Call Me by Your Name Film Difficulty Ranking: 3

If you’ve ever dreamed of falling in love under the Italian sun, this film may just take you to dreamland. Call Me by Your Name has all the ingredients for a perfect romantic film. It’s got sun, fresh food, beautiful people, lakes and rivers, and freedom. All you’ll need is a glass of wine.

Why Watch Call Me by Your Name?
  • If you like sensual romance (also see Guadagnino’s I Am Love)
  • To escape to the beautiful Italian summer
  • It’s been nominated for Best Picture at the Oscars
  • If you like coming-of-age stories
The Breakdown

Call Me by Your Name starts with 17 year old Elio. He’s chilling in his parents house in Northern Italy with his girlfriend Marzia for his summer holidays. A few seconds later, Oliver arrives, a grad student from Elio’s dad’s university class in America. He’s come to Europe for the summer to help Elio’s dad with his research and lap up the Italian sun.

The Italy we see in Call Me by Your Name is the Italy we dream of. The sun is forever shining and the warm colours almost give off the heat. As this is set in the 1980s, before Internet, there are no phones or computers as we know today, and these guys don’t watch TV. Instead, they swim, play volleyball, lounge in the sun, eat Al-fresco, and read. It’s pretty much the ideal summer holiday – everyone is happy and relaxed. Plus, the beautiful environment heightens the beauty of everyone within it.

It’s also no surprise that Elio and Oliver are attracted to each other. Everything you see in their environment symbolizes the ripeness of their relationship. There are trees laden with ripe fruit, flies buzzing on and off the screen (you can always hear them), and fresh water. In addition, there’s the constant sun. The environment is a metaphor for their growing love for each other, identifying it before they do.

Whilst the sensual environment reveals their growing love to the audience, Elio and Oliver are still unaware of each other’s feelings. Instead, they performing an intellectual mating ritual in which they both try to show-off their proficiency in high art to the other. Firstly, Oliver manages to prove his intelligence by correcting Elio’s dad on the origins of the word ‘apricot.’ Secondly Elio gets his chance to show-off when he plays the guitar and piano. The ‘mating ritual’ finally ends when Oliver admits defeat and asks Elio if there is anything he doesn’t know which gives Elio the confidence to subtly declare his love.

Image result for call me by your name

Conclusion

If you’ve seen any of Guadagnino’s other films, you’ll know that he’s a master of sensuality. In Call Me by Your Name he doesn’t disappoint. It’s the perfect coming-of-age story of Elio’s first love. You’ll almost forget it’s a gay romance (if Oliver doesn’t keep repeating ‘let’s be good’) as this film is first and foremost a beautiful romance.

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Dear Diary Film Difficulty Ranking: 3

You may have seen Rome and Italy in a number of films, but you have never seen it like it is in Dear Diary. Nanni Moretti will guide you around the country like the best tour guides – one that doesn’t care what people think of him. He parodies the Italians whilst making fun of himself for our entertainment. It’s a bit Monty Python esque and a bit Quixotic! Go watch this man’s stream of consciousness!

Why Watch Dear Diary?
  • For a visual stream of consciousness portrayal of Rome and Italy
  • It’s also a great comedy with plenty of parody
  • There’s a great soundtrack featuring Juan Luis Guerra and Cheb Khaled!
  • To see director Nanni Moretti dancing in a cafe
The Breakdown

Chapter 1. On My Vespa

‘Dear diary, there’s one thing I like the most.’ And cut to Nanni Moretti riding down the back streets of Rome on his Vespa. There’s music, there’s no cars, and the streets are beautifully lined with trees!

You know those moments when you are walking on your own and your mind starts to wander? Then a few minutes later you realise that you’ve walked a mile without paying attention to what you’ve walked past. Well, the only way I can describe this film is by comparing it to one of those moments. Nanni Moretti guides us around Rome, but as he keeps getting distracted as he is doing so and takes us on his tangents.

What’s even more amazing is that he even interrupts the improvised tour he takes us on. For example, in one scene he turns up at a group dancing merengue in a square in Rome. He walks up to the band singing and starts singing along with the lead singer. He’s kind of like a Don Quixote making his way around Rome. One thing is for sure, you’ll never get a tour of Rome like this!

Conclusion

Just like The Great Beauty this great Italian film just seems to flow naturally. But unlike The Great Beauty this film is funny as well! Where else are you going to see a Director riding around Rome on a Vespa while dancing to Cheb Khaled’s ‘Didi’. Plus, I haven’t even talked about the hilarious second chapter or the darkly funny third chapter. This is one to watch!


Film Difficulty Ranking: 3

One of Fellinis classics, La Dolce Vita takes you on a tour of Rome’s superficial upper class world. This one is full of parties, affairs, and paparazzi.

Why watch La Dolce Vita?
  • Get a feel for that Italian culture without leaving your bed.
  • For a taste of Italy’s most famous director.
  • Get invited to a weird mix of parties with a crazy bunch of people.
  • Feel like someone famous as paparazzi follow you everywhere.

Two helicopters enter flying over Rome’s suburbs, one carrying a statue of Jesus. Children abandon football to chase after the two helicopters captured by sweeping camera movements. There’s even a nice shot of the helicopter carrying Jesus from the other helicopter. A pretty modern shot for the time. The helicopters approach a roof-party where a number of girls are sunbathing on the roof. One of the helicopter passengers leans out of the helicopter to ask for one of the girl’s number. He says he is taking Jesus to the Pope.

