France Best Films- Page 2 of 3

A Man Escaped

A Man Escaped Film Difficulty Ranking: 2

Yes, this is an old black and white film and it is subtitled. But do you really think that these two things are only equal slow moving romances? If you do, you’re mistaken because A Man Apart will hold your attention until the very end. With no boring or unnecessary scenes, A Man Apart is everything an escape film should be about: the escape! Escape or die!

Why Watch A Man Escaped?

You liked The Great Escape or Escape from Alcatraz and want to see the original escape film!
Learn what it is like to be trapped in a prison cell
Learn how to escape from a prison cell
If you don’t believe me, check Rotten Tomatoes, Imdb, or wherever you get your film reviews!

The Breakdown

The Montluc Nazi prison camp in France is where 7,000 out of 10,000 prisoners died during the last few years of the Second World War. We are introduced to Fontaine’s hands and knees stuffed into the back of a small car. His hand reaches for the door handle, then quickly retracts his hand to the side of his body. He is calculating an escape from the Nazi car. His hand reaches out, and returns to his side as a car passes in the opposite direction. Does he make a break for it or die at the hands of the Nazis?

Usually there’s a lot to write about each of the foreign films I watch. However, the beauty of this film is it’s simplicity. Bresson (the director) only includes that which is necessary to the film. There are no special effects, there is no fancy camera shots, the editing is simple, and dialogue is kept to short bursts. Nothing else needs to be there. I’d recommend aspiring directors to watch A Man Escaped to understand the importance of every scene.

The decisive film-making matches the character of Fontaine. He always figuring a way to escape in a escape or die scenario. We never see him sitting on his bed getting over emotional or hopeless. Unlike other films, this one is all about the action, and Bresson doesn’t allow any emotions to disrupt the flow of the film or the moments of tension. It is for this reason that Bresson made a point of hiring non-actors. He did not want any ‘acting’ or style, just someone playing his part.

Conclusion

A Man Escaped is both a thrilling escape film as well as a lesson in film-making. Every scene is vital to the film, therefore there are no irrelevant scenes that distract or bore the viewer. You will be glued to the screen until the very end. Also, because of the detail Bresson pays to the prison cell and daily routine, it will feel like you’ve been imprisoned with Fontaine the whole time.

Too Early, Too Late – Documenting the Land of Two Countries

Too Early, Too Late Film Difficulty Ranking: 5

Too Early, Too Late isn’t your typical documentary. Instead of following a person, animal, or political movement, it documents the landscape through a series of long sweeping shots of fields, land, and people. If you’re a people watcher, or someone who likes to sit on a park bench and contemplate the view, you’ll enjoy Too Early, Too Late. It requires patience, an open mind, and some open ears.

From: France, Egypt, Europe, Africa
Watch: YouTube, Rent on Amazon
Next: Playtime, Peace, Reminiscences of a Journey to Lithuania

Read The Full Review

The Life of Jesus (La Vie De Jesus)

The Life of Jesus Film Difficulty Ranking: 4

This is a film for those who are used to art-house films. Some parts are deliberately slow to emphasise the tedium of small town life in France and will put off some viewers. However, there is a lot to like about this film. It has some great acting, an ominous build up of tension, and some moments that would not be out of place in Napoleon Dyanmite. Above all, it is a gritty portrayal of the hopelessness of life in rural France, where there are no prospects or ambition. Think of it as the rural anti-thesis of La Haine.

Why Watch The Life of Jesus?

You want an insight into life in a small provincial French town including, but not limited to:
- Racism: “Are we going to beat up that Arab soon?”
- Brass Bands, including an overly enthusiastic conductor
- Sex and rape: “it was just a bit of fun”

The Breakdown

The first scene shows Freddy riding his motorbike through the French countryside. The road is empty, there are no cars. The background is full of rolling dull green hills set under a bleak grey sky. The colours revolve around a palette of greys to make it seem less appealing. Freddy rides into town and crashes off his bike as he tries to stop it outside a restaurant. He walks in and greets his mum who is watching TV. Life in this town is dull!

