Imagine a German nightclub blasting techno music. Imagine a German nightclub blasting techno music whilst drinking Red Bull. Imagine a German nightclub blasting techno music whilst drinking Red Bull and dancing the running man. You’re now getting close to the adrenaline rush of Run Lola Run.
Imagine a German nightclub blasting techno music. Imagine a German nightclub blasting techno music whilst drinking Red Bull. Imagine a German nightclub blasting techno music whilst drinking Red Bull and dancing the running man. You’re now getting close to the adrenaline rush of Run Lola Run.
Imagine a world where everything you say or do is watched by the government. Sound like an episode of Black Mirror?
This was often a part of a public figure’s life in Eastern Germany. There could be microphones hidden behind your light switch, cameras in discrete places above your door, and wire taps on your phone. Get an insight into state spying in this film, and their role in shaping the countries artists. The Lives of Others reminded me of a Speilberg great because of it’s great characters. But for all you who don’t trust me, trust Rotten Tomatoes, there’s a 93% chance you’ll like it.
Why Watch the Lives of Others?
Are you interested in what went on behind the ‘Iron Curtain’? The accuracy of the film’s set and atmosphere stunned former East Germans!
You’re scared by what Edward Snowden leaked a few years ago?
To learn some vital interrogation techniques!
This film won the Academy Award for the best foreign language film in 2006.
The Breakdown
The Lives of Others opens with a uniformed guard leading a man down a hallway that looks like a prison row. He is sat in one room opposite another uniformed man who starts to interrogate him. As the victim denies his involvement in smuggling a friend out of the country the director cuts to the same interrogator giving lectures to a group of university students. One student speaks out against the interrogation techniques and receives a cross against his name in the professors notebook. This guy doesn’t play around. Sure enough, he also gets an answer from the victim after keeping him awake for over 24hours and threatening to detain his family.
In the next scene, our clinical professor/interrogator is sitting at a local theatre watching a play by Dreyman. The subtle anti-state sentiment in the play sparks Wiesler’s suspicions. He can smell a rat anywhere. He gets out his binoculars to take a good look at Dreyman, who is sitting at the back of the theatre on his own. Seeing him through Wiesler’s binoculars makes him look even more alone. In Wiesler’s sight Dreyman is vulnerable and unaware of what is going to happen to him.
Also pay attention to the protagonists’ apartments which really add to the characterization of the two main characters. As state surveillance minister, Wiseler’s apartment is in an imposing concrete block of flats. His apartment is spotlessly clean, with two small uninspiring pictures on his four walls. In contrast, Dreyman’s flat is messy and cluttered, with books stacked up on his desk and against the walls. As a result, their rooms add to their characters. Wiseler’s apartment signals precision, decisiveness, and a distinct lack of emotion. In contrast, Dreyman’s messy apartment makes him seem even more creative, friendly, and relatable.
Conclusion
Out of all the films I’ve reviewed for this site so far, I think that The Lives of Others is a great place to start on your foreign film adventure. It is a great story, easy to follow, and carries a lot of tension. If you’re a seasoned film buff, it’s time to add this to your collection!
Angelika Levi’s Absent Present is one well made documentary. If you’ve ever listened to an episode of Malcolm Gladwell’s equally well constructed Revisionist History you’ll find similarities with Angelika Levi’s documentary method. Like Revisionist History, Levi starts with an event – in this case the disappearance of her friend Benji – and unravels the threads linked to it to uncover a whole chain of associations from colonialism to migration. Having explored more of the threads linked to Benji’s life, we see his disappearance in a new light.
Uncovering the Mystery by Looking at the Big Picture
Benji’s disappearance is a mystery that Levi tries to unravel by following his path. Born in Namibia, he was one of many young Namibian children that were brought to the GDR (German Democratic Republic otherwise known as East Germany) having survived the Cassinga Massacre (a South African bombing raid on Namibian independence fighters). He spent 11 years in East Germany from ages 3-14 at an orphanage and German school, and became a naturalized East German citizen. However, in 1989 the GDR collapsed, East and West Germany reunified, and Namibia gained its independence. As a result, Benji was sent back to Namibia despite having grown up in Germany. Back in his birth country, Benji was kidnapped by Angolan soldiers and forced to join their liberation struggle. He managed to escape and returned to Europe disguised as a tourist. He eventually made it back to Germany, but disappeared a few years later. Levi travels from Germany to Namibia and back to Germany in Benji’s footsteps to try and investigate his disappearance. But ultimately, as she retraces his steps she finds the foot prints of more African refugees in Senegal and Spain and starts to uncover the hypocrisy of anti-immigration policies. By following the footsteps of migrants like Benji, Levi gives us a look at the big picture, which gives us a context to help explain Benji’s disappearance.
