Film Difficulty 2

To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 2.

Film Difficulty Ranking 2: These films are perfect introductions to those new to foreign films. These one’s may have subtitles, or be in black and white, but these films are all easy to follow and enjoy.

For the next step, check out Film Difficulty Ranking 3.

131

Finding Sally (Ethiopia) – Pan African Film Festival 2021

Finding Sally is the story of a 23-year-old woman from an upper-class family who became a communist rebel with the Ethiopian People’s Revolutionary Party. Idealistic and in love, Sally got caught up in her country’s revolutionary fervor and landed on the military government’s most wanted list. She went underground and her family never saw her again. Four decades after Sally’s disappearance, Tamara Dawit pieces together her mysterious life in Finding Sally. She revisits the Ethiopian revolution and the terrible massacre that followed, which resulted in nearly every Ethiopian family losing a loved one. Her quest leads her to question notions of belonging, personal convictions and political ideals at a time when Ethiopia is going through important political changes once again.

Tamara’s family story in Finding Sally is a good one, but doesn’t always come across like it. It could have taken a few more artistic liberties to bring out the story a bit more. One example that dampens the mystery is in a scene where Tamara is interviewing her Aunt in Ethiopia. She asks her why she never knew about the existence of her missing Aunt Sally, and her Aunt answers: “I don’t know, she was in all of the family albums.” Her answer immediately shuts down the mystery the director was creating about her missing Aunt.

It’s also clear that they’re not the typical Ethiopian family. The director’s grandfather was a foreign diplomat that took them round the world with them, so they had certain levels of privilege other Ethiopians wouldn’t. But his importance is never hyped up that much, making their family appear pretty normal versus how they probably were. Their uniqueness could have been emphasized more.

Aunt Sally’s role in the communist movement also feels a little unclear. It doesn’t come across that she was an integral part of the movement as her links to the party appear fairly tenuous in Finding Sally. Perhaps there was just not enough information to tell her story in so much detail. It also feels as if the director is caught between telling multiple stories. She uses the narrative of her missing Aunt as a gateway into contemporary Ethiopian history, but also depicts the story of her family history as she reconnects with her family in Ethiopia. In moments, the stories tie together, but the lack of detail in Sally’s story, never fully brings her to life, leaving her role in the revolution and beyond a bit flat.

If you’re looking for a personal story of a family of a diplomat working in a changing country told through personal one on one interviews and photographs, Finding Sally is worth a watch. However, this might not be what you’re after if you’re looking for a more involved documentary on Ethiopian history or a globe spanning mystery.

Check our Pan African Film Festival 2021 page for more reviews coming out of the 29th edition of the festival.

132

Clashing Differences – Outfest Los Angeles 2023

In Clashing Differences an international women’s rights group based in Germany changes its original white-women led panel to avoid being ‘cancelled’. The updated panel however sees through their attempts to fulfill the diversity checklist in this satirical comedy.

It’s hard to get a satire right, especially when you’re satirizing topics that you can easily get wrong (such as racism), whilst keeping the tone light enough to maintain the comedy. Clashing Differences doesn’t get everything ‘right,’ but it is a pretty good attempt. The fourth-wall-breaking monologues from each character all pack a punch whilst conveying a wide range of experiences. It also always feels like the film is told from a multi-cultural perspective, by centering the non-White characters (bar-one) over white characters. That being said, the film does feel like it falls into its own trap. In trying to expose the tokenization of the multicultural characters it almost tokenizes the same characters. Each one of the characters covers a different multicultural reaction to their own tokenization.

However, the larger problem with Clashing Differences is the relationships between the characters. None of them get along through the majority of the film’s run time, clashing because of past relationships, and not just their ideas for confronting the international women’s group they’re there for. The only thing that ultimately brings them together are literal Nazis which gives viewers an out for thinking about all of the more subtle racism that the characters talk about beforehand (as Nazis always surpasses more subtle racism). It also feels like a tool to help end the film too.

Despite the convenient ending, Clashing Differences is still worth a watch. You’ll likely get some enjoyment from the satire of well-wishing white-led feminist groups and the drama fired up by conflicting views.

133

Sea and Jungle (Mionga Ki Obo) – Welcome to Sao Joao dos Angolares

Sea and Jungle FILM DIFFICULTY RANKING: 2

Angolares are the oldest inhabitants of the island of São Tomé. Control of the island was wrested from them in the late 19th century, and their descendants have been reduced to a small fishing community sitting on the border of the sea and jungle. Sea and Jungle explores the tangled history of the Angolares and the island of São Tomé.

From: São Tomé & Principe, Africa
Watch: YouTube, IMDb
Next: Golden Fish, African Fish, Batuque, Inland Sea

Sea and Jungle – The Breakdown

Sea and Jungle starts as a narrated documentary. The filmmaker, Ângelo Torres, talks through an introduction to the remote fishing village of Sao Joao dos Angolares in the southern part of São Tomé (the main island of São Tomé and Principe) alongside shots of village life. There’s only 2,500 people living here on this strip of land bordering the Sea and Jungle (Mionga Ki Ôbo). The narrated documentary start gives the viewer a foundational understanding of the place and heritage (these people are the oldest inhabitants of the island following their escape from slavery) before the filmmaker grounds us in some local interviews.

The majority of the interview subjects are part of the fishing community of the village. They tell stories of the sea to give us a living perspective of the island to add to the director’s introduction. Some are functional, like the fish saleswoman that details how she funds her entrepreneurial job, whilst some are more emotional, like the traumatic story from a fisherman that hasn’t gone out to sea for four years after a near death experience. There’s also an interview with the island’s godfather type – a white man who’s the go-to money lender for the island and literal godfather to 117 local children. His white skin is a sign that the Portuguese colonial legacy on the island perhaps hasn’t fully passed. Whilst the sequence of interviews doesn’t develop a story or any themes, the interviews with the locals give a more vivid depiction of life in Sao Joao dos Angolares.