Freddy is ashamed to be epileptic. At first, we are sympathetic, however as the film progresses, our sympathy disappears. After one appointment, he throws off the brain scanner and runs out of the hospital. He then speeds back home on his bike without a shirt on, and for the second time crashes as he tries to stop. Straight after the crash, he runs to find his girlfriend for sexual intercourse. It is like he is trying to compensate for his epilepsy by affirming his manliness/machismo.

Freddy is also unemployed and supposedly looking for a job. However, he spends all of his time hanging out with his mates who are also unemployed. To combat their lack of ambition and prospects, they all ride around town together looking for trouble. They need some way of asserting their machismo to compensate for their lack of respect in the town. Unfortunately one of their outlets is racism, and the unlucky guy is an Arab who takes a stalker-like liking to Freddy’s girlfriend.

Conclusion

The Life of Jesus is a no-frills look at life in a remote French village for young men. The lack of dialogue and dulled colours matches the lack of things to do in the area. Although it lacks commercial appeal, the film is a great depiction of stifled adolescent lives. People who push their troubles onto others.

Hail Mary – Jean-Luc Godard + The Bible

What does a radical filmmaker do when the energy of the New Wave is fading? He makes a film about the Virgin Mary and Joseph to provoke controversy from the Catholic Church.

Hail Mary Film Difficulty Ranking: 4

So what does a radical filmmaker do when the verve of the New Wave is over? He makes Hail Mary, a film about the Virgin Mary and Joseph to provoke controversy from the Catholic Church.

From: France, Europe
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: The Passion of Christ, Children of Men, Second Coming

Rewind and Play – AFI Fest 2022

Rewind and Play is an incredibly uncomfortable example of how the Black experience has been written out of history. Alain Gomis digs up the outtakes from an interview Thelonious Monk did with French state television in 1969. It reveals that behind what perhaps appeared to be a simple profile of a Jazz musician, is a heavily edited, whitewashed version of one of the genres largest names. His talent and experience is deliberately reduced to a few stereotypical nuggets to fit a white European audience.

Initially, you might think that Thelonious Monk is just shy, from the short answers he gives to the interviewers questions. For example, he barely responds to the interviewer when asked about his first experience in Paris. However, as the film progresses, it becomes clear why Monk isn’t responding. He’s actually already answered the question multiple times – telling the interviewer that he faced discrimination despite being the top billing at the Paris Jazz Festival in 1954, but the French interviewer doesn’t want to hear it. He dismisses his experience of racism as ‘not nice,’ ‘derogatory’ words and keeps asking the same question to get Monk to lie.

He gives short answers as he’s not allowed to say anything else. His life and music are defined by his race, but he’s prohibited from mentioning it. In order to enforce the ‘color-blindness’ of France, the interviewer and state TV have written Monk’s life instead of allowing him to tell it. As they edit out everything he says, the interviewer ends up telling the French TV audience Monk’s life instead. Monk’s experiences have been turned into cookie cutter pieces of his life to be digested by a middle-class white audience.

The short answers, just like the shots of Monk leaving the stage after his piano pieces, also convey his justified frustration. Unfittingly for the celebrity he is, Monk is captured like an animal at the zoo, turning him into a token of fluke Black genius rather than celebrating his genius completely. He’s lit up with a ton of lights, causing him to sweat profusely, and then the camera zooms in for extreme close ups as if analyzing his anatomy to try and find something to prove his inferiority. He’s the celebrity, but he’s never offered a drink or anything to make him more comfortable. Instead, it’s the white interviewer in the position of power, leering at him whilst leaning over the piano and mandating how to respond to his questions and what to play. French TV want to take his music and separate it from his life. There’s no respect for him as a person.

Alain Gomis manages to brilliantly bring out the awful experience Monk faced in Europe through the outtakes of this French interview. He reveals that there is often much more value in the outtakes than the actual chosen footage. By highlighting this injustice, Gomis forces viewers to question all portrayals of Black celebrities and experiences by the media.

Head to our AFI Fest 2022 Hub for more reviews from AFI Fest 2022.