Paparrazi are everywhere. Watch out for the camera movement. It often moves with the paparazzi, putting you in their position. The camera moves quickly towards a famous subject just as the paparazzi swarm around them. We are always where there are famous or rich people and we are always invading people’s privacy. Where there is paparazzi there is something going on even if it is of their or Fellini’s own creation.

A superficial world is also presented cleverly by Fellini. I counted two times where non-diegetic music is then stopped by one of the characters on a nearby juke box or record player. What we think is real is actually fake. This superficiality of the parties Marcello attends also seem like big crazy attempts to entertain themselves. The superficiality reminded me of Antonioni’s L’Avventura released in the same year, like The Great Beauty (an homage to Fellini from 2013) and even, to an extent, Harmony Korine’s Spring Breakers (hah! Bet you didn’t expect that to be mentioned.).

Anyway, as a classic, I have to recommend watching this one, even if it is to please your inner film buff. As for Fellini, I did slightly prefer Nights of Cabiria. Enjoy.

Investigation of a Citizen Above Suspicion Film Difficulty Ranking: 2

Can anyone ever be above the law? Well this film argues that there are already people who are above the law. It points the finger squarely at the police department of Italy in the 1960s/70s. However, before you get the idea that this film is just a political slow-boiler, read on. This film is a crime thriller like no other. You will be on the edge of your seat repeatedly asking yourself why. Why is no one condemning him? Answer: he’s too damn powerful.

Why Watch Investigation of a Citizen Above Suspicion?
  • To find out if there can ever be anyone above the law
  • It won the Academy Award for Best Foreign Film in 1970
  • For a glimpse of Italian society in the late 1960s/early 1970s; a period of violent student/worker uprisings amidst social and political conflict that came to be known as the “years of lead.”
  • If you like a great satire – one of the best ways to critique
The Breakdown

Quick cutting and camera movement introduce us to a police inspector walking along a black fence. The camera follows his movement and his eyes as he looks up to a lady in an apartment window. They obviously know each other, as their faces are match cut looking at each other. He opens the gate, walks up the stairs, and enters her apartment. “How are you going to kill me this time?” she asks him playfully. “I’m going to slit your throat” he replies sincerely. And sure enough, after brief foreplay and sex, he slits her throat.

The murderer methodically arranges his own crime scene, takes two bottles of champagne, and drives off. He calmly drives to the police station, jumps out of the car and starts to celebrate his promotion. He walks into the office, orders someone to get glasses and sits down at his new desk with a big map of the city behind him. It is obvious that he is in a position of huge power. That he is in a position that is above suspicion.

The director, Elio Petri, shows us how power is divided in Italy. The powerful hold control of the media, the public, and the police. The police inspector holds power over all three of these. Each one refuses to follow the clues he gives them. Instead they all follow him blindly, or, in the case of the public, represented by the tin-smith, they renounce their testimony out of fear, as if the inspector is a king, and they are worried of being accused of treason by incriminating him. The film is a parable of the corrupt police force that victimised students and labourers, and put themselves above the law.

Conclusion

In his portrayal of the police inspector, Petri exposes the corruption in the Italian police force. He shows the authoritarian position that the police inspector has and shows that they control everything. The media publish what the police give them, the public are too scared to stand up to the police, and his colleagues are too ‘stupid’ to follow the clues he leaves.

The tension in the film doesn’t come from us asking when he is going to get caught, but how far other people go to vindicate him.

Life is Beautiful Film Difficulty Ranking: 2

Maybe you’re put off from watching foreign films because they are generally too pretentious. A lot of them have long scenes where nothing much happens. Well this is why I’m recommending you watch Life is Beautiful. It’s got all the makings of a great and familiar Hollywood movie; great story, a lot of emotion, and simple film-making, but you’ll earn kudos for watching a foreign film. So gather your family round the TV and watch this one tonight!

Why Watch Life is Beautiful?
  • For an alternative take on the Holocaust
  • Because this film won the Best Foreign Language Oscar and Best Actor Oscar in 1999
  • To learn how to talk your way into trouble and then your way out of it
  • Stay positive!
The Breakdown

It is obvious from the very first shot, of a misty, poorly lit street that the film is going to go through bad times. (The scene is later matched with the misty, poorly lit concentration camps). However, the immediate switch to a car whizzing through sunny Italy makes us forget the bleary omen.

The omens are hard to come by for the first half an hour or so. If you look closely, you might notice a line of Mussolini posters on a wall in the background. You may also notice that Guido does not repeat asking one man what his political views are when he finds out his kids are called Benito and Adolf. Otherwise, the signs of fascist Italy are hidden until Guido assumes the role of a school inspector, required to school the children about the superior race. As the film progresses, the signs of fascism become more and more apparent, bringing us closer to the prophecy of the opening shot.

What does Guido do to survive within this ever more obvious fascist state? He just talks and talks. He talks to a German doctor, his friend, and of course Dora. Guido even talks himself into trouble and then out of it again. His speech is almost magical, and I believe it creates a world in which the reality of growing fascism does not exist. He talks so much to avoid hearing about the growing anti-Semitism and to shut himself off from his increasingly fascist country. Just like a politician’s speech may hide the truth from people, Guido’s speech allows him to hide the truth from himself.

Conclusion

Life is Beautiful is one of those classic films that everyone should watch. It reminds me of a great Hollywood movie. It is easy to follow and that the shot structure follows pretty intuitively. On top of that it is very emotional, it will have you crying with laughter and sadness (a feature of many Oscar winning films). So go watch this one now!