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Your Name

Image result for your name film Your Name Film Difficulty Ranking: 2

Do you want to travel to Tokyo? Well here’s your ticket to Japan’s highest grossing anime since Spirited Away. You’ll see the tradition and ritual of life in the country as well as the fast paced life in Japan’s capital city. All this packaged in a romantic body-swapping high school flick. But don’t let the genre put you off, allow yourself to be awed by the magical skies, fascinated by the culture, and intrigued by the plot.

Why Watch Your Name?

You’ve watched all the Studio Ghibli films and don’t know where to find more anime
If you can’t afford a trip to Japan and want to experience Japanese culture
To see some beautifully animated skies!
It’s the 4th highest grossing film in Japan of all time! Only Spirited Away, Titanic, and Frozen have generated more money!

The Breakdown

Your Name starts with a meteor blazing through a twilight sky. The camera rotates as our protagonists say:

“The day the star fell. It was almost like seeing something out of a dream, nothing more, nothing less.

And then some Japanese pop-rock starts, reminiscent of the introductions of the anime TV shows.

Right from the start you can see the beautiful skies, particularly the beautiful twilight and magic-hour lighting that Shinkai is known for. The comet is always shown during the twilight hours to conjure a magical set of colours much like the Disney Intro. This aids the body-swapping fantasy of Mitsuha to Taki, our two protagonists, as it sets up the film as something magical (much like the Disney intro does for Disney films).

Shinkai also contrasts Tokyo city life with life in rural Japan. Whilst Mitsuha lives in a town on the bay of a lake high in the Japanese Alps, Taki lives in Tokyo. In the country, Mitsuha’s life is dominated by tradition and ritual (learn how to make spit-fermented sake). Also, the only cafe in the country is a vending machine that sells canned coffee! As said by the director;

“Mitsuha is pretty much me. Her character is based on my own upbringing. I loved Nagano but I was dying to go to Tokyo. However, the Tokyo you see in this movie is a stereotype, the image that Mitsuha dreams of and that I dreamt of when I was younger. [they both fell in love with the dream]

Conclusion

Your Name is a beautiful looking animated high-school movie that is perfect for fans of anime and John Hughes. Whilst is doesn’t have the fantastical creations of Miyazaki and Studio Ghibli it does have entertainment and fun. For a dive into authentic Japanese life, I highly recommend watching this.

Big Fish and Begonia – China’s Answer to Studio Ghibli?

Big Fish and Begonia Film Difficulty Ranking: 2

When a film is described as a combination of Disney’s The Little Mermaid and Studio Ghibli’s Spirited Away you should pay attention. Visually Big Fish and Begonia deserves the recognition. It is China’s biggest animation of all time and definitely matches the scope of the biggest animation films from around the world. If you’re a fan of the art of animation, this is for you – just don’t pay too much attention to the storyline!

Why Watch Big Fish & Begonia?

You’re a big fan of animation and the fantasy worlds it can create
To see China’s biggest animation ever!
You like the films of Studio Ghibli (see Princess Mononoke, Spirited Away) and Disney (The Little Mermaid)
For some strong allegories of the perils of global warming

The Breakdown

We don’t care about the important questions any more. This is how a narrator opens Big Fish and Begonia. We sleep, we commute, we work, we eat, we sleep, and before long, we die.

Unfortunately, the dreamy philosophical musings didn’t last long. Or at least, they got lost in the confusing story-line. Instead, you should focus on the incredible visuals and appreciate the sheer scope of the animation. It also matches the scope of the great Studio Ghibli and dominant Disney.

You’ll also notice the very strong allegories to the importance of mother nature and the threats of global warming (there’s human trees and great floods). In fact, with no evil villain, the imagery of global warming is the main threat to the human characters. Global warming and nature have been themes of many of Disney and Studio Ghibli’s films. s this a first in Chinese animation?

Image result for big fish and begonia

Conclusion

You’ll see the strange creatures and beautiful landscapes you expect to find in Studio Ghibli films. You’ll also see the magical animals you often see in the Disney classics. However, unfortunately the story-line doesn’t match the beautiful visuals.

If you’re a fan of the art of animation you’ll appreciate this film but if you’re all about the storytelling you may find this hard to watch.

