India Best Films - FilmRoot

The Stranger – A Long Lost Relative Unexpectedly Reappears

The Stranger Film Difficulty Ranking: 3

If you’re a fan of mellow conversation led family dramas, The Stranger might become your next favorite film. It features the unexpected return of a long lost relative after 30 years of traveling the world. On his return he finds a changed city and an unwelcoming family that are skeptical of his identity. What follows is a film that could take place on the stage. Shot mostly in a spacey urban Indian apartment, The Stranger focuses on the conversational duels between the returning outcast, Uncle Mitra, and his niece Anila and her husband. It swings between debates about civilization, religion, culture, identity and traveling the world. Plus there’s a heartwarming relationship between Uncle Mitra and his young grand-nephew, the only person that trusts him.

From: India, Asia
Watch: Trailer, JustWatch, IMDb
Next: Naseem, My Dinner with Andre, Pyaasa

3 Idiots – A Feel Good College Buddy, Road Trip Musical

3 Idiots Film Difficulty Ranking: 2

Why Watch 3 Idiots?

It’s a feel good movie led by one of the best friends ever
It taps into many genres you’ll be familiar with from Hollywood blockbusters
For a bromance and love story that’ll make you forget it’s flaws

From: India, Asia
Watch: Trailer, JustWatch, Netflix, Amazon Prime
Next: Ferris Bueller's Day Off, PK, Y Tu Mama Tambien

The Lunchbox (India)

The Lunchbox Film Difficulty Ranking: 2

“Sometimes the wrong train gets you to the right station”

Are you looking for a great Indian film that isn’t a musical? Well here’s a good place to start. Ritesh Batra’s The Lunchbox is a beautiful celebration of Indian culture alongside a warning of the effects of rapid economic development. At the heart of the film is food; what it symbolises and how it can bring people together. For a trip to Mumbai, go watch The Lunchbox available on YouTube and (I think) Netflix – it’s also worth your money – click on the picture for a link to buy.

Why Watch The Lunchbox?

You don’t like musicals, but you want to see a great Indian film.
To see the amazing lunch-box service system in action
Meet ‘Auntie’ the go-to lady for all your questions – also a character that we don’t even see
For Irrfan Khan on top form (you may recognise him from Jurassic World, Life of Pi, Slumdog Millionaire, or Talvar which was reviewed here earlier).

The Breakdown

The Lunchbox starts with a montage of Mumbai. Director, Ritesh Batra, shows us the trains, shoes cleaners, and cars before stopping at the house of Ila. Ila is fussing over her young daughter before she goes to school, telling her be careful. Her daughter disappears and she goes straight to her cooking. She tastes the contents of one of the pots and figures it is missing something. A basket appears at the window with a pot of spices, lowered down by ‘Auntie’. Ila adds the spices and readies the food for collection.

The lunch box prepared by Ila travels through the incredible lunch box system and ends on the desk of Saajan (played by Irrfan Khan) who is seduced by the amazing smells of this unexpected lunchbox.

Food is central to the narrative of this film and also shows us a lot about each of the characters. At home, Saajan eats heated up food from a plastic bag. In comparison with the fresh cooked meals that a family next door eats, his plastic meals are a symbol of his loneliness.

Food also symbolises class. Shaikh, an orphan who becomes Saajan’s apprentice, always brings in two pieces of fruit for lunch, usually two bananas. In comparison with the lunch box that Saajan can afford, a banana is a lunch for the lower class.

In addition, The Lunchbox does not hide the stress of life in Mumbai. Each of the main characters has experienced the death or absence of family. On the news, we hear of a mother jumping off the top of a tall building with her daughter to escape life. Ila blames it on the government that prioritises the GDP over happiness. The country has got caught up striving for a greater economy and forgotten about the importance of happiness.

Conclusion

The Lunchbox cleverly shows the current state of life in Mumbai through a romantic tribute to the lunchbox system. In doing so, it shows us a lot of Indian life: the food, the people, the transport, and relationships. It also subtly depicts the burdens that the Indian people are carrying as the country develops rapidly. This reminded me a lot of the Chinese film A Touch of Sin, which shows the strain of economic growth on people in China. However, in contrast to A Touch of Sin, The Lunchbox is much more upbeat and has plenty to celebrate.

