From: Ghana, Africa Watch: Trailer, Netflix, JustWatch Next: Sleepwalking Land, The Fall, Eve's BayouContinue reading “The Burial of Kojo – A Magical Quest Through Space and Time”
Three Lives and Only One Death Film Difficulty Ranking: 4
Do you want to get lost in reality? Try watching Three Lives and Only One Death. It follows Marcello Mastroianni as a character that spans a few storylines in and around Paris. At times the story lines seem normal, but before long you’ll realise that they are just illusions. See if you can find your way around Raul Ruiz’s world – free to watch here on YouTube.
A narrator that looks like a late night news anchor starts the film. As he starts narrating about a man who wakes up because of a baby crying, we see the man he is talking about. The narrator tells us that the man has a headache and goes to the pharmacy, and then, as if controlled by the narrator, the man on screen does the same.
In the pharmacy queue, another man starts talking to our protagonist. It starts off like the normal expected small talk before becoming much more unnerving for our protagonist. This stranger reveals that he knows exactly where this man lives, who he is, and who his wife is. Our protagonist wants to get away from him but the man offers him a lot of money just to sit down and chat with him.
From then on, it gets even weirder. The man reveals that he was the previous husband of our protagonists wife. He tells him he didn’t disappear for 20 years but rather lost 20 years of his time watching these little fairies (yes that wasn’t a typo). He even takes our protagonist into another room to show him these fairies. At this point the camera goes completely red and zooms in and out to disorientate us. Where are we? And what is real? Only the director Raul Ruiz knows!
You’ll experience a lot more of the unnerving world that Raul Ruiz has created if you watch the full film. There’s plenty of things to throw you off. Just like in the great David Lynch and Ingmar Bergman films you’ll be questioning a lot by the end of this film, but it is a great ride!
Fausto isn’t like the usual films you’re used to. There’s no main characters and there’s no narrative that you can follow. Instead, Fausto is a collection of mysterious stories and images; some might fill you with wonder and others might just drift through you. It’s all in the name of searching for something bigger than ourselves – nature, the universe, magic.
From: Mexico, North AmericaRead The Full Review
Watch: Trailer
Next: Tabu, Serpentarius, Extraordinary Stories
If you’re looking for a misty mystery built around the reputation of an attractive independent woman in Bhutan you’ve come to the right place. You’ll join a policeman sent to a small town in the mountains to uncover a murder mystery. The main suspect? A ‘flirtatious demoness’ who is said to possess magical powers. Honeygiver Among the Dogs promises dreams, eerie music, tranquil landscape, and a mystical plot which keeps you guessing.
From: Bhutan, AsiaContinue reading “Honeygiver Among the Dogs – How Society Creates a Witch”
Watch: Trailer, JustWatch
Trailer: White Sun, Spoor, Golden Kingdom
Have you read Mia Couto’s brilliant post-colonial novel Sleepwalking Land? If you haven’t and you love reading, you should check it out now. If you haven’t got time to read, you can watch the film which does a great job at translating the novel onto the big screen. Check out the film here (Amazon).
Sleepwalking Land starts with an old man (Tuahir) and a young boy (Muidinga) walking down a desolate dirt track. We are not told who they are or where they are going, but we can tell they are in danger. Not because, they are being targeted, but because they are roaming a war-torn country. They hide in the bushes as a gang of men bragging about killing people walk past and then reemerge to find a burned-out bus full of dead bodies. They decide to remove the bodies and call it their temporary home.
If you’re ever read or seen Cormac McCarthy’s The Road you might recognise this environment. In both The Road and Sleepwalking Land there’s an old man and a young boy roaming a desolate land trying to survive. But contrary to The Road where we know the two protagonists are father and son, the connection between the protagonists in Sleepwalking Land is never made clear.
However, we get a clue to their past lives from a journal that Muidinga finds by the burned-out bus belonging to a man named Kindzu. Each day, they read an extra chapter of the journal and immerse themselves in Kindzu’s story. For Tuahir, Kindzu’s life probably reminds him of his past life, which he has blocked from his memory. For Muidinga, Kindzu’s life gives him a possible explanation to his past which amnesia has prevented him from remembering.
Teresa Prata’s adaptation of Mia Couto’s film is a worthy of your time. The main problem it faces is cutting the novel into 90mins, so if you’ve read the book you might think that the film crams in too much in too little time.
If you want to watch more films like this with characters wandering through desolate landscapes check out the post-apocalyptic The Road, which is good but bleak. You should also check out the art-house film Mimosas following wanderers from different centuries through the Moroccan mountains and deserts.
Or if it’s great African films you’re after, check out Abouna from Chad, a story about two sons searching for their lost Dad. There’s also Timbuktu, an Academy Award nominee from Mali where you’ll see the effect of the growing influence of Islamic fundamentalism on the Malian town.
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