Do you want to leave your job to go meditate in a Buddhist temple surrounded by lush green hills? This film might just be the one for you. In the idyllic setting of Golden Kingdom you’ll follow one junior monk on his path to enlightenment.
From: Myanmar, AsiaContinue reading “Golden Kingdom – Follow the Path to Enlightenment”
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: Colours of the Mountain, Rabbit Proof Fence, Kundun
In Djibril Diop Mambety’s Hyenas, a former outcast returns to her African village a rich woman after being kicked out three decades earlier for getting pregnant out of wedlock. The town fawns over her wealth and rolls out the complete ceremony to welcome her home. However, she has other plans. She promises infinite wealth to the impoverished town and it’s residents in exchange for the execution of Dramaan, a local shopkeeper and the man who fathered her child without owning up. Will the community betray their beloved shopkeeper for wealth?
For more analysis check out Layla Gaye’s review of the film and it’s satirical criticism of neocolonialism and the corrupting power of wealth on a society’s morality.
From: Senegal, Africa Watch: Trailer, JustWatch, Kanopy Next: Bamako, Black Girl, Rashomon
Jamilia is for all women living in patriarchal societies (therefore pretty much all societies) around the world. You’ll get to hear from a number of Kyrgyz women, young and old, married and single, that are hoping for a freer future.
From: Kyrgyzstan, AsiaContinue reading “Jamilia – Hear from the Women of Kyrgyzstan”
Watch: Trailer, Rent on Amazon
Next: Reminiscences of a Journey to Lithuania, Liyana, Freedom Fields
Follow a 28 year old Filipino maid as she starts work for a dysfunctional family in Singapore. They all have their problems and bad habits, but they’re all human, just like us. Ilo Ilo perfectly captures the up and down emotions of everyday life in this family’s home and the immigrant experience in Singapore.
From: Singapore, AsiaContinue reading “Ilo Ilo – Help Out A Dysfuntional Family in Singapore”
Watch: Trailer, Tubi, Kanopy, Rent on Amazon, Buy on Amazon
Next: Roma, Scent of Green Papaya, Shoplifters
From: Cook Islands, Fiji, New Zealand, Niue, Samoa, Solomon Islands, Tonga, Australasia Watch: Trailer, Amazon Prime, Tubi, JustWatch Next: Whale Rider, Boyhood, The Orator
Vai is a collection of eight short films made by 9 women which takes place across seven different countries (Fiji, Tonga, Solomon Islands, New Zealand, Kuki Airani, Samoa, and Niue). The titular character, Vai, is played by eight different indigenous women aging from 6 to 80.
Another interesting thing to note before watching is that ‘Vai’ translates as ‘water’ in each of the countries named above. Water is an integral part of the story. It surrounds each of the islands, which isolates each community, making traveling between islands harder. It’s ability to provide food is threatened as companies infringe on and overfish in traditional fishing waters. Drinking water is also rare and hoarded by the privileged. Most importantly, it gives life, both spiritually (as in the final short) and physically.
“We sweat and cry salt water, so we know that the ocean is really in our blood”
Teresia Teaiwa
Vai’s journey is played by 8 different indigenous actresses across 7 different countries and 8 different ages. In the first short, Vai is a 6 year old girl in Fiji, and the film progresses until the final short shows her as an 80 year old woman in Aeotara (New Zealand). By shooting Vai’s journey with different actresses across different countries, Vai creates a common indigenous Pacific Islander experience.
One common theme is the cycle of leaving and returning. In the first three shorts, Vai lives without her mother or father, as they’ve been forced to travel to New Zealand to try and provide for their family. In the fourth, Vai has already left Samoa and is studying in New Zealand. The final four films feature an older Vai that has returned to home. She returns and has to relearn the traditional ways she has forgotten. Whilst she regains her community, her younger relatives leave their homes just as she did, repeating the cycle of coming and going.
(Insert analogy comparing the coming and going of the people and tradition to the coming and going of the sea tides).
The Pacific Islander experience may be new to some viewers, however, the experience of life is much more universal. It’s scope reminded me a little bit of Linklater’s Boyhood, except here the scope is much larger. Instead of focusing on a child from 8 years old to 18, Vai follows a woman across a whole lifetime. In doing so it encapsulates the entire experience of life in 90 minutes. When you’re watching Vai as an 80 year old, the memories of the shorts of Vai as a 6 and 13 year old are still clear in your head which allows us to enter Vai’s old age with a greater understanding of where she came from. These are memories that we often lose touch of once we hit adulthood in our own lives. Showing it all in one film lets us see life repeating itself and allows us to better empathize with Vai as an older woman.
If you’re after more indigenous stories from the Pacific Islands, check out Whale Rider, The Orator, Waru, or even Tanna. For too crossover films you could also check out Hunt for the Wilderpeople and Rabbit Proof Fence.
Or, if you’re looking for more films which follow a single character across different ages, I’d strongly recommend checking out Boyhood and Moonlight. They’re two great U.S. films about growing up.
You must be logged in to post a comment.