The Hypocrisy of Anti-Immigration Policy
Levi starts her broader investigation with the Columbus monument in Barcelona, a grand 19th century column that celebrates the discovery of the New World. At the top, Columbus points towards his ‘discovery’, a world where Columbus received gifts of welcome and from which Spain gained incredible wealth and prosperity. The hypocrisy of the monument is that it celebrates a migrant that crossed oceans in search of wealth, whilst today the same country that benefited from the wealth of other continents turns away migrants with similar intentions.
Levi also highlights the underlying racism behind Spain’s treatment of African migrants in the Canary Islands, juxtaposing images of white tourists relaxing on beaches and running through woods with images of Africans detained in camps just meters from tourist hot spots. The fact that these camps, that almost specifically hold African migrants, are built on the foundations of former slave camps makes it all the worse. Seen in this context, it’s not surprising that Benji tries to return to Europe disguised as a tourist with bleached hair. For Benji, and the African migrants that are detained in Spain, Europe is the only option left in their attempt to survive. It’s “Barcelona or Barsaak” (the Wolof for land of the dead). Viewed in its historical context, the anti-immigration policies of Europe look like an evolution of the legacies of slavery and colonialism. The Africans were forcibly brought to Europe and the Americas as slaves, forcibly exploited in colonialism, and now they are forcibly shut out of the riches their work and land created, detained as migrants.
Whilst the big picture Levi uncovers in Absent Present doesn’t answer why Benji disappeared, it does connect Benji’s forcible removal from his home country, and forcible repatriation to a brutal history of exploitation. It uncovers a hypocritical and racist history that takes African bodies when they’re needed and discards them when they’re not. Seen in this context Benji’s disappearance is not a mystery, but a symptom of the legacies of slavery, colonialism, and illegal immigration.
What to Watch Next
If you’re looking for another documentary that attempts to find a missing person, check out Luis Ospina’s A Paper Tiger. It tries to track down a Colombian artist named Manrique Figueroa by interviewing all the friends he left behind.
Or if you’re looking for more films in which migration and colonialism are a major topic I’d recommend exploring the following:
Atlantics – a feature film from Senegal that conveys the impact of a lost generation venturing north on their friends and family back at home.
Tenere – a documentary that tracks migrants crossing the Sahara desert on the back of Mad Max style converted trucks in Niger in quests to reach Europe.
A Storm Was Coming – a documentary that artistically represents how the Spanish Empire erased the indigenous cultures of Equatorial Guinea.
Or if you’re just looking for more documentaries narrated in English by great German film makers, check out Werner Herzog. His film, Little Dieter Needs to Fly is a great place to start. It’s a film about the life of a German war survivor that becomes a prisoner of war in Vietnam.
For ‘real’ German cinema, look no further than here. For this is the New German Cinema of the 1960s-1980s, a cinema where commercial interests were kicked out of the window. In The Merchant of Four Seasons, you will see the real Germany of the 1950s in it’s grim glory. You’ll see everything commercial films won’t show you: class prejudices, domestic violence, and depression. Watch this film if you’re intrigued!
Why Watch The Merchant of Four Seasons?
You want to see the bleakness of humanity
To see something from the New Wave of German cinema (1970s) by one of it’s leaders: Fassbinder
Was life good in Germany in the 1950s?
For some 70s film cinematography: quick zooms and close ups
The Breakdown
The film starts with Hans (our protagonist) arriving home in the middle of the night. He has just come back from Africa where he spent 7 years with the French Foreign Legion. Instead of being pleased to see him, his mother tells him off for turning up in the middle of the night. She tells him “the good die young, and the bad always come back.” What a lovely mother! What has he done to deserve this?
We learn that Hans is a fruit salesman and doesn’t earn much money. However, before you start feeling sorry for him, he is an alcoholic and a wife beater as well. So much so, that his wife nearly leaves him after he comes back from the pub drunk and beats her. Is Hans a really bad guy or someone who has been forced down a bad path? The film argues both. West Germany in the 1950s looks bleak and without much opportunity, but Hans’ alcoholism and violent nature does not help him.
More important than Hans is the story of Irmgard, Hans’ wife. She is threatened and beaten by her husband, looks after the kid by herself, and is asked how much she costs when walking along the street. She is treated as a maid and a sexual object. Irmgard’s position as the ‘German woman’ of the 1950s shows the absence of equality and respect for women at the time.
Conclusion
Fassbinder’s portrait of post-war Germany is very negative. He doesn’t seem to think much of human nature and portrays life in West Germany as pretty grim. Both the protagonists are in positions they didn’t want to be in. For a gritty look at life in post-war Germany watch this. However, if you do not want to see class prejudices, domestic violence, infidelity, family discord, depression and self-destructive behaviour, watch something else.
Imagine a world where everything you say or do is watched by the government. Sound like an episode of Black Mirror?
For ‘real’ German cinema, look no further than here. For this is the New German Cinema of the 1960s-1980s, a cinema where commercial interests were kicked out of the window. In The Merchant of Four Seasons, you will see the real Germany of the 1950s in it’s grim glory. You’ll see everything commercial films won’t show you: class prejudices, domestic violence, and depression. Watch this film if you’re intrigued!
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