“We forgot your aunt!” *Two men appear carrying her in a bathtub complaining*
“You’re not carrying the pyramid”
“No! But at least that was one stone at a time!”
You’ll experience plenty of drama in Brooks, Meadows, and Lovely Faces. But you’ll be transfixed throughout because of the quick-witted banter, flirting, and taunting.
Why Watch Brooks, Meadows, and Lovely Faces?
You’re up for some Egyptian DRAMA
Learn how to cook some Egyptian dishes (perfect if you’re a cooking fan)
You’re a Norwich fan and will get a kick from seeing one of the cast members in a Norwich shirt
Or if you simply love wedding controversy and gossip!
Breakdown
Brooks, Meadows, and Lovely Faces starts at a big celebration. The wealthiest man in town has hired the best chefs and has a big time governor as his guest of honor. But it’s obvious that none of the villagers like him. He picks problems with their cooking (even though they’re the experts) and takes offence at them calling him by his nickname. One thing is already clear from this opening – there’s going to be drama!
The film flashes back maybe a year earlier and follows the chefs from the opening scene. They’re getting ready for a big wedding. During the preparations one of the top chefs sees one of his old crushes return to the neighborhood from abroad. There’s also a secret marriage and plenty of extra-marital flirting. You just know there’s going to be trouble! If you like this kind of trouble this film might just be for you!
Conclusion
Just like in After the Battle Yousry Nasrallah’s Brooks, Meadows, and Lovely Faces has plenty of juicy drama. There’s plenty of controversy, comebacks, and tension. If that’s your thing, you better find this film and watch it now!
The Hour of Liberation has Arrived is the only first-hand account of the democratic, feminist Popular Front for the Liberation of the Occupied Arabian Gulf. Enabled by recent advances in film technology, the film gave voices to the voiceless to create one of the most direct revolutionary documentaries from the Arab world and beyond.
For one of the best examples of a revolutionary documentary film, helped by recent technological advances to film equipment
It broke boundaries – it was the first film directed by an Arab woman that was screened at Cannes (in 1974)
It’s the only first-hand account of the democratic, feminist guerrilla movement against the British backed Sultanate of Oman
The Breakdown
The Hour of Liberation Has Arrived offers the only glimpse of the Popular Front for the Liberation of the Occupied Arabian Gulf, a secular, democratic, feminist revolutionary movement that managed to liberate one third of the Sultanate of Oman. In the region they liberated, the Front launched an extensive program of social reforms, captured in this revolutionary documentary, the most radical being affirmative action for women.
Filmed in 1971, The Hour of Liberation Has Arrived was made possible due to advances in film technology. It brought voices to the voiceless through synch sound (sound recorded at the time of filming). Whilst synch sound had been around since the birth of sound movies, it had only recently become more portable with new hand-held filming equipment that could record sound and video by itself, without a separate sound recorder. Without this advance in technology, this film wouldn’t have been made, as the 800 kilometers that Heiny Srour and her Team had to walk to reach the Front (under the bombing of the British Royal Air Force) would have been dauntingly arduous. The advance in synch sound technology allowed filmmakers, particularly documentary filmmakers, to capture otherwise inaccessible locations. The less intrusive equipment also allowed filmmakers to capture more authentic representations of reality – a truckload of equipment, lighting, and larger crews make people act different to one person filming with a small camera.
The film pieces together stock and live footage, photography, maps, and voice-over narration to create both a first-hand account of the movement, as well as a revolutionary manifesto. The photography and live footage provide the first-hand account of the revolutionaries and their day to day activities, whilst the stock footage, maps, and voice-over narration provide the anti-imperialist impetus that drives them. Its use of a range of media to tell its message looks raw, like a modern, student-made essay film, but this gives the documentary an authenticity that studio-made movies couldn’t replicate. Free from the ties to corporations/companies, governments and heavy, expensive film equipment, Srour could make whatever film she wanted. This is revolutionary cinema at its most direct.
What to Watch Next
You don’t have to turn far to watch more revolutionary cinema. For the big budget films, turn to the brilliant Cuban films sponsored by the USSR such as I Am Cuba and Lucia or Pontecorvo’s docu-drama of the Algerian fight for independence in Battle of Algiers. You can also find gold in lower budget third cinema films such as Flame, Mortu Nega, and Sambizanga.
To see how further technological advances have enabled filmmakers to get even closer to the revolution, check out some films enabled by the digital revolution, such as The Square, Winter on Fire, and The Edge of Democracy.
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