South Africa Best Films

Tsotsi

Tsotsi Film Difficulty Ranking: 2

Are you here for an introduction to the slums of South Africa? Well Tsotsi is a great place to start as the film is easy-to-watch, entertaining, and emotional (all the criteria for a fantastic Hollywood film). It is also a great pairing for City of God – a Brazilian great with more good music and great editing!

Why Watch Tsotsi?

To hear some great South African tunes
As it’s THE Foreign Language Academy Award winner from 2005
To see a little bit of Johannesberg
To get under the skin of a baby-faced thug (Tsotsi is slang for thug)

The Breakdown

Two guys are playing craps in a cluttered slum house. One of them rolls a four and a five and the players start arguing over whether it is a 9 or an 11. Another observer settles their argument whilst Tsotsi stares out a window at the end of the room. At this point, the banging South African music starts and Tsotsi and his crew leave the house and parade around the slums. These guys are the slum thugs of Johannesberg and we are going to hitch a ride with them into the city.

Right from the start we see the difference between the slums and the city. The slums are crowded, with shacks stacked on top of other shacks and no electricity or running water, except for a little tap that the community queues for. In contrast, the city is mostly clean and built up, especially in the wealthy suburbs which Tsotsi and his crew go and visit. The suburbs even have trees, cars, and gated houses. It is a completely different world.

Also pay attention to the editing, particularly when Tsotsi and his gang arrive in Johannesberg station looking for a target. The camera fixes Tsotsi’s face in the middle of the screen and cuts to see what he is looking at. The camera switches from Tsotsi to commuter, from Tsotsi to family, from Tsotsi to a man handing over money. Boom, here is his target. Now the camera cuts between Tsotsi’s face and the same man who he saw handing over money. The camera gets closer to Tsotsi and his chosen victim between the cuts as Tsotsi closes in on his target. The editing makes it clear that he isn’t there to just people watch.

The Conclusion

The slums are a part of Johannesberg, and to ignore them is to ignore Johannesberg. Similarly, to ignore the people that live in the slums is to ignore your fellow citizens. For this reason, Tsotsi is an important story. At the beginning we see and judge a ruthless criminal that needs to be punished. However, by the end we may change our mind with a little more understanding.

Kings of Mulberry Street – Pan African Film Festival 2020

Kings of Mulberry Street feels like it could have been your 9 year old self’s favorite film. A film that your parents would happily let you watch when you’ve grown out of Disney animation, or that your teachers might put on at school when it’s raining at break-time. A film that the adults would end up staying to watch it with you, because it’s a fun coming-of-age story that everyone can enjoy, set in an Indian community in South Africa.

The first minute immediately sets the tone for the rest of the film. It’s where we first meet 11 year old Ticky dancing along to a classic Bollywood action film projected on the big screen in front of him. He knows all the words and all the action routines. He wants to be the next Amitabh Bachchan, and judging by his confidence, his dreams don’t look too farfetched. The opening establishes Ticky’s charisma and energy; a playful energy and humor that carries through Kings of Mulberry Street.

In the next scene we meet his future sidekick Harold, a chubby kid spoiled by his single dad. They’re posh Indians, as demonstrated by their knitted jumpers and English accents. Harold’s dad even pop quizzes his son on his spelling on their way to their new house. They arrive in Ticky’s neighborhood and immediately try to stay away from mingling with any of the neighbors. Even though they’ve just moved to the hood, and the dad is now writing obituaries for a little local paper, they still see themselves as better then everyone else. They’re the stereotypical wannabe English upper class, complete with the stiff upper lips, that want to stay away from anyone that might disrupt their peace and quiet (see Elton’s dad in Rocketman or Stevens in Remains for the Day for two examples). However, despite Harold’s dad’s efforts to keep him from mixing with the local rabble, inevitably, Harold and Ticky become best friends.

