Oooweee you are in for a treat. Oldboy is the best revenge film you can find in the 21st century, let alone South Korea. Prepare yourself for a witches brew of 1 part The Truman Show, 1 part Memento, and 1 part “what the f**k! Park Chan-wook has made one crazy movie!
You’re in for a treat. Oldboy is the best revenge film you can find in the 21st century, let alone South Korea. Prepare yourself for a witches brew of 1 part The Truman Show, 1 part Memento, and 1 part “what the f**k! Park Chan-wook has made one crazy movie!
This may well be the darkest comedy there is. You may not agree at first, but you probably will by the end of the film. And you’ll probably feel like a murderer for watching it! This is one of the ultimate mockumentarys!
Why Watch Man Bites Dog?
If you like dark comedies – and when I say dark, I mean it!
To learn how much ballast you need to sink a corpse
For a murderer’s ode to pigeons – actor Benoit Poelvoorde is crazy
The Breakdown
You’ll get an idea of what kind of a film this is from the opening. It starts with what looks like a normal scene. A man on a train is standing by the window as a woman walks past him along the corridor. However, as the man moves out of the way to let her pass, he rings a rope around her neck, forces her into a cabin and strangles her.
As you’ll quickly realise, this is not a serious film. However, you also won’t be surprised that it was highly controversial when it was released in 1992 (two years before Natural Born Killers).
Straight after the brutal opening scene, we meet Benoit (the murderer) again. This time, he is talking to the camera and telling us how to properly ballast a corpse so it sinks. Remember, ‘you need to ballast a dead body with 3 times it’s body-weight, and 5 times for old people as their bones are even more porous’ (Benoit’s quote, not mine).
The mockumentary style (mock documentary) makes the film even more real. Benoit looks straight at the camera a lot, and therefore straight at us. As a result, we are forced to get close to him and pushed towards identifying with him. The intimacy is stretched even further as we are introduced to his family and friends, who all say what an ‘affectionate and sweet’ person he is. But every time we start to get comfortable with him the director reminds us of his violence. For example, in one scene he starts playing with a few kids in a park making him appear normal, but the director quickly cuts to a montage of him murdering innocent people to remind us that he is a murderer.
Conclusion
Man Bites Dog is provocative. But it’s also clever. It plays with us throughout the film, encouraging us to get close to a murderer before brutally showing us images that are undeniably wrong and shocking. There’s also a pretty meta commentary on both the moral obligation of the film-makers and the audience. Are the film-makers and us morally wrong for making/watching this film?
Either way, for more, I’d recommend checking out Oliver Stone’s Natural Born Killers (with a young Woody Harrelson leading). Also check out Behind the Mask for a horror movie equivalent.
I haven’t read Journey to the West and I’m completely unfamiliar with the story line, so I can’t vouch for the accuracy of this adaptation of the Chinese Classic. However, if you’re looking for pure cinematic mayhem, Chinese Odyssey Part One and Part Two are as good as you get.
If you’re looking for a Norwegian update on Stephen King’s Carrie, you’ve come to the right place. In Thelma, just like in Carrie, there’s Christianity, madness, and strict parents. However, Thelma also boasts a lesbian awakening and enough subtlety to keep you questioning long after the ending.
“This isn’t Hollywood, this isn’t Bollywood, this is Nothingwood, because there’s no money”. – Salim Shaheen
Salim Shaheen is Afghanistan’s biggest film star. He’s Afghanistan’s working class hero (like Cantiflas or Charlie Chaplin) and action film star (like Sylvester Stallone or Arnold Schwarzenegger). It’s time for you to get to know him!
Why Watch Prince of Nothingwood?
To meet Afghanistan’s biggest film star
For a positive alternative to the negative war dominated footage of Afghanistan you’ll usually see
Salim Shaheen’s story mirrors the story of Afghani cinema. There should be no role for him or for film within the strict Afghani customs. Back when he was a kid, he was beaten by his mother and brothers when they caught him singing and dancing on film. He was also beaten when he was caught sneaking off to the cinema to see some of the Bollywood hits. He was beaten up whenever he got near to film! Simply put, dancing, singing, and acting were all taboo; it just doesn’t fit in strict Afghani tradition.
However, even though Salim Shaheen’s films are a triumph for creativity, you’ll notice there aren’t any women on camera. The director, Sonia Kronlund, is the only woman you’ll see in the whole film. That’s because she’s treated like a man because she isn’t from there. In contrast, Sonia’s female translator is always hidden off camera. According to Sonia, she refused to say anything on camera. As there are no actresses, some of the men have to dress up as women. Despite the apparently strict society, this is considered acceptable, perhaps because homosexuality is inconceivable.
If you’ve been wanting to go to Afghanistan but are worried about the security, this is the perfect film to see. You’ll meet the people, travel across the country (to Bamyan), hear the music, and see the food.
Conclusion
All in all The Prince of Nothingwood is a rare opportunity to see life in Afghanistan, and an equally rare opportunity to see a positive story from Afghanistan. Salim Shaheen’s story is a triumph for creativity in a society where access to cinematic resources is pretty much non-existent.
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