Tinpis Run

Tinpis Run Film Difficulty Ranking: 3

Why Watch Tinpis Run?

  • If you’re looking for a light-hearted road-trip comedy
  • If you’re a fan of Don Quixote and Sancho Panza and want to see PNG’s equivalent
  • To see cycles of exploitation stemming from colonialism
From: Papua New Guinea, Australasia
Watch: Watch on YouTube, IMDb
Next: Cuestion de Fe, Akasha, Tanna

One Crazy Road Trip

In the opening of Tinpis Run, Papa meets Naaki. Papa is driving one of his regular taxi routes across the highlands when he almost falls asleep at the wheel and crashes his car. Naaki pulls him out of the car and rushes him to hospital, saving him from certain death. In thanks, Papa promises Naaki his daughter’s hand in marriage (she refuses). However, despite his daughter’s refusal, Naaki convinces Papa to buy a new vehicle and get back in the taxi business to cement their new bond of friendship. Together, they drive around the country going along with whatever life throws at them, whether that’s gambling losses that force them to bond with local politician/criminals, highway robberies, and tribal warfare. Whatever misfortunes hit them, they’re treated with deadpan comedy instead of concern, much like the slapstick adventures of Don Quixote and Sancho Panza.

PNG’s Don Quixote and Sancho Panza

Papa and Naaki’s unlikely friendship was the first thing that reminded me of Don Quixote and Sancho Panza. Papa is an old highland chief making a living through his taxi business whilst Naaki is a regular guy from the city. Whilst Papa still identifies with traditional PNG life, such as tribal rivalries and giving away his daughter’s hand in marriage, Naaki rejects them. He prefers the simple manly pleasures of life such as womanizing and life by the beach. Papa’s fervor for traditionalism matches Don Quixote’s dreams of being a chivalrous knight. Naaki, like Sancho Panza, is happy to go along with Papa just to get closer to his daughter and to make a living.

Colonialism’s lasting cycles of exploitation

Under the comedy, there’s a critique of the lasting effects of colonialism. In the early scenes of the movie, when Papa is looking for a new truck to restart his taxi business with Naaki, he finds a beat-up truck being sold by a white man. Papa, old enough to remember the neocolonialist rule of the country under Australia, calls the white man ‘master’ and doesn’t question his extortionate price. His unquestioned trust of the white man shows the lasting effect of colonialism’s promotion of white superiority.

But it’s not just the white man that tries to exploit the indigenous PNG citizens. We see a PNG citizen from the mainland trying to exploit PNG citizens on the islands (as well as Papa and Naaki). He tricks Papa and Naaki into taking their car on one of his boats to a nearby island to promote his campaign in the local elections. He uses their car as a symbol of the ‘civilization’ and technology he will bring to the island if the islanders vote for him. Just as the white man used his white status to rip off Papa, this PNG citizen uses his status as a city dweller to trick the islanders. It marks that the cycles of exploitation founded in colonialism didn’t end with independence.

What to Watch Next

If you’d like to watch another light road trip adventure, head to Bolivia to watch Cuestion de Fe. There’s also Ghana’s Bigman Wahala if you want a big more laugh out loud humor.

Or if you’re looking for another film featuring characters letting life lead them where it wills, check out Sudanese film aKasha or Portugal/Cape Verde’s Djon Africa.

Lastly, for more films featuring tropical island life, go watch Jamaica’s Outdeh, and Hawaii’s August at Akiko’s. Whilst it’s not an island, Suriname’s Wan Pipel also has that same laid back tropical island feel too, and is a great film from a country without much of a film industry.

The Grand Marriage

The Grand Marriage Film Difficulty Ranking: 3

Why Watch The Grand Marriage?

  • Check out one of the biggest cultural traditions of Comoros
  • It’s told by the locals
  • It’s only 48 minutes long
From: Comoros, Africa
Watch: YouTube, AlJazeera
Next: Batuque, In Search of Voodoo, Flesh Out

A made for TV Documentary

How can you tell that The Grand Marriage is a made for TV documentary? Well, besides from the obvious signs: that it’s made by a TV news network (Al Jazeera), and fits into an hour long TV segment with room for a small commercial break in the middle, you can also tell in the way that it’s made. For example, it starts with an opening introductory montage of shots from scenes to come later in the film. It’s there to try and grab the attention of any TV viewers currently watching the network in an attempt to get them to stay to watch the whole show. The content is also aimed at the armchair traveler. Just as the opening montage gives viewers a flavor of the documentary to come, the informative content is designed to appeal to viewers interested in world news and culture: those likely to be on the Al Jazeera channel. The level of detail and specificity is not necessarily something that viewers would otherwise directly seek out at the cinema or on streaming services.

