The Missing Picture Film Difficulty Ranking: 4

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Have you heard of Pol Pot and the Khmer Rouge?

  • If you have, great, watch this film to understand how they changed Cambodian society.
  • If you haven’t, no problem, watch this film to learn who/what they were and how they revolutionised a country on film and destroyed it in reality.
Why Watch The Missing Picture?
  • To learn about life in Cambodia in the 1970s before and after Pol Pot and the Khmer Rouge came to power
  • To imagine a country where your only possession was a spoon
  • Learn about a country where artists were prohibited – the only images left are of a myth created by Pol Pot and his regime
  • Clay figures!
The Breakdown

The Missing Picture starts in a darkish room full of stacks of film rolls. The floor is covered with film strips. Someone picks up one of the film strips and looks at the still images it contains. It shows a Cambodian woman dancing in traditional dress. This Cambodia, traditional Cambodia, was left to be forgotten by the Khmer Rouge so they could forge a new country.

Image result for khmer rouge logo rice paddy factoryThe Khmer Rouge created a new country by creating a new mythology. Art and tradition was thrown to the side. Now “the spade is your pen, and the rice field is your paper”. The picture on the right shows the Khmer Rouge’s utopia. There is a factory, irrigation, corn harvest, and rice fields but no people. This is Pol Pot’s vision for a state driven by work and void of culture.

The clay figures represent many things. As they are motionless, they represent the death: death of the past and death of the many Cambodians that died during under the Khmer Rouge. The clay figures also represent ‘the missing picture’ ie. everything that was not documented by the Khmer Rouge on film. As the Khmer Rouge only documented films of people working the rice fields, the clay figures end up recreating a lot of undocumented life. They re-enact the famine, death, and forced labour that the Khmer Rouge did not document. This is the untold story of Cambodia under the Khmer Rouge.

Conclusion

The Missing Picture allows us to recreate a more accurate history of Cambodia under the Khmer Rouge. It shows us the real footage shot by the Khmer Rouge and adds in ‘missing’ scenes of famine and death that the Khmer Rouge ignored. As a result, this film importantly documents the horrific events that the Khmer Rouge tried to absolve from history. If you’re after a true documentary of the Khmer Rouge – this is as close as you can get.

For another great South East Asian documentary, I strongly recommend watching The Look of Silence (available on Netflix).

This is Not a Film Film Difficulty Ranking: 4

Panahi is an inspiration for the film industry. He made This is Not a Film whilst under government orders not to make a film (after being charged with making propaganda against the Iranian government). Luckily, Panahi cannot simply stop making films, it’s part of his nature. Also, luckily, someone smuggled this gem out of Iran on a flash drive hidden inside a cake. So consider yourself lucky that you can watch this film!

From: Iran, Asia
Watch: Trailer, Buy on Amazon, Kanopy
Next: Taxi Tehran, Reminiscences of a Journey to Lithuania, Lost in La Mancha
Continue reading “This is Not a Film – Film-Making Under House Arrest”
Fatal Assistance Film Difficulty Ranking: 3

You’ve probably heard about the 2010 Haiti Earthquake and you may have even donated some money via one of the many fundraising initiatives, but have you got any idea about how all the funds raised were put to use? Fatal Assistance investigates the recovery attempts after the earthquake and will get you questioning whether we need to reform how we donate and how charities work.

Why Watch Fatal Assistance?
  • Learn about the devastation caused by the 2010 earthquake in Haiti
  • Analyse the effectiveness of disaster relief charities
  • Watch a film from Haiti from Haiti’s minister for culture, Raoul Peck (who you may know from his other great documentary: I Am Not Your Negro)
  • Find out if there are any solutions for the future
The Breakdown

Fatal Assistance starts with a first hand account of the 2010 Haitian Earthquake. You’ll see footage of people falling to the ground under the tremors and buildings shaking and crumbling. However, unlike the big disaster fiction films, this film is a documentary and focuses on the earthquake’s aftermath.

The destruction of the earthquake was massive. It made 1.5 million people homeless and caused 24 times as much debris as 9/11. Loads of celebrities and people around the world raised millions to help Haiti’s recovery. As a result, the country was full of hope despite being ravaged by disaster. There was enough money to change the country, for it it recover from the earthquake and lift it out of poverty.

However, you can tell that the hope is not going to be fulfilled. The letters that are narrated throughout the film seem to come from the future and feel full of regret.

The lack of hope is personified in the zombie-esque appearance of former U.S. President Bill Clinton who is in charge of the Interim Haiti Reconstruction Commission. The IHRC was part of a ‘dictatorship of aid’ which consumed all of the money without actually solving anything. All the charities involved in the relief effort only offered temporary solutions, arguably to ensure they continued to exist and receive funding instead of actually solving the problem they were created for.

Image result for fatal assistance

Conclusion

The result is a pretty negative view of the IHRC and Haitian recovery effort. Whilst the documentary doesn’t outwardly point fingers, it’s quite clear who Peck thinks is to blame. It’s worth watching to debate the effectiveness of relief charities (see GiveWell for a one solution) and for a quick lowdown on Haiti in the 2000s.

