Honeygiver Among the Dogs

Honeygiver among the dogs Film Difficulty Ranking: 3

If you’re looking for a misty mystery built around the reputation of an attractive independent woman in Bhutan you’ve come to the right place. You’ll join a policeman sent to a small town in the mountains to uncover a murder mystery. The main suspect? A ‘flirtatious demoness’ who is said to possess magical powers. Honeygiver Among the Dogs promises dreams, eerie music, tranquil landscape, and a mystical plot which keeps you guessing.

From: Bhutan, Asia
Watch: Trailer, JustWatch
Trailer: White Sun, Spoor, Golden Kingdom
Continue reading “Honeygiver Among the Dogs – How Society Creates a Witch”

After the Rehearsal Film Difficulty Ranking: 4

Bergman is back on FilmRoot to play with your mind. What initially seems like an ordinary conversation between two characters becomes something that you start doubting. See if you can gauge whether the characters are acting or just having a regular conversation. Top marks to anyone that can decipher it!

Image result for after the rehearsal

Why Watch After the Rehearsal?
  • For more Ingmar Bergman! We’ve already looked at Persona and Cries and Whispers so here’s more from the Swedish maestro!
  • If you love the theatre – this one has plenty of Strindberg references and even looks like a play
  • You love character focused dramas
  • It’s another film that messes with you (like in Persona and Mulholland Drive)
The Breakdown

After the Rehearsal starts with a shot of the floor which works its way across a carpet, up to a desk to show a man’s head lying on the desk. He is lingering on the stage set after the rehearsal to reflect. His narrative voice kicks in with an inner monologue reminiscent of Bergman’s opening to Wild Strawberries.

The man’s inner monologue is interrupted by an actress returning to the set to collect something she left behind. The man wants to carry on thinking, and whilst he politely greets the actress with his voice, his inner voice shouts at her to go away.

Unfortunately for him (and for the sake of entertainment) the young actress does not go away and they start talking. They talk about life and the future and other things. However, the manner they both show emotions and talk to each other becomes more and more unclear to us. Are the acting? Is the actress a figment of the man’s imagination? Or are they just chatting?

Conclusion

Bergman always likes to play with his audience (most notably in Persona) and he does it again here. In this film, he blurs the lines between life and acting. He even hints that the actress could just be a figment of the man’s imagination. What a trickster! This one is another classic Bergman to play with your head!

I recommend checking out the ‘Breaking Down Bergman’ YouTube channel after you’ve seen this film to find out more. Link here.

Feed Me With Your Words

Feed Me With Your Words Film Difficulty Ranking: 3

Why Watch Feed Me With Your Words?

  • If you like brooding family dramas
  • To follow the mystery of a missing son
  • For a film that plays into gender stereotypes
From: Slovenia, Europe
Watch: Trailer, JustWatch, Amazon Prime, Hoopla
Next: Stitches, The Last of Us, By A Sharp Knife
Continue reading “Feed Me With Your Words – A Multi-Layered Brooding Mystery”
The Cursed Ones Film Difficulty Ranking: 2

Murder, witchcraft, corruption, and superstition. The Cursed Ones has a lot going on to keep you entertained for the duration of the film. If you’re looking for a story like the protagonist in this film, then watch The Cursed Ones for free on Flix Premiere.

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Why Watch The Cursed Ones?
  • To see that witch trials are still happening around the world (also see I Am Not A Witch)
  • If you love a good murder mystery
  • For a trip to a remote town in rural Ghana
  • Learn that the people are not always right (we are victims of fake news and scheming pastors)
The Breakdown

The Cursed Ones starts with a young pastor with a black eye listening to a tape recording. We hear that there has been murder in the town the pastor is from. It’s a flash forward, intended to get us quickly involved into the plot and watch on.

After the intriguing opening scene we get a lot of plot exposition. We are shown how one of the village hunters finds a young mute girl (Asabi) in the woods and brings her home. Then we follow Godwin, a journalist from the city, sent to cover the festival in the hunter and pastor’s home town. It’s obvious the town is remote. There doesn’t appear to be any running water or electricity and it’s surrounded by lush forests. It’s the perfect setting for a murder mystery.

