Cries and Whispers Film Difficulty Ranking: 4

This is the ultimate malfunctioning family. One of the three sisters is dying, but the other two are preoccupied with their own lives. Watch this amazingly coloured film if you are looking for a brutal family drama. It’s not for the faint hearted!

Here’s three reasons to watch along with the film’s eerie soundtrack

Why Watch Cries and Whispers?
  • This is brutal family drama Shakespearean style
  • If you want to see a bit more from celebrated Swedish director Ingmar Bergman outside his big three (Seventh Seal, Persona, and Wild Strawberries)
  • For another exploration of life and death (this exploration is far more disturbing than Bergman’s Wild Strawberries)
  • To see some more beautiful colours (just as you just saw in Jude’s Scarred Hearts)
The Breakdown

The film starts with the colour red. The only other thing we can perceive is the chimes of a small bell. Next, we see shots of statues and trees in what looks like a misty churchyard. After a few cuts, the misty churchyard fades into redness.

The red themes continue into the films beautiful red and white pictures (see below).

Image result for ingmar bergman cries and whispers
Vivid red and white palette used in Cries and Whispers

The colour grades are beautifully vivid, but why does Bergman use red and white? Well as put by Bergman below, the red represents the soul. You will notice that the red fades as the film progresses – along with the souls of the characters.

“Cries and Whispers is an exploration of the soul, and ever since childhood, I have imagined the soul to be a damp membrane in varying shades of red”

Another thing that fades as the film progresses is time. From the start you’ll hear the chimes of bells and clocks ticking. You’ll even see shots of clock faces that break up the film narrative. However, just like the fading of the vivid reds (that represent the soul), the images and sounds of time will fade. Agnes, and the other characters, are losing their time on earth.

Conclusion

Cries and Whispers is another dark Bergman film to satisfy your inner demons. It explores life and death and finds emptiness in one of the most vividly coloured sets I’ve seen. Watch this one after you’ve seen Wild Strawberries, Seventh Seal, and Persona to expand your film knowledge of the fantastic Ingmar Bergman.

Scarred Hearts Film Difficulty Ranking: 4

“Life is a serious game for which we’ve even invented nickel plating. To live we must believe in their importance. But let us remember that it is all just a game”

You can tell Scarred Hearts was adapted from a novel. Philosophical musings are scattered throughout the film just like the stream-of-consciousness narrative I presume carries Max Blecher’s novel (correct me if my assumption is wrong!). Amazingly, it works! If you’re a big reader and want to convert to the big screen for a few hours without missing out on some philosophy, this one is for you!

Why Watch Scarred Hearts?
  • To understand the importance of humour in life (and in sickness, much like Diving Bell and the Butterfly)
  • Feel the political zeitgeist in Romania just before the Second World War
  • For some great quotes (e.g. “each moment, each pain, each thought, each event I consider important is but an atom in the vast ocean of world events”)
  • So many beautiful colours (just like a Wes Anderson movie)
The Breakdown

Scarred Hearts starts with the sound of a church choir singing. All we see is a sketched portrait of a man and then a load of old pictures of people lying down. The old pictures are of patients with Pott’s disease, a sort of tuberculosis of the spine. All of them must lie down whilst they are being cured.

But let’s talk about the film. The first thing I noticed was the beautiful colour palettes. There’s the pale blue and cream coloured hallways that match the nurses dress.

There’s the warm pinks and pale reds of the x-ray room.  

And, there’s the pale, washed out blues and whites that make up the main hospital ward.

All these colour grades are carefully worked just like you might have noticed if you’ve seen a Wes Anderson film. Beautiful!

I also loved the many quotes that are either written across the screen like in the old silent films or read out by the characters. They question eternal life, religion, and the meaning of life. But while doing so they are also aware of their own fate. Here’s a couple of the quotes which I noted down:

  • “Life is a serious game for which we’ve even invented nickel plating. To live we must believe in their importance. But let us remember that it is all just a game”
  • “Fortunate is he who keeps the hour of his death ever present and lives every day as if it was his last”
Conclusion

There isn’t really any driving narrative plot in Scarred Hearts. However, this adaptation (of a Max Blecher novel) works incredibly well. It carries the stream-of-consciousness musings of the author through the character’s and a number of title cards which outline the film. Well worth a watch for anyone who loves literature and philosophical ramblings.

 

 

 

Le Moulin Film Difficulty Ranking: 5

Watching Le Moulin is like walking round a great Taiwanese museum. All the interesting stuff is listed next to some intriguing artifacts from the period. You will come out of the film feeling like an expert on Taiwanese literature in the 20th century.

Why Watch Le Moulin?
  • If you want to see a proper art house film
  • To learn a contemporary history of Taiwanese literature, especially the influence of Surrealism (pretty specialist stuff)
  • See a documentary told through a range of artistic forms (paintings, poems, and of course film) reminiscent of Weerasethakul’s A Mysterious Object at Noon
  • Learn a bit about the history of Taiwan as well from the pre-war 1930s to the Kuomintang ruled 1950s
The Breakdown

Le Moulin starts with dice rolling on a board. Disorientating music plays as we watch four men with their heads and feet out of frame line up to be photographed. Next we see the picture crystalising on a piece of photo paper in it’s chemical bath.

