drama - Page 8 of 26

Neruda

Film Buff Ranking: 3

Neruda is a rather special take on the famous Chilean poets life. Instead of focusing on his fabulous poetry, Neruda focuses on his Pablo’s run from persecution for being a communist. Throughout, Neruda is being hunted by a police inspector named Peluchonneau. In all, the film reminded me of a Borgesian short story with a hilariously Quixotic character.

Why watch Neruda?

You have read and enjoyed Borges
Multiple narratives – try and follow this one! Is it real?
Chilean history -communist persecution (for more on communist persecution, see a real account of the Indonesian death squads here)
For an interesting take on the biopic (think of Frida)

The Breakdown

The film starts with cameras following Neruda through a crowd. He makes his way through a government building greeting people next to him. He finally makes it through to a room where the president and the other senators are (for Neruda is also a senator), goes straight over to the urinal conveniently placed at the side of the room and berates the president out loud whilst he is taking a piss. What a scene! It certainly sets it up for a rather surreal and jovial film.

Neruda is a masterful invention. The character of Peluchonneau, played by the wonderful Gabriel Garcia Bernal, a character invented to embellish Neruda’s reputation. He is Neruda’s (or the director’s Larrain’s) puppet, a tool to show Neruda’s creative vision. Even the name Peluchonneau is perfect, as “peluche” in Spanish refers to a stuffed animal toy. This is exactly what Peluchonneau is, a character that is invented, used to entertain us, and then forgotten when we grow older. Luckily for the film and for us, the director and screenwriters script him perfectly.

Just like in Y Tu Mama Tambien, the events at the front of the screen take centre stage. You can see the effects of the communist persecution in the background. People are being dragged off to concentration camps, homeless kids are wandering the streets begging for money, and indigenous populations are being subjected to landlords. Furthermore these landlords deliberately break the law, just because the government does not care about them anyway. This is the real post-WW2 Chile, not the Chile concerned with a fictional or non-fictional chase of Neruda that pre-occupied everything else.

Conclusion

Neruda is definitely worth a watch. Fans of literature will love the construction of Pelloneau and his fictional existence. It is a little bit of a fight club in this regard. Pelloneau could not exist without Neruda and Neruda’s excellence is heightened by Pelloneau. As a Latin America Literature lover, this truly captured the unique spirit of the continent.

The Lives of Others (Das Leben der Anderen)

Film Difficulty Ranking: 2

Imagine a world where everything you say or do is watched by the government. Sound like an episode of Black Mirror?

This was often a part of a public figure’s life in Eastern Germany. There could be microphones hidden behind your light switch, cameras in discrete places above your door, and wire taps on your phone. Get an insight into state spying in this film, and their role in shaping the countries artists. The Lives of Others reminded me of a Speilberg great because of it’s great characters. But for all you who don’t trust me, trust Rotten Tomatoes, there’s a 93% chance you’ll like it.

Why Watch the Lives of Others?

Are you interested in what went on behind the ‘Iron Curtain’? The accuracy of the film’s set and atmosphere stunned former East Germans!
You’re scared by what Edward Snowden leaked a few years ago?
To learn some vital interrogation techniques!
This film won the Academy Award for the best foreign language film in 2006.

The Breakdown

The Lives of Others opens with a uniformed guard leading a man down a hallway that looks like a prison row. He is sat in one room opposite another uniformed man who starts to interrogate him. As the victim denies his involvement in smuggling a friend out of the country the director cuts to the same interrogator giving lectures to a group of university students. One student speaks out against the interrogation techniques and receives a cross against his name in the professors notebook. This guy doesn’t play around. Sure enough, he also gets an answer from the victim after keeping him awake for over 24hours and threatening to detain his family.

In the next scene, our clinical professor/interrogator is sitting at a local theatre watching a play by Dreyman. The subtle anti-state sentiment in the play sparks Wiesler’s suspicions. He can smell a rat anywhere. He gets out his binoculars to take a good look at Dreyman, who is sitting at the back of the theatre on his own. Seeing him through Wiesler’s binoculars makes him look even more alone. In Wiesler’s sight Dreyman is vulnerable and unaware of what is going to happen to him.