Mirzya (India)

Mirzya Film Difficulty Ranking: 2

We’ve already reviewed The Lunchbox and Talvar from the India, the country that makes the most movies per year. Watch Mirzya for something different. It has a lot more of the classic Bollywood film than the other two, with more music and more drama and plenty of style. It is also currently available on Netflix, so check out the trailer below and enjoy!

Why Watch Mirzya?

You don’t have to settle for one genre as this film is an epic, fantasy, romantic, thriller, with a few musical numbers!
For some Punjabi Indian mythology
See some epic cinematography (reminiscent of 300)
You want to see a Shakespeare adaptation set in India

The Breakdown

A camera descends on a small town illuminated by fires in the night. The camera swoops into a small imperial residence built from marble, where a blacksmith is working with his daughter. From there, the camera dives into the pit of embers and emerges outside where workers are rhythmically bashing their hammers on iron wheels in slow motion. This is our magical entry point into Mirzya.

From the introduction, the narrative splits into two. The main narrative follows the life of Munish and Suchitra whilst the second narrative follows the mythical Mirza and Sahiban. These two narratives mirror each other for the film.

The style of the mythical scenes will remind you of the style of 300 or . Whilst there is colour, the colours appear pastel-like and very bright to create high contrasts. These scenes also include a lot of slow motion footage showing water droplets falling from characters. Check the epic slow motion scenes here in The Grandmaster for an idea.

Style and mirrored narratives aside, this story also shows the rich/poor divide in India. The poor work menial jobs to serve their rich masters. Meanwhile, the rich live in imperial palaces, play polo, and dress in fancy suits. Instead of rival families, the romance in this film plays across social boundaries.

Conclusion

Mirzya’s mythical foundation creates the magic behind this film. However, the importance of myths is not explored as deeply as in Song of the Sea or Whale Rider. Instead, what’s cool about this film is the style of the mythical sequences and the musical numbers. This is what makes Miryza truly unique and worth watching.

Someday or One Day – Tragedy Strikes Love in a Puzzling Story

By Sebastian Torrelio

More so than the mystery of where Huang Yu-Xuan (Ko Chia-Yen) and Wang Quan-Sheng (Hsu Kuang-Han) have gone—where their spirits have bounded off too, whom takes the place of which body and how they return—is the mystery of how Someday or One Day, an adaptation of the hit Taiwanese television drama, went so terribly south. Primary director of the original Tien Jen Huang returns here to create a baffling story of dualities reflected against identical-looking dualities, an improbable mess that only rides so far on cute delicacy before the tape unwinds entirely.

At first, things seem steady, though speedy. A wistful camera wanders over pristine decorative interiors like a gift shop, so much of the plot to come only teased through low-budget VFX snapshots. Quan-Sheng and Yu-Xuan, having met-cute at record pace, are two entities who spend most of their time longingly sighing and staring out into the distance, their vague young adult concerns very present, though indecipherable. Teens at odds with their singularity, so commonplace in the drama of modern Chinese media, cannot just be scanned for relatability – something needs to be presented to the viewer, clearly.

And so enters the plot of Someday or One Day – shocked from the sudden death of Quan-Sheng, Yu-Hsuan spends her years daydreaming away from society, stuck in her own head, before waking up years later in the body of a mutual friend Chen Yun-Ru (also Ko playing a double role) years prior before her love’s demise. Yun-Ru finds herself in the most complicated role perceivable, forced to convince her friends from their past of their oncoming danger, barely able to articulate the hell she’s been pacing through ever since.

To Ko and Hsu’s credit, nothing about their performances here drag, the success of their well-established chemistry is the only real ingredient to make the movie’s breakthrough romantic first kiss come close to operating. Quan-Sheng and Yu-Xuan relate through their favorite couple song, lifted from the TV series; they incur the abusive collateral of time spent together equal to time spent apart. If everything seems trivially, tonally normal in their lives, maybe it’s because it should be, for the most part.

The most interesting thing at play with Someday, as with a lot of Chinese rom-coms in this vein, is the relationship of everyday individuals to their romantic fate: if it’s coincidence that brought us together, is it coincidence that is keeping us together? Altogether, not a bad question that “Someday asks directly at least once. Huang even guides us to a different existential question: are dreams the barrier to our happiness? The normalcy of a relationship growing into, outward and apart can and has been subject to a more inspective eye than this hundreds of times, on better and easier to ascertain platforms.