Beyond the Clouds (India) – Why You Watch Films on the Big Screen

Beyond the Clouds Film Difficulty Ranking: 2

Are you looking for a big film for a bit of entertainment? With music, melodrama, and some epic shots? Look no further than Majid Majidi’s Beyond the Clouds. This Iranian director is one of the best at making great family films (check out Children of Heaven). Plus, if you liked Slumdog Millionaire (another great Mumbai film made by a foreigner) you’ll love this. It’s pure entertainment.

Image result for beyond the clouds

Why Watch Beyond the Clouds?

To be entertained! There’s big sweeping shots and beautiful colours! You’ll notice the echoes of Slumdog Millionaire
For the music composed by A R Rahman (it’s not a musical, but you’ll notice the Bollywood touch)
To learn to appreciate the NHS (and all other countries with public healthcare)
See the melting pot of Indian diversity – in this film you’ll hear Hindi, Tamil, and bits of English

The Breakdown

Beyond the Clouds opens with a wide shot of a highway bridge in Mumbai. The camera tracks downwards to show us life under the highway. As Majid Majidi (the director) states, he wanted to get under the skin of the city, and right from the start he focuses on life that has escaped modernisation.

There’s a lot going on in each shot. We meet our protagonist walk-dancing along an empty path with his friend. They both hop on the back of a motorbike and zoom off down an empty straight road like cowboys riding towards the sunset. The sweeping camera movements and dance steps make it feel like you’re watching a big film. This is pure entertainment.

You’ll also be led by Majidi’s use of colours and darkness. When Amir visits his sister, she recounts all her traumas from the shadowed darkness of her bedroom. She has been ignored, emphasised by the darkness she is left in. Likewise the white sheets left to dry outside the busy clothes washers are a perfect symbol of innocence. Innocence that is fated to be stained…

Conclusion

This is why you go to watch films on the big screen. It has the wide sweeping shots, vivid colours, music, and plenty of melodrama. Yes, there’s a little cheesiness, but not enough to put you off. If you want to be entertained for a few hours, you can’t much go wrong watching Beyond the Clouds.

The Bait – London Film Festival 2016

Film Difficulty Ranking: 3

Another great film from the London Film Festival, The Bait explores the lives of a mix of people from Bengal. The Bait features an eclectic mix of characters: a young circus tightrope walker who tours the land with her parents, a postman who renounces his life to live up a tree with some monkeys, and a Rajah trying to capture his past glory by killing a tiger. There is magical realism, strong political undercurrents, and plenty of beautiful scenery.

Why Watch this Film?

For eccentric characters! One middle-aged man that dances in his palace, and another that lives up a tree with monkeys
See beautiful scenery – you’ll feel as if you’ve travelled to Bengal
It’s by an award winning Indian film maker – Buddhadeb Dasgupta
See the magic of anime brought to live action

The Breakdown

The film starts with old music playing from an old gramophone. An middle-aged man (the old Rajah) dances round and round a door frame in the middle of grassy hills. Is this a dream? Probably not. This is the eccentric Rajah, a man whose family has always held power in these lands until recently. His power is questioned by some documentary makers who do not believe he can catch a tiger.

The Rajah always plays old music, and always plays it on his old gramophone which he takes wherever he goes. The old music reminds him of the past glory of his family, something that is fading rapidly. He can’t even entertain his wife, a woman trapped in his palace. Instead of adapting to modernity, he tries to recapture his former glory by going on a quest to kill a tiger.

Outside of the three main characters, the film is dominated by the beautiful Bengali landscape. The rolling green hills, the dry lands, and the marshy swampland captures the diversity of Bengal (which is also captured in the characters). Instead of city noise, we hear birds, monkeys, water – everything that is lost in the city. The country is always full of life. The only evidence of built up civilisation were a few electricity pylons in the far background of one shot and the grand palace of the Rajah slowly being covered with moss.

The Bait is like a collection of fables. Each storyline portrays a different part of society, from the rich Rajah to the wandering street performers. Their social statuses are clear throughout and their identification creates the strong political undercurrent. Is there still a semi-caste system in India? Under the magical realism and humour, it seems that Dasgupta believes there still is.