b movie

Umbango Film Difficulty Ranking: 2

The framing is off, the characters are melodramatic, and the dialogue is cheesy at best. Welcome to the South African B-movie Umbango. It’s one of hundreds of films produced at the height of the apartheid for African audiences. By the early 1990s most of these films had disappeared, but luckily for you, Umbango is one of a few that have been recovered.

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Why Watch Umbango?

To see an authentic Zulu film (not counting that Michael Caine film)
It’s a classic B-movie – perfect to laugh at
Find out what kind of films were made under the apartheid
For an alternative to the polished South African films such as Tsotsi or District 9

The Breakdown

The opening introduces us to Kay Kay, a bandit chilling by a camp fire out in the wild. Another traveler joins him by the fire and pledges his loyalty to Kay Kay. They fulfill the typical bad-guy and silly side-kick role.

There are two things you’ll notice in this film:

The production quality is pretty terrible. The camera framing is all over the place, the colour contrasts are often completely washed out, and the sets are obviously fake. You have to accept that this is a B-movie to enjoy the little things.
The humour is very different to what you’re used to. It seems to be parodying the western genre as well as some South Africans (although I cannot confirm this). The characters also find calling their enemy ‘smelly’ hilarious. There’s a scene where the bad guy calls his nemesis ‘smelly like a jackal’ and ‘smelly as a skunk’ as if it’s the funniest thing in the world.

As long as you accept the poor production quality and can laugh at the strange humour, you’re in for a treat.

Conclusion

Watch Umbango to get an idea of what films were made for South African audiences under the apartheid. Whilst it is obviously a B-movie, it is still a lot of fun to watch!

Jebel Nyoka Film Difficulty Ranking: 2

Jebel Nyoka is a budget South Sudanese movie free to watch on YouTube that touches on the patriarchy and forced marriage. It follows a teenage girl living outside of the capital city in South Sudan. Conflict arises when her parents want her to get married instead of allowing her to finish her studies.

From: South Sudan, Africa
Watch: YouTube, IMDb
Next: The Hand of Fate, The Boy Who Harnessed the Wind, Dhalinyaro

Jebel Nyoka – The Breakdown

Disclaimer: whilst the audio quality is more consistent than other films shot with few resources such as The Hand of Fate, it does contain a very repetitive backing track. It sounds a bit like stock filler for an 80s educational show, and unfortunately is often played over the diegetic sound and dialogue of the movie regardless of the context of the scene (playing over a rape scene as well as over family conversation). So before watching this film, be prepared to fight an urge to mute the audio from time to time.

Jebel Nyoka does have honorable intentions in the screenplay though, which touches on both the patriarchy, the lack of resources for education, and underage marriage. Kiden, our teenage female protagonist has to deal with all these issues – fighting her family and their wish for her to get married instead of supporting her education. The film sides with her and a girl’s right to education by showing her fight against her parents and marriage. However, it feels blind to the power of the patriarchy it unwittingly presents. It positions Kiden’s mother as the villain of the movie – presenting her as the driving force behind Kiden’s underage marriage even though her father holds the position of power in the family. She has to talk to crouch down to talk to him sitting in his chair, and whilst the father agrees to marry their daughter, he blames her when things go awry for pushing him to do it. Jebel Nyoka is quick to blame the female characters for problems held in place by the patriarchy.

It also features a lot of male characters that take charge of Kiden’s life without considering her perspective. Her father is one example, as is her prospective husband, but even the male characters that are presented as ‘good’ take advantage of her. The head of the orphanage is a prime example of this. Whilst he takes her in and provides her with an education, he also ships her off to another family looking for another girl to help out around the house (ironically so their own daughter can focus on her own studies). This action is never questioned, and ultimately the adopted father and the head of the orphanage become the heroes of the film. The focus on portraying benevolence in the men of Jebel Nyoka undermines the positive female story the director tries to create.

Therefore, despite honorable intentions, Jebel Nyoka’s message feels a bit empty. It highlights problems within South Sudanese society (such as underage marriage, poverty and education) without examining their root cause. Instead of looking deeper into these issues, or making a film about Kiden’s perspective, Jebel Nyoka focuses on the men around her, making them the saviors of the movie.

What to Watch Next

For a film which examines the patriarchy from a female student’s perspective, we strongly recommend watching Dhalinyaro from Djibouti. It follows a group of three high school friends facing different problems at home as the exam season starts.

If you’re looking for more low budget African films that deal with the patriarchy and forced marriage, you could watch The Hand of Fate from The Gambia.

Or if you want to watch more African films about kids using their intelligence to find a way out of poverty, try The Boy Who Harnessed the Wind.

Umbango – Your Chance to See a South African B Movie