 

The Trader Film Difficulty Ranking: 3

Ever thought about going to Georgia? If you haven’t, you probably should (especially if you like hiking). In the meantime check out The Trader on Netflix. It will give you a 25 minute glimpse of life in a rural Georgian town connected to modernity by a ‘back of the van’ trader from the city.

Image result for the trader netflix

Why Watch The Trader?
  • Everyone has time to watch it AND it’s available to watch on Netflix
  • To get a glimpse of rural Georgia
  • It won the top short-documentary prize at the Sundance Film Festival
  • To witness the power of potatoes – they’re food and currency!
The Breakdown

First we’re introduced to Gela as he browses the stocks of various shops in the city he’s from. He’s looking for items to fill his van (his moving shop) before he drives into the country to sell them. As a trader, his aim is to pick any items his customers are likely to need or want, which he can then trade for a portion of the year’s latest potato crop.

It might sound simple, but it’s not. The village he drives to appears half deserted. The grey corrugated iron roofs match the grey skies and compliments the brown dirt ground. It doesn’t look like a place where you’d expect to make any sales. However, sure enough, a few residents and their kids gather round Gela and his shop (the back of his van) and start haggling with him for a few of his wares. After 2 days at the village, he ends up with a few kilos of potatoes to take home. Not a great crop.

But it could be worse, he could be one of the residents living in the remote village. He could be like the old man who regrets never getting an education. Or he could be like the young boy who has absolutely no idea of what he wants to be when he grows up, even after his mum prompts him to say ‘a journalist’. The place is completely devoid of dreams and full of regret.

Is the Trader to Blame?

Hard to say. Gela, the trader, is the only connection for this community to modernity. He is the only one who appears to make the trip to this remote village and give the population a market to sell their excess potatoes.

However, the market is tilted in his favour. The village community have to accept all the goods he brings to sell even if it is a load of useless rubbish. If they keep their excess potatoes they’ll only go rotten as it doesn’t look like they’ll have another opportunity to sell. Therefore they have to accept whatever Gela offers. So they’ll continue to buy second rate goods and as a result, their village never progresses as far as the contents of Gela’s van.

Conclusion and What to Watch Next

If a picture tells a thousand words, The Trader packs enough into it’s 25 minutes to constitute a few essays. Not because it’s complex, but because the dialogue and images so concisely document life in rural Georgia and the importance of one man, the trader.

If the rural town in this film struck you, I recommend checking out Kazakhstan’s The Wounded Angel, also set in a remote, hopeless town. If you’re into more arty film, there’s also Lav Diaz’s From What is Before which charts the effects of a dictatorship on a remote rural town in the Philippines.

Or, if you’re after more great documentaries, I strongly recommend you check out Makala. It follows the complete process of a charcoal maker from cutting down a tree 3 days walk from the nearest city to selling the final product (after walking for 3 days) in said city. It won Cannes Critic Week because it’s one of the most beautifully captured films you’ll ever see.

 

 

Winter on Fire from Netflix is a perfect example about how technology is helping to catch some incredible footage of popular protests that might not have been captured before. I recommend this film to anyone with or without a Netflix account!

Why watch Winter on Fire?
  • For an insight into the current situation in Ukraine – do you want to know why Ukraine descended into chaos in late 2013?
  • To understand what it means to be European and part of the EU (pretty relevant today with the Brexit vote looming).
  • Peaceful protests – what can they achieve?
  • To see how film-makers can influence you!

In the opening minutes we are introduced to a 16 year old standing amidst dead bodies and gunfire who says that he belongs on the front lines. This is our baptism of fire – we can immediately see that the country has descended into chaos. Cut to a very brief introduction to Ukraine and President Yanukovych pictured alongside the word ‘criminal.’ From there we are taken to the first gatherings of the crowd at Maidan after the President declared he would not enter the EU.

First off, the footage of the whole protest from late 2013 to early 2014 is incredible. Afineevsky had a team of 28 cameramen and camerawomen shoot clips throughout the protests and of many people involved. We are introduced to kids, religious figures, and men and women from an array of backgrounds. The scope of the protests are matched by the scope of the footage.

Even the action captured is incredible and extremely hard to watch at times due to the violence. Nothing from the protests seems to escape the camera.

On the other hand, Afineevsky masterfully influences the viewer. After the film I felt compelled to do something to support Ukraine and the people’s fight for freedom. The footage of large groups of people singing and working together to build a make-shift community successfully gets viewers on the side of the protestors.   Even the music rouses us to support the protestors – it builds when crowds gather and start working together, and turns more dramatic when the people are met by the police.

The whole film becomes a battle of ‘the people’ vs. violence and corruption. Obviously we are going to choose the people! The people interviewed and the narrators all support the protestors. In this respect, it would have been nice to have another point of view. Evidently there were people against the protestors goals, but there is no attempt to give them any voice.

This is the second powerful documentary that Netflix has produced showing big city protests, the first being The Square (2013) showing the Egyptian Revolution at Tahir Square. Both Winter on Fire and The Square were nominated for Academy Awards. Both show protests against the government and how they progress. Both are recommended viewing!