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After the Battle (Egypt)

After the Battle Film Difficulty Ranking: 2

Like me, you may have heard of the Arab Spring (2011) and the protests at Tahir Square in Cairo (documented on Netflix’s The Square). But do you know what happened afterwards? After the Battle explores the aftermath so you can see how life has changed (or stayed the same) since the Arab Spring. Ignore the bad reviews (yes, the film is a little bit cheesy in parts) and go watch it!

For all those not sure – check out the first 45 seconds of this trailer (then turn it off unless you want spoilers!)

Why Watch After the Battle?

To learn about the political climate and quality of life in Egypt following the Arab Spring in 2011
Explore gender politics and class structure in Egpyt – lots to discuss!
It’s not hard to watch – it has the tone of a TV series so all of you can watch it without getting lost in any pretentiousness
For a great post-Arab Spring viewing companion to Asmaa

The Breakdown

On February 2nd 2011, Tahir Square protestors were attacked by camel and horse riders from the pyramids. This event became known as the Battle of the Camels. Footage of the event shows horse and camel riders riding into protestors armed with whips (and nothing else). One of the riders falls off of his horse and is beaten by the protestors.

Mahmoud is the rider who falls from his horse in the Battle of the Camel. He is a poor horse rider from Nazlat (a suburb of Cairo near the Pyramids) who made his living from tourists. However, a great wall was built to separate the horse riders from the tourists, so he no longer has a job. He has to rely on the ‘good-will’ of his relative/local boss to get by. He is the one who lets him and his family live in their house and provides them with a little income when needed. Mahmoud represents the lower classes that were not represented in the Arab Spring, that have continued to be exploited by their ‘superiors’.

Rim is the woman we follow throughout the film. She is a liberal middle-class woman and a strong activist for the Arab Spring. She is marginalised just like Mahmoud. However, instead of class prejudice, she experiences sexism. After being groped whilst protesting, she is told that the place for a woman is at home, not on the streets. However, her revolutionary ideas meet a challenge when she meets Mahmoud – her antithesis.

Conclusion

Another interesting exploration of Egypt in the aftermath of the Arab Spring (also see Asmaa). The film tries to cover a lot, from gender politics to class, but ultimately manages to cover it all without appearing vague.

Mortu Nega – Guinea Bissau’s Fight for Independence

Mortu Nega Film Difficulty Ranking: 3

Why Watch Mortu Nega?

If you want to see an African protest movie from Guinea Bissau
For guerilla warfare along the lines of Che and Flame
To see that war doesn’t end when the fighting stops

From: Guinea Bissau, Africa
Watch: Trailer, Kanopy, Buy
Next: Flame, Sambizanga, Lucia

Bigman Wahala – Pan African Film Festival 2020

Bigman Wahala is an enjoyable road-trip comedy with commercial appeal that focuses on the unlikely relationship between a poor taxi driver and a wanted former government official on the run. It never takes itself too seriously and even gets away with poking a bit of fun at both the ‘Bigman’ and military governments as well as the gullibility of the public.

Bigman Wahala starts with Honest, our friendly taxi driver, stuck in a traffic jam in Accra. The frantic John Woo style cutting rapidly builds pressure until Honest spots a gap in the traffic and races on home. It’s a sign that this road-trip comedy will be filled a few bursts of tense energy to propel it forward.

The next comes when an armed jeep full of soldiers carrying assault rifles descends on the Government building to stage a successful coup d’état. Like the opening traffic scene, the attack is full of fast cuts that cross the usual 180 boundaries of Hollywood cutting which makes it appear very chaotic. However, the insurgents win a quick victory that seems a bit too easy – perhaps a satirical jab at how many coups there have been in Western Africa over the last years. It’s presented as something a bit too familiar. Nevertheless, the insurgents quickly assume control of the airwaves and order all former government officials to report to their nearest police station. This is when we start following ‘Bigman’ Joseph, the former minister of the health department and follow his attempt to escape the country.

Our Bigman is comically selfish. As soon as he hears the news, he leaves his wife to collect his huge stash of money from the safe in his office. Whilst he’s there, some insurgents arrive to look for him, so he escapes through the back entrance and jumps into the nearest taxi, which just so happens to be driven by Honest. This kicks off a light buddy road trip movie between Bigman Joseph and Honest, as Honest helps Bigman to escape the country on lockdown.

Whilst the ending undermines the class boundaries which define the rest of the film in its’ we’re all human message, Bigman Wahala for the most part is a fun road trip comedy built on the classic Fish Out of Water and How the Mighty Have Fallen tropes.

Head to our Pan African Film Festival Hub for more reviews from PAFF 2020.

First They Killed My Father – Genocide as Seen by a Child

First They Killed My Father Film Difficulty Ranking: 2

If you’re looking for an accessible account of the Cambodian Genocide, this film might be for you. First They Killed My Father depicts life under the horrific Khmer Rouge through the eyes of a 6 year old girl based on the book of the same name. Whilst it’s not as memorable as the book or other films on the subject, it’s the most accessible – it’s easy to watch and it’s on Netflix!

From: Cambodia, Asia
Watch: Trailer, Netflix
Next: Hotel Rwanda, Beasts of No Nation, The Missing Picture

New Order (Nuevo Orden) – AFI Fest 2020

New Order starts with a chaotic montage of images. There’s a modern art painting, a naked lady covered in green paint, and plenty of lifeless bodies. Each image flashes up on screen for half a second as bold orchestral music plays in the background. It’s a disorientating and sensationalist start which gives us a sign of the chaos to come.

The film relaxes for 15 minutes after the opening as we enter the safety bubble of an upper class wedding in Mexico City. There’s a lot of mingling and small talk. It’s a world which feels a lot like the exclusive Mexico City world shown in The Good Girls. Everyone is focused on their business and completely oblivious to the lives of the public outside of their social sphere.

However, some ominous signs start to appear that connect to the chaotic opening montage which the film uses to build unease. The tap water starts running green; the judge for the wedding is late; and one guest appears with a green splodge on her shirt. Meanwhile the bride disappears to help out one of their former maids. The outside world is getting closer to their upper class bubble.

It’s not long before the bubble bursts and some outsiders splattered in green climb over the walls surrounding their property, symbolic of the wealth divide. At this point everything suddenly goes mad as the security guards turn on the wealthy family and start raiding the house for valuables alongside the home invaders. It’s not particularly clear who the invaders are, but from who they’re targeting it seems like it’s an anti-rich uprising. From this point on the film descends into nihilistic chaos that reminded me of Todd Phillips Joker. It’s not really clear what the nihilism is supposed to represent besides a vague: rich are bad, and the poor victimized and it’s never really clear why everything is happening. As a result, the second half comes across as a bit sensationalist and provocative and without too much depth to back up the action.

If you’d like to see some Mexican political movies with a bit more depth check out the satirical critique of Mexican politics in Luis Estrada’s The Perfect Dictatorship, and the horrifyingly real nihilism in Amat Escalante’s Heli. There’s also Children of Men and Sons of Denmark if you want to watch some more chaotic near future dystopian movies.

Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.