Also pay attention to the protagonists’ apartments which really add to the characterization of the two main characters. As state surveillance minister, Wiseler’s apartment is in an imposing concrete block of flats. His apartment is spotlessly clean, with two small uninspiring pictures on his four walls. In contrast, Dreyman’s flat is messy and cluttered, with books stacked up on his desk and against the walls. As a result, their rooms add to their characters. Wiseler’s apartment signals precision, decisiveness, and a distinct lack of emotion. In contrast, Dreyman’s messy apartment makes him seem even more creative, friendly, and relatable.

Conclusion

Out of all the films I’ve reviewed for this site so far, I think that The Lives of Others is a great place to start on your foreign film adventure. It is a great story, easy to follow, and carries a lot of tension. If you’re a seasoned film buff, it’s time to add this to your collection!

Hunt for the Wilderpeople

Film Difficulty Ranking: 1

Hunt for the Wilderpeople is a classic comedy. This film from New Zealand is like a Little Miss Sunshine, an indie gem that you’d be missing out on if you didn’t watch it. Fronted by Sam Neill (Jurassic Park) and newcomer Julian Dennison, who is unforgettable. Do yourself a favour – go have a laugh and watch this movie.

Why Watch Hunt for the Wilderpeople?

You like a good laugh
To learn how to survive in the ‘bush’
For a few homages to Lord of the Rings
You want to find out how director Taika Waititi followed up What We Do In The Shadows
#rickybaker

The Breakdown

Hunt for the Wilderpeople starts with some beautiful helicopter shots of the New Zealand landscape (think Lord of the Rings). After the landscape shots we follow a police car driving along a trail into the forest. In the back sits a chubby kid in colourful baggy clothing. They stop outside a wooden house in the middle of nowhere and a homely looking older woman gives the young kid a big hug. The social security leave this ‘dangerous’ kid with this woman and leave.

Hunt for the Wilderpeople is a film which is made by the characters. There are some classic one-liners that you’ll love. (I’ll only spoil their impact if I write them here). Also, there’s a lot of characters too silly to find in other movies such as Psycho Sam. Plus, you’ll be singing about Ricky Baker when the credits start rolling.

The director also parodies scenes from other films to add to the comedic value. What is a parody?

A parody is an imitation of the style of a particular writer, artist, or genre with deliberate exaggeration for comic effect.

In this film Waititi recreates a scene from Lord of the Rings in which Frodo and the hobbits hide under a tree trunk as a black rider stops and rides on past them. As per the definition above, Waititi deliberately exaggerates the imitation for comedic effect. I also got a kick out of the little homage to Lord of the Rings. There are plenty of other examples of this in the film so see if you can spot them and the film they are parodying.

Well, I really wish I could have done this film justice but I’m just going to have to settle for the hope that you aren’t put off by this review and go watch it regardless. If you can’t be asked to pay for the cinema, then watch one of Waititi’s other films, What We Do In the Shadows on Netflix instead.

The Structure of Crystal (Poland) – Contemplate Life with Two Old Friends

The Structure of Crystal Film Difficulty Ranking: 3

Be a fly on the wall as two old friends meet up after years have passed. The serene setting and conversation about the meaning of life will keep you feeling warm and calm like a mug of hot tea. Watch it here (Amazon via Mubi channel) and read more about it below.

Why watch The Structure of Crystal?

Experience life and it’s simple pleasures
Contemplate the meaning of life
Hear a beautiful soundtrack
If you’re a fan of early Ingmar Bergman (see Wild Strawberries for a perfect comparison – read more here)

The Breakdown

All we can see are two people standing on the distant horizon. They’re silhouetted against the pale sky and snow covered landscape. Their isolation is broken by a horse pulled sleigh which slowly makes it way past them. You can tell it’s going to be a slow and serene film; if that’s what you’re looking for you’re in for a treat.