Corruption in the Church & Witchcraft?

The director first shows the head pastor of the village talking to one of the villagers inside a pretty dark room. The lack of colour in the room, contrasted to the bright colours outdoors, makes the scene appear pretty ominous. It’s an early clue to the audience, that the head pastor should not be trusted.

In contrast to the head pastor, the young pastor is friendly and talkative, and is obviously committed to his teaching (he doesn’t leave his class to be interviewed by Godwin). Because of his popularity, he seems like the better fit for the head pastor role. As a result, the head pastor seeks extreme ways to control his congregation. He claims that the devil has found his way into the village and lives in the young ‘witch’, Asabi. He exploits the superstitions of the villagers to imprison Asabi, claiming that only he can save them if they kill her and continue to follow him.

The plot gets a little more complex when a witch doctor arrives on the scene and starts extorting money from the villagers to ‘protect’ their children from evil spirits. Whilst the head pastor challenges the villagers trust in this witch doctor, it later becomes clear that they have been colluding to extort money from the village. The whole story challenges the integrity of the church and gullible congregations.

Conclusion & what to watch next

The Cursed Ones challenges the integrity of the church and the gullible villagers that blindly follow them. They are both to blame for the murders and the witch trials. There’s a lot going on in this film, which makes the plot a bit busy, but will keep you entertained throughout.

For a more artistic portrayal of ‘witches’ in Africa, check out Zambia’s I Am Not a Witch. It features another young girl, who is accused of being a witch because she doesn’t talk. It dives deeper into the prejudices and strange superstitions.

If you liked the mystery element of this film, I recommend watching October 1. It’s a Nigerian movie that follows an old policeman trying to solve 3 murder cases in a rural town to help Nigeria achieve independence from Britain.

 

Piedra Sola

Piedra Sola, like Notturno (one of the other films at this year’s AFI Fest), is beautifully shot. Set in the hamlet of Condor in the northern highlands of Argentina, it contains a lot of otherworldly landscapes and local ceremonies that look unusual to foreign eyes.

However, the exceptional images hint at a higher meaning that isn’t really decipherable in the film. For example, there’s the opening shot of a horse with its two front legs tied, hopping over a rocky hill at dawn. It’s a striking image, and beautifully captured in low light conditions, but it’s not clear how it fits into the narrative of Piedra Sola. The horse never reappears and doesn’t have too much of an impact on how we perceive the film, except to create intrigue. That’s not to say the film needs to have a narrative – it doesn’t – however, the scenes don’t feel like they all come together to unlock the mystery that they each contain. It feels more like a collection of sublime images than something complete.

This also comes across in the focus of the film, the lama herder. We see him go travel to a nearby town to sell his wares and get involved in the local festival, but beyond that we don’t have much of an understanding of him. It’s made vaguely aware that his livestock is being attacked by a puma, but it’s never clear if this is imagined, real, or an allegory for something else. His silence and emotionless face don’t give away any of his feelings either way. He is as mysterious as the collection of images that make up Piedra Sola.

His lack of agency also comes across as a bit problematic. Combined with his silence and lack of emotion, it presents another image of the passive Latin American indigenous person. Like Cleo in Roma and Justino in The Fever (two more films directed by non-indigenous directors), things happen to the lama herder that he quietly reacts to. Instead of initiating things himself, he only responds to things around him, which makes him seem a bit characterless.

There’s also the exoticization of the isolated Andean community. The director, Alejandro Telemaco Tarraf beautifully captures the ceremonies and the hamlet, but he also others it. The unique culture is viewed with a gaze that highlights the differences between the highland culture of Argentina from the city culture of Buenos Aires. It makes their culture seem a bit rustic and old fashioned, situating the community as if it exists in another world and time.

If you’re looking for a beautifully shot, esoteric movie set in the remote highlands of Argentina, you’ll love Piedra Sola. However, the mystery in the images and narrative make it hard to access, whilst the exoticization and passivization of the portrayals of the remote community make it hard to love.


Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.