Film Difficulty Ranking: 4
Lupe Under the Sun features an ageing migrant worker from Michoacan working in California’s Central Valley. It deals with the vagueness of migrant identity – is Lupe Mexican or American? Or both and neither at the same time? The director, Rodrigo Reyes, shows migration to be both an inspired act of hope and a frightening leap into the unknown.
Why Watch Lupe Under the Sun?
- For a timely look at the life of a lonely migrant worker in the U.S. a group verbally assaulted by Trump
- To see an old man riding a tricycle
- Step in somebody else’s shoes – take a walk through the eyes of an immigrant worker in an unfamiliar environment which you call home
- What does it mean to not belong?
The Breakdown
The film starts with a narration by Lupe’s grandson as Lupe walks through arid landscape and orchards.
He says that his grandfather told him a secret; that he was going to America to paint a really big house that will take him a long time. He won’t be back for some time, because he has to keep painting.
Does Lupe really belong here? He doesn’t talk to anyone, except one scene where he is gambling around a small table with two other guys. He doesn’t answer his girlfriend, he mumbles back to the doctor, and doesn’t make any effort to start any conversation. His lack of dialogue emphasises his lack of belonging and identity. He has no friends and no one he cares about in the Central Valley. He has no reason to stay where he is or go home.
Furthermore, his days are occupied by ritual. He wakes up at 4am each morning, cooks his eggs, showers, and shaves his moustache before he gets picked up to go pick fruit. Each day we are shown this same ritual emphasised by fixed shots of the alarm clock, the cooking hob, and the kitchen sink. The repeated shots emphasise the mundaneness of Lupe’s life – is he brave for sticking out this monotone life? His only joy seems to come from riding his tricycle around town.
Why is Lupe living here? Why doesn’t he go back to Mexico where he might feel a little more belonging? Lupe is symbolic of the ‘no-man’s land’ of migrant identity – he is both the man of his past life in Mexico and the man of his present in the U.S. Pick this one for a quiet night in to watch with someone else – watching it alone might make you question your loneliness.
Is Moonlight a future Oscar winner? It is everything an Oscar winner should be: beautifully shot, emotional, powerful. Furthermore it is also what the Oscars have lacked: a great non-biographical black film. This film reminded me of the early chapters of Ta-Nehisi Coate’s Between the World and Me or Kendrick Lamar’s Good Kid, M.A.A.D City because it shows the influence of environment on people. We are not always what we portray on the outside.
Princess Mononoke is a classic. It is Miyazaki’s return to the more political realms of Nausicaa and Laputa – films which promote awareness of global issues such as discrimination, global warming, and war. Plus, the animation is beautifully created and the storyline is an adventure epic. For more, follow 
Spirited Away is Miyazaki’s most celebrated work, and rightly so. The film follows a young girl who gets lost in a spirit world which she has to navigate to save her parents. I am in awe of how Miyazaki dreamed up everything in this film, it is the one of the most magical films you could watch.
Oh yes! Pom Poko! This entry from Isao Takahata is framed as a sort of documentary. It follows some shape-shifting raccoons who rise up against the growing industrialisation/expansion of Tokyo to protect their habitat. One of the comedic highlights is seeing these raccoons parachute using their scrotum (don’t worry it’s completely PG). Pom Poko promotes awareness of industrialisation with this hilarious comedy.
Yes, Studio Ghibli rounds out my top 5. Howl’s Moving Castle is one of Miyazaki’s most recent films and one of his most imaginative. Moving castles, talking fire, and a jumping scarecrow are three things you’ll find in this movie. Another brilliant example of Miyazaki’s celebrated career, this one also serves as an allegory for war.
Isao Takahata’s animation of the bombing of Japan during World War Two is heart wrenching. There are some pretty sad moments in a number of Pixar films, but nothing on this level. This will hit you on another emotional level. In addition, learn about life in Japan during World War Two and how terrible war is!
You thought Inception was original? Well you obviously didn’t see Paprika when it came out in 2006. Paprika is set in a future where patients can use devices to start lucidly dreaming. The problem is that some people are hacking into other people’s dreams. Not great if these skills fall in the wrong hands…
This is the perfect film to watch for the little ones. My Neighbour Totoro is very peaceful and calm – there are no chases or conflict like some of the other Miyazaki films. However, in true Miyazaki fashion there is his trademark fantasy. And of course, there is Totoro! (a great addition to all the Disney merchandise).
Set in a dystopian future where society is crumbling, Akira is the anime equivalent of The Matrix. Pay attention to the superbly animated setting of ‘Neo-Tokyo,’ a city which resembles a mix of Bladerunner’s Los Angeles and Tron. 
Rounding out the top 10 is another entry from Isao Takahata. The star of this film is the hilarious skits of a family living in Tokyo. The snippets reminded me of things my family would do. The bare-bones animation adds to the simplicity of the film. It’s an ode to the regular family.
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