The film takes place in rural Poland. The two people in the opening scene are Jan and his wife, both of them waiting for Jan’s old friend Marek to arrive. They studied Physics together at university but their paths have diverged since. Jan got married and moved to the remote countryside whilst Marek carried on studying physics and now travels the world with his degree.

The director perfectly captures the awkwardness of two old friends seeing each over for the first time in years. There’s lots of hugs and small talk, but neither of them really say anything to each other apart from how happy they each are to see each other. The feeling is perfectly captured when they all sit quietly at the dinner table not saying anything. The only thing you can hear is the clashing cutlery and the ticking clocks, emphasising that Marek’s stay is limited.

“I thought I had so much to tell you but now you’re hear I don’t know what to say”

Jan can’t break the small talk or silence, but Marek assures him their old friendship will resume. They eventually get round to talking about their past and their future. Both of them try to encourage the other to adopt their lifestyle.

Ticking Clocks and Ingmar Bergman

If you’re a fan of Ingmar Bergman, you might find some similarities between this film and Bergman’s Wild Strawberries (if you haven’t seen Wild Strawberries you need to watch it here on Amazon).

Both film’s have a similar contemplative feel and serene style. Furthermore, they both explore our search for meaning in life, which in both films becomes especially significant as the professor in Wild Strawberries feels himself getting closer to death, and in this film as the ticking clocks mark the short time Jan and Marek get with each other to catch up. Ultimately, they each reflect on their own choices and find peace with the path’s they have chosen.

Image result for structure of crystal film

Conclusion

I love contemplative and serene films, but I never feel like I can do them justice in writing. Like the early Ingmar Bergman films, The Structure of Crystal is all about the tone of the film. It’s a tone which somehow makes you calm and receptive but not sleepy. It’s just like listening to someone read you an interesting book when you’re tucked up in bed.

Watch The Structure of Crystal here (Amazon). And for more similar films, check out Ingmar Bergman’s Wild Strawberries and Seventh Seal.

Girlhood – A New-Wave of French Film?

Film Difficulty Ranking: 3

More in line with the likes of Adulthood than Boyhood, Girlhood is an artistic dive into the black working class blocks of Paris. Marieme is our heroine/anti-heroine, a black female who is forced to make a life for herself after she is denied high-school education. Can she weave her way through all the obstacles thrown her way? Or is she confined by her identity and social standing?

Why Watch Girlhood?

To see Paris as you probably haven’t seen it before – where concrete towers replace the Eiffel tower.
You’re a fan of coming-of-age films
Witness the potential of GIRL POWER
Check out some beautifully coloured cinematography

The Breakdown

An heavy techno beat breathes life into the darkness of the opening credits. Floodlights break up the darkness as a group of American football players run out of a dimly lit tunnel onto the pitch. One of the girls scores a touchdown and everyone starts celebrating and singing, before the lights shut off and darkness is back. The opening briefly shows us the power of girl groups and also marks the first screen-wipe of darkness.

Pay attention when the director black-washes the screen as each time marks a key point in Marieme’s adolescence. Each time is like the ending and beginning of a new chapter. Each time also follows either a happy or sad moment that defines Marieme. I’d also recommend paying attention to the soundtrack, as the director chooses particular moments for when the songs are played. For example, Marieme and her friends sing along to Rihanna’s ‘Diamonds’ at a time when their happiness and freedom is high. At this moment, the song emphasises their happiness and camaraderie.

Whilst the screen-wipes and songs signify key moments of the film, I am not sure what the role of the colours are. Nevertheless, the colours are beautiful. From the pale blue and pink hues of Marieme’s bedroom walls, lit up by a dim lamp to the slightly washed out colours of daylight in the concrete jungle. The vivid dark blue and black hues of the hotel-room party strongly reminded me of the beautiful cinematography of Barry Jenkins’ Moonlight. See the beautiful colours for yourself and leave a comment if you think you know what they signify.

Conclusion

Girlhood is an important film. The director’s goal was to capture the stories of black teenagers, characters that are mostly underdeveloped in French films. In addition to race, this film is important because it also challenges conceptions of gender and class. All three; gender, class, and race (in that order?) come together to put obstacles in Marieme’s way. Can she escape?