A lot of places in the world you can’t just do what you want to do. In Jamaica it’s a lot like that. And I use that as a positive motivation to get me to pursue it and achieve it.

Shama

Outdeh follows three young men (Shama, Bakersteez, and Romar) in their quest to try and make something of their lives. They all want to do something new to build a platform for the next generation. Shama is the first professional surfer from the island, Bakersteez is trying to forge a career as a rapper from a country dominated by dancehall stars such as Popcaan, whilst Romar is trying to make it out of one of the islands most notorious ghettoes by playing football. They’re all going for their dreams because no other path has been cleared for them. And they all want to prove that their dreams are achievable.

The first thing that draws you into Outdeh is the idyllic slow motion shots of the island backed by the Jamaican soundtrack. It captures a musical-esque utopia that we are happy to be immersed in. There’s the ocean waves which Shama effortlessly glides through in front of empty Sandy beaches. There’s also shots of Shama carelessly skateboarding through city streets, dancing in front of cars as if he’s invincible. Then there’s shots of Romar playing football with a large group of guys from the neighbourhood. It doesn’t look like he has any worries even though we hear that he has to beg for money to eat from the neighbourhood boss. The evidence of an unhappy life is only spoken about, leaving the slow motion shots to show the utopian side of the idyllic island they live on. It’s a sign of a hopeful, positive future.

You’ll also be drawn in by the laid back characters of Bakersteez and Shama which hide a restless energy. Despite saying he gets nervous before his gigs, Bakersteez always appears completely confident and in control of his life’s direction. Shama is no different. Even though he’s the first professional surfer from Jamaica, he doesn’t even act like it’s a big thing, it’s just something he’s picked up for followed what he loves to do. Like Bakersteez, even though they’re forging new paths for a new generation, he never appears flustered or out of place.

The future looks bright for these three in Outdeh and the youth of Jamaica.


Head to our Santa Barbara International Film Festival Hub for more reviews from the Santa Barbara International Film Festival 2020.

In Mi Vida, a retired hairdresser’s life changes when she travels to Cadiz to take a language course. She falls in love with the city and the escape from her life at home. However, she has to decide between her dreams and her concerned family at home.

Mi Vida is a fairly conventional but enjoyable film about breaking free and following your dreams. Like Under the Tuscan Sun, Lou finds a romanticised Southern European life. Instead of a crumbling Tuscan house overlooking the valley, Lou finds a ‘humble’ rooftop apartment overlooking the cathedral. In the locals she easily finds a new best friend and has someone fall in love with her. She’s living the clichéd Southern European dream many Northern Europeans and North Americans have.

The opening is the only part of the film which breaks convention. Lou navigates her way from the airport to a cramped apartment organised by the language class. Her hosts are a young black family living in a cramped apartment – not the place you’d expect a white retired lady to be. She’s put up in a small room and shares a bathroom with the family – emphasised when the young boy walks into the bathroom whilst Lou is washing her hands. However, to the detriment of the film and in honour of convention, Lou makes up an excuse to leave the apartment and ends up at the clichéd dream rooftop terrace.

The filmmakers dangle this more interesting relationship between an old white lady and a poor black family led by a single mum in front of us, before saying we can’t see it and showing us a relationship between an old white lady and her middle aged Spanish teacher. Why hint at an interesting film before switching to something generic?