Man With A Movie Camera is one of the most influential films from the silent era. Made in 1929 by Dziga Vertov, it uses a range of effects that have been copied throughout the existence of cinema. It was one of the first to employ rapid cutting, split screens, slow motion, and dissolves. It also threw in a load of magic through messing with perspective, using stop motion, and literally having magicians on screen. All the effects come together to create a work imbued with excitement for the potential of modernity to change Russia and the world. This film feels like a celebration of life bottled up in a time capsule from 1920’s urban Russia.
If you want to see beauty in the little things in 1950’s Saigon, check out The Scent of Green Papaya. It follows a young maid who is hired to work for an upper class family. Their home and garden is a quiet sanctuary in the middle of a busy city, where her inquisitive nature finds beauty everywhere. It’s a delight for the senses.
You may have seen a lot of films without really paying attention to how they’re put together. But to get the most out of The Assassin you’ll need to become aware of the subtleties on camera. Everything is set up to celebrate the art of the assassin and it’s just beautiful!
Why Watch The Assassin?
It’s one of the most beautiful films of the 2010s!
To immerse yourself in 8th Century China
If you’re a fan of martial arts and want to see the art of an assassin
Because it Hou Hsiao-hsien won Best Director for this film at Cannes
The Breakdown
The Assassin is set in 8th century China when the Tang dynasty is in decline. It’s based on the story of Nie Yinniang written by Pei Xing, a writer from Tang dynasty era China. Sometimes knowing the origin material of the film isn’t that important, but knowing the story of Nie Yinniang will help you get the most out of watching The Assassin. Check out a short summary below!
Summary of Nie Yinniang
(Mostly based on info from the internet – for more in depth summary and background to The Assassin check out this article on Taipei Notes)
The Tang crown prince sends his tenth daughter Princess Jiacheng and her twin sister to a nunnery for safety (from the Anlushan rebellion). Princess Jiacheng returns home when it’s safe, but her sister stays on and leads an order of assassins.
Later on, Princess Jiacheng marries Tian Xu (who holds power in the Weibo district of China) to secure peace in the region. The Princess adopts Tian Ji-an and gives birth to Yinniang, who both grow up as childhood friends. When they’re both older, the Princess gives two jade disks to Tian Ji-an and Yinniang to symbolize their future marriage. However, their relationship is broken off when Tian Xu marries his son to the daughter of one of his strongest allies. Yinniang is then sent to the Taoist nunnery to live with Princess Jiacheng’s assassin twin sister. She later returns when her old childhood friend has taken over from his father on orders to assassinate him.
The Breakdown continued
The Assassin is not like your usual martial arts film. Firstly, it helps to have a bit of background (as written above) as Hsiao-hsien rarely delves into any exposition. Secondly, the whole film is a piece of subtle beauty geared to celebrate the art of the assassin. And before you stop reading because I’m sounding a bit pretentious, I’ll try and demonstrate why.
For most of the film, the only thing you’ll hear is nature, from birds singing to the wind blowing. Similarly, for the most part, the shots are mid-distance and still. Both these things create calmness as the sounds are natural and the pictures are still. Think of the ambience/tone it creates as a still lake.
The stillness creates an environment for the assassin to showcase her skills. She must do her job without disturbing the serenity of her environment, or using our analogy, without splashing into the lake. And of course, she does this well. Firstly, she sneaks around the house of Tian Ji-an without making any noise (you’ll always hear the same natural noises in the background). Secondly, the director rarely breaks from mid-distance shots. When he does for the action scenes, the assassin deals with her victims quickly to avoid creating a disturbance or ripple. She never sticks out. Yinniang and the director, showcase the art of the assassin.
Conclusion
I’m not sure how this film was overlooked by the Academy Awards after picking up the Best Director at Cannes. Perhaps, because many viewers come out a bit confused as the director chooses not to offer too much exposition.
If you take a moment to read up a bit of background before you watch this film (see above) and are up for delving deeper into a film than usual, by watching it more than once, this may well become one of your favorite films.
If you’ve been watching a lot of films recently, you’ll notice that Sampha: Process is different. Firstly it’s got a lot of music, which you’d probably expect as it’s an extended music video. Secondly, you’ll notice the quick and choreographed cuts (the editing works with the music). Music videos are where Spike Jonze and David Fincher started out, will Khalil Joseph transition to feature films as well?
Why Watch Sampha: Process?
Because there’s art in music videos – Director Khalil Joseph made a name for himself with this art/music video to accompany Kendrick Lamar’s Good Kid, M.A.A.D City and also directed Beyonce’s Lemonade visual album
If you like Sampha (you’ll at the very least appreciate his voice if you’re a music fan)
It will make you want to go to Freetown, Sierra Leone
For some fast cuts and symbolism – exactly what you’d expect from an extended music video
The Breakdown
First off, if you haven’t heard of Sampha, you should check out his latest Mercury Prize winning album Process before you watch this film – give it a listen here. Then you’ll need to know that this album was created after he lost his mum to cancer. He deals with loss in the music, but it is also the focus of this film.
Throughout the film, Khalil Joseph cuts to the image of Sampha’s mum trapped in a chrysalis. Her image appears between the beautiful beaches of Sierra Leone and urban London, connecting the two different cities. As a result, she is the link that connects Sampha to Sierra Leone. Her death, along with her mother’s old age (she’s the last of 14 siblings), threatens the link.
Conclusion
Sampha: Process is a film you should watch if you want to see how to adapt a music album into a film. Khalil Joseph takes a brilliant, complete album and manages to add more depth to it.
For more, check out this art/music video Khalil Joseph made for Kendrick Lamar’s Good Kid, M.A.A.D City album.
Colour of Pomegranates is not a biography of the 18th Century Armenian poet Sayat Nova, but a film which tries to depict his poetry on film. If you’re looking for plot, storyline, and a conclusion, stay away from this movie. However, if you want to explore how you can use film as an artistic medium, check out this brilliantly esoteric and stylish film.
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