Ticky is Harold’s antidote to his reserved ‘English’ inspired father. He helps him break from his dad’s mold to become ‘more Indian’. Ticky teaches him Indian slang, feeds him Indian food, and introduces him to his big family. Bu,t most importantly, Ticky introduces him to Bollywood film, whose heroes provide the inspiration for them to take back their bike from the local crime boss. In welcoming Harold into the community, Ticky helps tug Harold away from the bland English culture that his father lives by, and into the colorful Indian culture that helps dispel his loneliness. It also helps to break their class boundaries by connecting them through their shared cultural roots. It’s a heartwarming message at the center of a fun coming of age film.

Head to our Pan African Film Festival Hub for more reviews and short films from the Pan African Film Festival 2020.

Layla Fourie (South Africa) – How Long Can You Hold a Lie?

Layla Fourie Film Difficulty Ranking: 3

Up for a slow-burning thriller with racial undertones? Here’s Layla Fourie, a young single mum in South Africa trying to earn an honest living. Unfortunately for her, an accident may derail all hopes of a normal life.

Why Watch Layla Fourie?

You like a good slow burning thriller
For the excellent acting of Layla’s son!
To hear one of the best (and simplest) interview questions
To continue exploring South African film (check out Tsotsi and District 9 first)

The Breakdown

Layla Fourie starts with what sounds like a doctor quizzing a woman about her health. Does she drink alcohol? Sometimes after work. Has she driven under the influence? Strange question for a doctor, but no. As the person asks her another question (has she ever lied?) the camera shows a lie test followed by a black hand tied to a pulse detector. It’s all part of a job interview, but it seems more like an interrogation. Luckily for Layla Fourie, she’s all lie-free.

However, at night the first piece of foreshadowing spells trouble: a car crash outside Layla’s apartment. The next night, whilst driving in the early hours of the morning with her young son, Layla is lost. She is obviously disorientated, she has to stop to look at a map and keeps flicking her headlights on and off (which doesn’t help clear up the darkness of the night). A few minutes later her son wakes up from a slumber and distracts her enough to crash into a man whose car has broken down.

Now it’s Layla’s time to lie. She becomes more suspicious of everyone and much less assured. Can she get away with what she’s done or will she be found out?

Conclusion

Whilst some of the coincidences seem a little bit too contrived, the film does keep up the tension for a lot of the film. If you’re into thrillers, especially those that delve into racism, then this film might just be for you.

Umbango – Your Chance to See a South African B Movie

Umbango Film Difficulty Ranking: 2

The framing is off, the characters are melodramatic, and the dialogue is cheesy at best. Welcome to the South African B-movie Umbango. It’s one of hundreds of films produced at the height of the apartheid for African audiences. By the early 1990s most of these films had disappeared, but luckily for you, Umbango is one of a few that have been recovered.

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Why Watch Umbango?

To see an authentic Zulu film (not counting that Michael Caine film)
It’s a classic B-movie – perfect to laugh at
Find out what kind of films were made under the apartheid
For an alternative to the polished South African films such as Tsotsi or District 9

The Breakdown

The opening introduces us to Kay Kay, a bandit chilling by a camp fire out in the wild. Another traveler joins him by the fire and pledges his loyalty to Kay Kay. They fulfill the typical bad-guy and silly side-kick role.

There are two things you’ll notice in this film:

The production quality is pretty terrible. The camera framing is all over the place, the colour contrasts are often completely washed out, and the sets are obviously fake. You have to accept that this is a B-movie to enjoy the little things.
The humour is very different to what you’re used to. It seems to be parodying the western genre as well as some South Africans (although I cannot confirm this). The characters also find calling their enemy ‘smelly’ hilarious. There’s a scene where the bad guy calls his nemesis ‘smelly like a jackal’ and ‘smelly as a skunk’ as if it’s the funniest thing in the world.

As long as you accept the poor production quality and can laugh at the strange humour, you’re in for a treat.

Conclusion

Watch Umbango to get an idea of what films were made for South African audiences under the apartheid. Whilst it is obviously a B-movie, it is still a lot of fun to watch!