Told by the Locals

One thing that makes The Grand Marriage standout versus other TV documentaries, is that it’s told completely by the locals. There’s no narrator, and therefore no one serving as a mediator to translate the locals words into something more palatable to our own customs. It allows the Comoran people to present their customs and culture from their own point of view, unchallenged by a foreign perspective. We’re the only one who can judge and interpret them. That being said, that does not mean that the documentary is completely free of bias. It could be that the people speaking are all from a particular class or background that gives us a less rounded view of Comoran culture. The groom, for example is a former government minister. But it does give the locals the power to represent themselves.

what’s so special about the grand marriage?

The Grand Marriage is worth a watch because it gives viewers an insight into Comoran culture through one of it’s biggest cultural customs. The grand marriages are the status builders of Comoran society. Plus they involve a lost of Comoran society – as you can see from the incredible number of attendees. The documentary doesn’t just show the main event, but all the preparatory ceremonies that go with it. It also gathers a range of voices to comment on the ceremony, from the bride and groom to be themselves, to the whole community involved to give a balanced perspective. So if you’re interested in learning a bit about Comoran culture, this is a good film to start with.

What to Watch Next

If you want to watch more cultural documentaries from Africa, check out Batuque, a look at music from the Cape Verde islands. You could also check out In Search of Voodoo from Benin, which looks at the west African voodoo culture.

Or if you’d like to see some more films centered around marriage, check out Saudi Runaway, featuring a Saudi girl trying to escape from an arranged marriage, or Flesh Out, featuring a Mauritanian woman bulking up for her groom.

The Cruel Sea

The Cruel Sea Film Difficulty Ranking: 3

Why Watch The Cruel Sea?

  • To see what Kuwait was like before the arrival of oil
  • If you want to watch a classical tragedy
  • For energetic editing inspired by the Soviet masters
From: Kuwait, Asia
Watch: YouTube, IMDb
Next: Battleship Potemkin, The Cow, Batuque
Continue reading “The Cruel Sea – A Tragedy Inspired by the Soviet Masters”
Sea and Jungle

Sea and Jungle FILM DIFFICULTY RANKING: 2

Angolares are the oldest inhabitants of the island of São Tomé. Control of the island was wrested from them in the late 19th century, and their descendants have been reduced to a small fishing community sitting on the border of the sea and jungle. Sea and Jungle explores the tangled history of the Angolares and the island of São Tomé.

From: São Tomé & Principe, Africa
Watch: YouTube, IMDb
Next: Golden Fish, African Fish, Batuque, Inland Sea

Sea and Jungle – The Breakdown

Sea and Jungle starts as a narrated documentary. The filmmaker, Ângelo Torres, talks through an introduction to the remote fishing village of Sao Joao dos Angolares in the southern part of São Tomé (the main island of São Tomé and Principe) alongside shots of village life. There’s only 2,500 people living here on this strip of land bordering the Sea and Jungle (Mionga Ki Ôbo). The narrated documentary start gives the viewer a foundational understanding of the place and heritage (these people are the oldest inhabitants of the island following their escape from slavery) before the filmmaker grounds us in some local interviews.

The majority of the interview subjects are part of the fishing community of the village. They tell stories of the sea to give us a living perspective of the island to add to the director’s introduction. Some are functional, like the fish saleswoman that details how she funds her entrepreneurial job, whilst some are more emotional, like the traumatic story from a fisherman that hasn’t gone out to sea for four years after a near death experience. There’s also an interview with the island’s godfather type – a white man who’s the go-to money lender for the island and literal godfather to 117 local children. His white skin is a sign that the Portuguese colonial legacy on the island perhaps hasn’t fully passed. Whilst the sequence of interviews doesn’t develop a story or any themes, the interviews with the locals give a more vivid depiction of life in Sao Joao dos Angolares.