Some of the interviews are broken up by improvisational dance and dramatic reenactments of some of the stories. These interludes add a dreaminess to the documentary that runs with the narrator’s musings and mystical interview questions. The dreamy, mystical tone makes the interviewee’s references to superstitions seem more normal. There’s the man who doesn’t each shark because it might be the shark that ate his father, the boat makers that cut the trees for the canoes on specific moon-lit nights, and the doctors that summon spirits to help them cure their neighbors. However, the creative dreaminess is not fully embraced – the film doesn’t go full Fausto in it’s originality. It also doesn’t focus one theme; jumping between local fishing stories, superstitions, historical narrative, and improvisational scenes which dilute the film’s focus. But if you’re looking for an interesting documentary capturing life from a small town on a small African island country, Sea and Jungle does it’s job.

What to Watch Next

There’s a few more interesting African documentaries that center on life by the sea. Golden Fish, African Fish opens a window on Senegal’s many fisherman whilst Batuque will let you listen to Cape Verde’s national music. Or for a dreamy docudrama from another island nation, check out Mauritius’ The Cathedral. In Search of Voodoo also does a similar job of capturing one aspect of a country’s culture.

You could also check out Inland Sea from Japan if you’re looking for more fishing related documentaries from around the world.

134

Tales of the Accidental City (Kenya) – Pan African Film Festival 2022

Four people from different sides of Nairobi join a court-ordered anger management class with Counsellor Rose in Tales of the Accidental City. They each bring their own stories and banter to the Zoom call to create a quick one-location comedic overview of Nairobi society.

As called out in the opening titles, Tales of the Accidental City was originally created for the stage. It was adapted for film following the start of COVID-19 as the pandemic forced theaters to shut. It still resembles a play, as the focus is on the conversation and takes place completely in the single ‘location’ of a Zoom call. However, one benefit of converting Tales of the Accidental City for film is that all viewers are close enough to see the actors facial expressions. These are crucial for communicating the humor of the film which relies on the quick banter between characters. Without the close-ups we wouldn’t be able to see clearly how each of the character’s react to each other.

The humor seems to be built around local stereotypes with each of the 5 characters (including Counsellor Rose) representing a different part of Nairobi society. Louis represents the political elite, and fulfills the snobby, self-important stereotype. Counsellor Rose represents the Kenyan version of the cultural appropriating white hippie with Buddha poster on her wall and doing yoga to meditative music and candles. Jacinda’s character seems to be mocking the devout Christians of the middle class whilst Diana and Sarah represent the mothers and youth of the working class. Each character is exaggerated through their manner and their zoom backgrounds to create the associations with the stereotypes. Their equally flowing banter then makes fun of each of them, and the segments of Nairobi society they belong to.

If you’re looking for a simple Kenyan comedy, Tales of the Accidental City is worth a watch. Whilst the film is confined to the Zoom meeting room, it playfully makes fun of a few stereotypes of the city, giving the audience a few laughs and a small understanding of Nairobi society.

Check back to our Pan African Film Festival 2022 page for more reviews coming out of the 30th edition of the festival.

135

Sunday in Brazzaville – Meet Some of the Capital’s Artists

Sunday in Brazzaville Film Difficulty Ranking: 2

Why Watch Sunday in Brazzaville?

See documentary of an African country that doesn’t focus on poverty or war
Meet 3 of the capital’s artists
To see how some of the Republic of Congo’s residents get down

From: Republic of Congo, Africa
Watch: IMDb, JustWatch, Tubi, Hoopla
Next: System K, Burkina Rising, Night of Calypso

50 years after colonialism, Sunday in Brazzaville takes a look at three artists contributing to contemporary Congolese culture in the former capital of Free France. Each of them reforms influences from the West into cultures that are uniquely Congolese.

The three artists in profile represent three different parts of culture:

The Fashion orientated Sapeurs – a group of men and women that live by a gentlemanly code and dress in bright suits. Their code of conduct rules that they must show good manners, be elegant, and always well dressed – deriving their characteristics from wealthy upper class Frenchmen. They’re surprisingly proud of their French heritage, but also sport brightly colored suits that feel uniquely Congolese.
The wrestler representing sport and entertainment. This wrestling has much more in common with the WWE in the U.S. than the greco-Roman wrestling you’ll see at the Olympics. It’s more focused on the spectacle than strength. The wrestler profiled, like the Sapeurs, mixes Congolese elements into the U.S. style wrestling, with magic and live animals becoming his secret weapons.
Lastly there’s our musician, a rapper uncovering life in Brazzaville in his rhymes. Like the Sapeurs and the wrestler, he has been influenced by culture from the West (in this case rap music from the U.S.) and adapted it to depict contemporary Congolese life.

Each of the three artists in Sunday in Brazzaville represent contemporary Congolese culture with all of them adapting elements of Western art for Congolese audiences to give a quick overview of life in Brazzaville. The only thing that would have been nice to see is more of a gender balance in the subjects as the characters profiled are all male.

What to Watch Next

Sunday in Brazzaville is a western made African documentary that doesn’t focus on the exploitative thematic trio of poverty, conflict, and AIDS. Narrated by a Congolese radio host, it reminded me a bit of PRI’s informative and diverse Afropop Worldwide podcast series which looks at a wide range of African music around the world. It also reminded me of some of the vibrant and colorful documentaries coming out of the Republic of Congo’s neighbor the DRC such as System K and Zombies. Or if you’re looking for more overviews of one country’s culture, check out Burkina Rising and Night of Calypso.