The four men are part of a collective of Taiwanese poets that tried to establish a Taiwanese voice against the Japanese colonisers. You’ll follow their story from the early 1930s when Taiwan was occupied by Japan, through to the 1950s when Kuomintang declared martial law.

You will learn a lot about Taiwanese history and literature watching Le Moulin. However, the main attraction is it’s form. One minute you’re watching a re enactment of the collective and the next you are being shown incredible still pictures from the era and having poems read to you in full. You’ll even notice art work from Picasso, Cocteau, and Chaplin dotted around the film.

All in all it is a complete documentation of modern Taiwanese literature. It leaves no rock unturned.

Conclusion

The style and form sets Le Moulin apart. It weaves in photos, mementos, art, poetry, and reenactments to create what is effectively a museum exhibit on Taiwanese literature. A must for someone interested in how to use form in historic documentary films.

For a fictional film which also experiments with form, I’d recommend checking out Apichatpong Weerasethakul’s Mysterious Object at Noon.

Ahlaam Film Difficulty Ranking: 3

Amazingly, this film was the first film shot in Iraq following the end of the Iraq War. Even more amazingly, it does not hold back at all from showing the devastating effects of the war on Baghdad and it’s citizens. If you haven’t seen an Iraqi film before, go watch this one! But beware, it’s not something you can sit back and relax to with a big bag of popcorn.

Why Watch Ahlaam?
  • To watch a film from Iraq! How many Iraqi films have you seen?
  • For a chance to learn a bit about the effects of the war in Iraq
  • Experience an Iraqi wedding complete with music and lots of ululations
  • Witness the fall of Iraq from the eyes of regular Iraqi citizens
The Breakdown

Ahlaam starts with bombs falling on Baghdad 3 days before the fall of the city. Inside an asylum, the patients are startled and scared by the exploding bombs. It is obviously not a pleasant situation to be in.

The film follows the true story of three Iraqi people as the Iraq war starts. One is a soldier for the Iraqi army. Another is the happy fiancee of a local man. The last is a man training to be a doctor. They are all based in Baghdad and all lead happy lives in what they describe as a ‘beautiful city.’

Of course, from what we unfortunately now associate with Iraq (war), we assume their happiness is not going to last. The director, Mohamed Al-Dara, does his best to foreshadow the bleak future. Firstly, there’s the snippet of the patients in the mental asylum at the start before the film jumps back to before the start of the war. Secondly, there are just too many nice statements. When you hear someone say ‘Baghdad is beautiful,’ and another say that ‘one day military service will be but a memory’ it’s obvious that Baghdad will not be beautiful by the end of the film and the army will be ever present. It’s like Chekhov’s gun, when you introduce a gun, it will be fired.

Conclusion

By the end of the film you will see the effects of war on the regular citizen of the world. It’s well worth a watch, but probably not the best option for your first date!

Wild Strawberries Film Difficulty Ranking: 3

Do you have a grouchy grandpa or a grumpy old friend? Well this is the perfect film to watch with them. It reminds of us of our mortality and explores the meaning of life. Are we better off grumpy or friendly – watch and decide. I admit, it’s not a barrel of laughs, but it is thoughtful, beautiful, and worth every minute of your time.

Check three reasons to watch it below. Then watch it here on YouTube.

Why Watch Wild Strawberries?
  • For the perfect introduction to Swedish maestro, Ingmar Bergman
  • To explore the meaning of life!
  • It’s one of the greatest road trip films (although it is completely different to the extroverted Hollywood road trip films)
  • To see some scary dreams and visions
The Breakdown

Wild Strawberries starts with Isak, a 78 year old professor about to receive a doctorate. He thinks how he has become lonely in his old age (in an inner-monologue that we hear from a lot in this film) before he introduces us to his family and goes to wake up his maid. He is ready for a road trip!

It doesn’t seem like anyone really likes him though. In his old age, he has become lonely because he doesn’t like hanging out with his family or community. To add to that, he is plain rude. Whilst driving, he chauvinistically tells Marianne to stop smoking because she is a woman, and feigns forgetfulness when she brings up how rudely he dismissed her relationship with his son.

Luckily, he begins to change as he starts to look back on his life. One particular dream sets him on this path. In this dream Isak stops outside a house with boarded windows. He anxiously walks to the left of the house, but doesn’t walk more than 10 steps (the camera stops him). He walks to the right, but stops himself again. He looks up at the town clock, but there are no hands on it to tell the time. Then he sees a hearse approaching. As it moves closer, one of the wheels of the hearse gets stuck on a lamppost and the coffin falls out. As Isak moves closer to close it’s lid, the hand of his own corpse tries to pull him inside. Is he already dead?

Conclusion

Wild Strawberries is one of Ingmar Bergman’s classics. It takes a grumpy old man who doesn’t care for his family or community and shakes him with dreams and visions to try and change him. The road trip is his journey to understanding the meaning of life.