Some of the interviews are broken up by improvisational dance and dramatic reenactments of some of the stories. These interludes add a dreaminess to the documentary that runs with the narrator’s musings and mystical interview questions. The dreamy, mystical tone makes the interviewee’s references to superstitions seem more normal. There’s the man who doesn’t each shark because it might be the shark that ate his father, the boat makers that cut the trees for the canoes on specific moon-lit nights, and the doctors that summon spirits to help them cure their neighbors. However, the creative dreaminess is not fully embraced the film doesn’t go full Fausto in it’s originality. It also doesn’t focus one theme; jumping between local fishing stories, superstitions, historical narrative, and improvisational scenes which dilute the film’s focus. But if you’re looking for an interesting documentary capturing life from a small town on a small African island country, Sea and Jungle does it’s job.

What to Watch Next

There’s a few more interesting African documentaries that center on life by the sea. Golden Fish, African Fish opens a window on Senegal’s many fisherman whilst Batuque will let you listen to Cape Verde’s national music. Or for a dreamy docudrama from another island nation, check out Mauritius’ The Cathedral. In Search of Voodoo also does a similar job of capturing one aspect of a country’s culture.

You could also check out Inland Sea from Japan if you’re looking for more fishing related documentaries from around the world.

The Hand of Fate

Hand of Fate Film Difficulty Ranking: 2

In Hand of Fate, an underage girl is forced by her father to quit school and marry a man she doesn’t know living abroad. This greed-driven marriage splits their family unit as the patriarchy threatens to ruin another girls life.

From: The Gambia, Africa
Watch: YouTube, IMDb
Next: Mustang, Flesh Out, Dakan

Hand of Fate – Breakdown

Disclaimer: to get something out of watching Hand of Fate you’ll have to first ignore the audio quality. The volume of the dialogue and background noise chops and changes with the cuts making it hard to consistently hear what the characters are saying. Whilst this might not be too problematic for an action film like Who Killed Captain Alex? it doesn’t help this film which relies heavily on its dialogue.

If you can ignore the changes in audio quality, you’ll find a pretty entertaining family feud. At its best, the conspiring brother corrupting the once honorable father into selling his daughter’s hand in marriage is classic drama. It captures the father’s fall from respecting his wife after she gives birth to their first child, and promising a much better future for their daughter, to him reneging on his promises because of the cunning words of his money-grubbing brother. The father clearly isn’t the best bloke, but it’s fun watching him be swayed one way then the other between his brother (like the devil on his shoulder encouraging him to sell his daughter for wealth) and his wife and daughter (who he doesn’t really trust because he’s the man of the house – so what can a woman tell him). There’s enough drama to keep most viewers entertained.

That being said, there are a few conspicuous moments in which the director/producers slip in some educational messages. There’s a scene where one character gives another a mobile phone, and the gifter starts going on about how they shouldn’t drive whilst using their mobile phone. There’s another where a character suffers from a disease and a doctor arrives to berate them for not getting vaccinated when the state medics came to their town to offer it. It’s clear these kinds of messages are added to support government messaging – don’t use your mobile phone whilst driving – and – get vaccinated – and their obviousness disrupts the flow of the narrative. Hand of Fate also manages to sneak in a lot of current themes too, with European Migration, Female Circumcision, and Equal Education each playing a part in the script. These fit the script more naturally than the government messaging, but it still feels like the producers might have had a checklist for adding all these different topics to the story.

Hand of Fate is worth a watch if you’re able to overlook the audio quality and government messaging. It is a low-budget movie – clear from the quality of the production, setting, and acting – so it’s worth going into the movie not expecting much. However, once you get past all of that, you might be able to enjoy the heaps of drama and family feuding.

What to Watch Next

For more family drama featuring more forced marriages, watch Mustang from Turkey. It’s pretty upbeat for the most part, but not without a lingering melancholy that represents their fate in the hands of the patriarchy. For more films featuring forced marriages try Sand Storm, set within a Beddouin tribe in Southern Israel and Saudi Runaway, a personal documentary of one woman trying to escape hers.

For more controversial marriages, you could also try Flesh Out from Mauritania, featuring the dangerous Leblouh process where girls consume tremendous amounts of food to fatten up for their wedding.

Or if you’re looking for more family controversy set in Africa, there’s Dakan, a film about a gay relationship disrupted by homophobia in Guinea.