two examples). However, despite Harold’s dad’s efforts to keep him from mixing with the local rabble, inevitably, Harold and Ticky become best friends.
Ticky is Harold’s antidote to his reserved ‘English’ inspired father. He helps him break from his dad’s mold to become ‘more Indian’. Ticky teaches him Indian slang, feeds him Indian food, and introduces him to his big family. Bu,t most importantly, Ticky introduces him to Bollywood film, whose heroes provide the inspiration for them to take back their bike from the local crime boss. In welcoming Harold into the community, Ticky helps tug Harold away from the bland English culture that his father lives by, and into the colorful Indian culture that helps dispel his loneliness. It also helps to break their class boundaries by connecting them through their shared cultural roots. It’s a heartwarming message at the center of a fun coming of age film.
Head to our Pan African Film Festival Hub for more reviews and short films from the Pan African Film Festival 2020.
Are you looking for a big film for a bit of entertainment? With music, melodrama, and some epic shots? Look no further than Majid Majidi’s Beyond the Clouds. This Iranian director is one of the best at making great family films (check out Children of Heaven). Plus, if you liked Slumdog Millionaire (another great Mumbai film made by a foreigner) you’ll love this. It’s pure entertainment.
Beyond the Clouds opens with a wide shot of a highway bridge in Mumbai. The camera tracks downwards to show us life under the highway. As Majid Majidi (the director) states, he wanted to get under the skin of the city, and right from the start he focuses on life that has escaped modernisation.
There’s a lot going on in each shot. We meet our protagonist walk-dancing along an empty path with his friend. They both hop on the back of a motorbike and zoom off down an empty straight road like cowboys riding towards the sunset. The sweeping camera movements and dance steps make it feel like you’re watching a big film. This is pure entertainment.
You’ll also be led by Majidi’s use of colours and darkness. When Amir visits his sister, she recounts all her traumas from the shadowed darkness of her bedroom. She has been ignored, emphasised by the darkness she is left in. Likewise the white sheets left to dry outside the busy clothes washers are a perfect symbol of innocence. Innocence that is fated to be stained…
This is why you go to watch films on the big screen. It has the wide sweeping shots, vivid colours, music, and plenty of melodrama. Yes, there’s a little cheesiness, but not enough to put you off. If you want to be entertained for a few hours, you can’t much go wrong watching Beyond the Clouds.
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