The original TV series, spanning 13 episodes that dive deeper into the sinister mystery behind Quan-Sheng and Yu-Xuan’s body bouncing history and conundrum, gained acclaim for its nourishing continuum, a collective audience experience that intertwines pop tendencies and true-hearted romance. How this film adaptation, branded neither specifically as a sequel nor a creative reboot, functions parallel to that is beyond comprehension.

Seen at AMC Atlantic Times Square 14, Monterey Park

La Chimera (Italy) – Combining Time-Travel with Classic Cinema

La Chimera Film Difficulty Ranking: 3

Time-travel is a key ingredient of some of Hollywood’s biggest blockbusters. It holds an unnatural power to change the future and the past, adding the driving plot behind the Back to the Future and Terminator series from the 1980s and a few modern Christopher Nolan films. Over in Italy, Alice Rohrwacher has mastered the ability to use time-travel naturally. Instead of using it as the driving force of the plot and drama, it is the icing on the cake. She has combined time-travel with wholly Italian influences; De Sica’s Neo-realism and Fellini’s Surrealism, to make her own fantastic style.

From: Italy, Europe
Watch: Trailer, JustWatch
Next: Happy as Lazzaro, First Cow, Caro Diario

La Chimera – The Breakdown

La Chimera starts with a dream. Sepia-tinted snippets of a woman in a garden evokes the feeling of warm nostalgia. The dream is interrupted by a train conductor asking for tickets, which introduces us to our dreamer: Arthur, played by Josh O’Connor. He picks out a very old looking train ticket the size of a postcard and his train-cabin-mates pick up on his unusual accent and ask where he comes from. “Far,” is his one-worded answer, coding the mystery of his character.

So who is Arthur, and has he come from another era? He doesn’t reveal anything obvious on the train. It’s not clear where he’s going or coming from, and as per his one-worded answer in the paragraph above, we don’t know who he is or where he is from either. A few puzzle pieces are inferred from the following scenes, but these do not give us a complete picture. We find out that:

He’s English
He’s been in jail – likely as the fall guy for a troubadour group of associates
He’s looking for a woman
He has a special skill at finding treasures from the past

Whilst these attributes build his character, they also all add to his mysteriousness by leading to new questions:

Why is an Englishman in rural Italy with a group of grave-robbers?
What led to his capture and was he turned in?
Who is he looking for and what happened to them?
How did he get his supernatural skill?

This mystery makes him appear like he’s been picked up from another world and time and plonked into rural Italy.

Time-travel has popped up before in Alice Rohrwacher’s films. In her previous feature, Happy as Lazzaro, the titular character falls from a great height, blacks out, and reappears in a modern era, portaling from his previous life in feudal Italy. Whilst the time-travel is more metaphorical than literal, Rohrwacher makes the jump more believable by situating Lazzaro (the lead character) in a location stuck in the past; a small rural Italian town with old, decaying houses, no modern infrastructure, and no signs of modern technology, before transporting him to the modern city. The town that Arthur finds himself in is exactly the same setting as Lazzaro’s decaying town. His house is a DIY shack on the outside of the town wall, he visits the crumbling house of his lost lover, and electronic screens and electricity itself are practically non-existent. This setting, combined with Arthur’s mystery makes viewers accustomed to Rohrwacher’s films feel like Arthur is from another era and place, and has got lost in old-town Italy whilst searching for his lost love.

Conclusion

If the time-travel and mystery haven’t already sold you on watching La Chimera, know that watching La Chimera is like watching a bubbling pot of Italian Cinema influences whilst witnessing a new talent find their stylistic voice. There’s pieces of De Sica’s neo-realism in the poverty-stricken characters and tough world they exist in, fragments of Antonioni’s mood-driven mystery in their vague backgrounds and existence, and a large chunk of Fellini’s surrealism and panache in the bombastic scenes and cinematic magic. Rohrwacher in La Chimera manages to bring together all these influences whilst building on the natural time-travel of Happy as Lazzaro, forming her own style from the embers of the Italian classics.