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The Battle of the Volcano – Experience the Chaos of Urban Warfare

The Battle of the Volcano Film Difficulty Ranking: 2

If you want to experience the chaos of urban warfare, you’ve come to the right place. The Battle of the Volcano relives the chaos of the Salvadorean Civil War through a mixture of live footage and re-enactments from the survivors. Parts of it are surreal and parts are shocking, as kids with guns take on the Capital City and the El Salvadorean government.

From: El Salvador, North America
Watch: Trailer, IMDB
Next: The Look of Silence, Winter on Fire, Monos

Read The Full Review

After the Battle (Egypt)

After the Battle Film Difficulty Ranking: 2

Like me, you may have heard of the Arab Spring (2011) and the protests at Tahir Square in Cairo (documented on Netflix’s The Square). But do you know what happened afterwards? After the Battle explores the aftermath so you can see how life has changed (or stayed the same) since the Arab Spring. Ignore the bad reviews (yes, the film is a little bit cheesy in parts) and go watch it!

For all those not sure – check out the first 45 seconds of this trailer (then turn it off unless you want spoilers!)

Why Watch After the Battle?

To learn about the political climate and quality of life in Egypt following the Arab Spring in 2011
Explore gender politics and class structure in Egpyt – lots to discuss!
It’s not hard to watch – it has the tone of a TV series so all of you can watch it without getting lost in any pretentiousness
For a great post-Arab Spring viewing companion to Asmaa

The Breakdown

On February 2nd 2011, Tahir Square protestors were attacked by camel and horse riders from the pyramids. This event became known as the Battle of the Camels. Footage of the event shows horse and camel riders riding into protestors armed with whips (and nothing else). One of the riders falls off of his horse and is beaten by the protestors.

Mahmoud is the rider who falls from his horse in the Battle of the Camel. He is a poor horse rider from Nazlat (a suburb of Cairo near the Pyramids) who made his living from tourists. However, a great wall was built to separate the horse riders from the tourists, so he no longer has a job. He has to rely on the ‘good-will’ of his relative/local boss to get by. He is the one who lets him and his family live in their house and provides them with a little income when needed. Mahmoud represents the lower classes that were not represented in the Arab Spring, that have continued to be exploited by their ‘superiors’.

Rim is the woman we follow throughout the film. She is a liberal middle-class woman and a strong activist for the Arab Spring. She is marginalised just like Mahmoud. However, instead of class prejudice, she experiences sexism. After being groped whilst protesting, she is told that the place for a woman is at home, not on the streets. However, her revolutionary ideas meet a challenge when she meets Mahmoud – her antithesis.

Conclusion

Another interesting exploration of Egypt in the aftermath of the Arab Spring (also see Asmaa). The film tries to cover a lot, from gender politics to class, but ultimately manages to cover it all without appearing vague.

Meteors – Martial Law in Kurdish Turkey

Meteors Film Difficulty Ranking: 4

What bad things happened in 2015? You may remember the Paris attacks, the Charleston Church shootings, or even the picture of the drowned Syrian boy lying face down on the beach. However, you probably didn’t hear about the Turkish crackdown on the Kurdish PKK. It seems like no professional cameramen were there to capture the events. However, just as in Silvered Waters, the public captured it all on their mobile phones.

From: Turkey, Asia
Watch: Trailer
Next: Silvered Water, Ahlaam, The Burmese Harp

Mortu Nega – Guinea Bissau’s Fight for Independence

Mortu Nega Film Difficulty Ranking: 3

Why Watch Mortu Nega?

If you want to see an African protest movie from Guinea Bissau
For guerilla warfare along the lines of Che and Flame
To see that war doesn’t end when the fighting stops

From: Guinea Bissau, Africa
Watch: Trailer, Kanopy, Buy
Next: Flame, Sambizanga, Lucia

Sleepwalking Land (Mozambique) – A Classic Novel on the Big Screen

Sleepwalking Land Film Difficulty Ranking: 3

Have you read Mia Couto’s brilliant post-colonial novel Sleepwalking Land? If you haven’t and you love reading, you should check it out now. If you haven’t got time to read, you can watch the film which does a great job at translating the novel onto the big screen. Check out the film here (Amazon).

Why Watch Sleepwalking Land?

It’s quicker than reading the book (although I recommend you read it if you have time)
If you like post-apocalyptic style stories
To learn about the effect of colonialism and war on Mozambique
If you like magical realism (made famous by Colombian author Gabriel Garcia Marquez)

The Breakdown

Sleepwalking Land starts with an old man (Tuahir) and a young boy (Muidinga) walking down a desolate dirt track. We are not told who they are or where they are going, but we can tell they are in danger. Not because, they are being targeted, but because they are roaming a war-torn country. They hide in the bushes as a gang of men bragging about killing people walk past and then reemerge to find a burned-out bus full of dead bodies. They decide to remove the bodies and call it their temporary home.

If you’re ever read or seen Cormac McCarthy’s The Road you might recognise this environment. In both The Road and Sleepwalking Land there’s an old man and a young boy roaming a desolate land trying to survive. But contrary to The Road where we know the two protagonists are father and son, the connection between the protagonists in Sleepwalking Land is never made clear.

However, we get a clue to their past lives from a journal that Muidinga finds by the burned-out bus belonging to a man named Kindzu. Each day, they read an extra chapter of the journal and immerse themselves in Kindzu’s story. For Tuahir, Kindzu’s life probably reminds him of his past life, which he has blocked from his memory. For Muidinga, Kindzu’s life gives him a possible explanation to his past which amnesia has prevented him from remembering.

Conclusion & What to Watch Next?

Teresa Prata’s adaptation of Mia Couto’s film is a worthy of your time. The main problem it faces is cutting the novel into 90mins, so if you’ve read the book you might think that the film crams in too much in too little time.

If you want to watch more films like this with characters wandering through desolate landscapes check out the post-apocalyptic The Road, which is good but bleak. You should also check out the art-house film Mimosas following wanderers from different centuries through the Moroccan mountains and deserts.

Or if it’s great African films you’re after, check out Abouna from Chad, a story about two sons searching for their lost Dad. There’s also Timbuktu, an Academy Award nominee from Mali where you’ll see the effect of the growing influence of Islamic fundamentalism on the Malian town.