reality

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Wings of Desire (Germany) – Live as an Angel in Cold War Berlin

Wings of Desire Film Difficulty Ranking: 3

Ever wonder what it’s like to be an Angel? In Wings of Desire you’re immortal, but confined to a half-reality. You can see and hear reality, but you cannot feel it. So all you can do is wander the world watching it change. Be an angel and watch Wings of Desire here (rent of buy on Amazon).

Image result for wings of desire

Why Watch Wings of Desire?
  • To see Berlin before the end of the Cold War, complete with Berlin Wall
  • Because every line is quotable – it’s a philosophical muser’s paradise
  • To live like an angel (although it’s not as heavenly as you might think)
  • Because Wim Wenders won Best Director for this film at Cannes and it has a beautiful soundtrack.
The Breakdown

An eye opens and cuts to a sweeping aerial shot of Berlin. The eye belongs to Damiel, a winged angel, and the aerial shot is his view of Berlin from the top of one of the cities highest monuments. The only people that see him perched at the top of the building are a few passing children who stare at him in awe.

Damiel and the other angels wander the city invisibly. They cannot talk to humans and they cannot be seen by humans, but they can hear all of their thoughts. Therefore, all they can do is wander the human world as observers.

The director (Wim Wenders) portrays their wandering with extreme melancholy. Firstly, he shows them trying to help people in vain, like a man who commits suicide. Secondly, he shows their lives in black and white whilst the Berliners they listen and watch are shown in vibrant colour. By creating their lives as a half life (without feeling, colour, and action) it makes us sympathize with their desire to be human.

Portrayal of Berlin

Wings of Desire was shot in the decade before the reunification of Germany. Therefore you will see the Berlin Wall and East Germany looming in the distance. The melancholic lives of the Angels are a reflection of the melancholy in Berlin, a city that still hasn’t recovered from the the Second World War.

There are reminders of the war placed throughout the film, from the actors dressed as Nazis and Jews on a nearby film set to the Berlin Wall. However, the most prominent example of the wars devastation on life in Berlin is the fate of Potsdamer Plaza.

A storytelling character aptly named Homer walks through the no-man’s land wasteland by the Berlin wall where Potsdamer Plaza used to be located. He reminisces about the Plaza when it was full of life. Before the war, it was full of friendly people and tradesmen. But later Nazi flags filled the square and the people became unfriendly. And now it’s just part of an empty wasteland that runs alongside the Berlin wall, with no life at all.

Conclusion

Wings of Desire is a beautifully melancholic film that meditates on the plight of humanity in the 20th century. In the political volatility today, this film is particularly relevant. It’s almost a warning of what could happen if we let love abandon us; we’d become Angels wandering the wastelands.

For another great German film of almost epic proportions I strongly recommend watching Fassbinder’s The Marriage of Maria Braun. It charts 20th century German history through the stoic Maria Braun, who is widowed as her husband fights in WW2.

If you love the melancholic philosophical musings I also recommend watching The Seventh Seal (rent or buy on Amazon), the story of a knight who is stalked by death.

 

 

 

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Echo – Paint Your Own Picture of Icelandic Society

Echo

Echo Film Difficulty Ranking: 3

Why Watch Echo?

  • If you want to see a composite 80 minute film made from 56 parts
  • Experience a wide range of Icelandic society
  • Join the debate on the current state of Iceland
From: Iceland, Europe
Watch: Trailer, Mubi, IMDb
Next: Involuntary, Hale County This Morning This Evening, Coffee and Cigarettes
Continue reading “Echo – Paint Your Own Picture of Icelandic Society”
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The Intruder – AFI Fest 2020

The Intruder

The Intruder does a lot in the opening 15 minutes. It develops the character of Ines rapidly to set the tone for the rest of the movie. We see that she works as a voice actor helping to dub foreign movies and is a part time chorister. We also find out that she has a lot of nightmares and is terrified of a lot of things such as planes and bats. There’s also her annoying boyfriend who helps to define her as the more grounded and normal of the two. All of this is crammed into the opening without feeling rushed, so when a catastrophe happens, we’re already familiar with Ines and her world.

This opening gives us a grasp of what’s normal for Ines. So, after her traumatic event, we can see that her life seemingly returns to normal. She’s back in the recording studio doing dub tracks and she’s back singing with her choir. The only things that change are her voice and a rise in the number of her dreams. But neither thing feels that alarming or unusual at first. Plus, it’s at this point that her mum shows up to help her recover from her trauma and a organist appears to rekindle her love life. They both help to enforce the normalcy of Ines’ life by appearing in the mundanity of it. But something just doesn’t feel quite right. Her life feels a bit like uncanny valley.

The director, Natalia Meta uses Ines’ dreams to establish the dream world as another place that exists beside Ines’ reality. It’s so close to her reality that we slip between the two with ease. The transition between the two worlds are aided by the darkness of Ines’ life. She moves from her dark apartment to the dark studio recording rooms and artificially lit choir hall and is never spotted in daylight. As she’s inside for most of the film, it’s hard to know what time of day it is at any point. As a result, we lose track of time, and with it our hold on reality. It’s hard to pinpoint when she’s dreaming or awake. The darkness facilitates the creation of Ines’ dream world and it’s merging with her everyday reality.

Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.