Film Difficulty 2

To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 2.

Film Difficulty Ranking 2: These films are perfect introductions to those new to foreign films. These one’s may have subtitles, or be in black and white, but these films are all easy to follow and enjoy.

For the next step, check out Film Difficulty Ranking 3.

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The Best Families – Los Angeles Latino International Film Festival 2021

“Why work if we can do it for you?” are the words at the bottom of a billboard with a white woman floating on a pool that starts The Best Families. The billboard hangs ironically above Luzmilla and Peta’s humble neighborhood in the suburbs. We see it as they start their long commute to work, switching their barren neighborhood for two aristocratic family houses in central Lima.

The two families they work for are stereotypically snobby. They look down on Spanish people that don’t measure up to their lineage and direct plenty of snide comments at each other to try and establish their superiority. Their snobbery is the target of this satire. Today, at their birthday get-together, an unexpected bombshell throws the event into chaos as a long held secret involving both households, crossing class and race, is finally revealed.

Whilst the chaos is unfolding inside their upper class bubble, there’s also chaos outside. The city is being taken over by a mass protest. However, despite the news attention, these two elite families are completely oblivious of the protests. Aerial shots of their living complex (two large houses surrounded by green gardens) marks their position of privilege. Their complex is the only greenery in the shot, and it’s surrounded by cramped urban development and the many people protesting. The shots highlight the stark division between the privileged rich and the rest of the country. It also shows the bubble they live in – they’re not aware of the people outside their property because they don’t have to interact with them. This means that they’re also a bit out of touch with society, making the satire all the more funny.

The unfolding secret creates drama that reminded me of the family chaos in Knives Out. Just like a whodunnit, we want to keep watching to find out how each family member will react. After all, who doesn’t like laughing at the snobby rich? It’s always comforting to know that they have just as much drama in their family as the exploitative reality talk shows focusing on the underprivileged – and us. However, it does end with a small gut punch. Despite the big reveals and controversy the film exposes amongst the aristocratic family, the film ultimately ends on a book-ended shot of the maids carrying out the same life they started with. No matter what comes to light, the wealthy will always hold their power.

Head to our LALIFF 2021 Hub for more reviews from the 20th edition of LALIFF.

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Cargo – Presenting the Dark Side of The Bahamas

Cargo Film Difficulty Ranking: 2

In Kareem Mortimer’s Cargo a faltering fisherman turns to crime to pay for his mounting debt. This thriller presents a very different view of the Bahamas than the clear oceans the tourist board presents but is slowed down by a number of characters and clichéd subplots. However, if you’re a fan of slow thrillers or want to see the dark side of the Caribbean, this is worth a watch.

From: The Bahamas, North America
Watch: Trailer, Tubi, IMDb
Next: Sin Nombre, Maria Full of Grace, The Load

Cargo – The Breakdown

When you think of The Bahamas, you think of pristine beaches and crystal clear sea. It’s what the tourist board promotes to potential visitors year round. The picturesque islands are also what we’ve seen in films shot in The Bahamas such as the James Bond franchise. However, whilst the beaches are visible in Kareem Mortimer’s Cargo, the film focuses on the daily strife the locals and immigrants face. There’s no sign of tourists or an easy life.

It follows Kevin, a fisherman living in the city with his wife and aging mother. He’s had a privileged upbringing at a private boarding school, so he pays for his son to have the same privilege. However, the fees of the school, alongside the need to bring in support at home to take care of his mother dealing with dementia, pushes him into an insurmountable mountain of debt. Instead of pulling his son out of private school (and kicking his gambling habit), he assumes a life of crime to get his way out. Problem is, as per other ‘resorting to crime’ film plots, Kevin gets sucked in by the money, becomes a different person and gets a few more problems to add to those he started with. In this case it’s new girlfriends and dependents.

One thing that stands out with Kevin is that he’s white in a country that is 90% Black. Alongside the other white characters in this film – the School Bursar, Banker, and opportunistic Crime Lord – Kevin appears to live a privileged life. He has a nice house, sends his kid to private school, and has a car. In contrast, the main Black characters live in makeshift houses, struggle to get their kids an education, and use public transport. Even though his fishing isn’t bringing in enough money to pay his bills, he still finds himself in a better position than the Black characters of the movie. His failures are a sign of the total lack of opportunity in The Bahamas as it shows that both the privileged and unprivileged are struggling to get by.

Whilst Cargo highlights the inequality and lack of opportunity in The Bahamas well, Kevin’s slow spiral from friendly fisherman to “the devil” features too many subplots and characters. The three women in his life each come with their own story, slowing down the pace of the movie when it could do with a bit more energy. The clichéd conclusions of one of them feels like the over dramatic teen-orientated PSA’s that encourage you to not do drugs. The human-trafficking parts of the film are gripping, but are unfortunately never the film’s focus. This is all about Kevin and his ever increasing subplots.

What to Watch Next

Whilst Cargo focuses on the trafficker, there are a lot of great movies that focus on the people being trafficked. Some notable examples are:

Sin Nombre – that takes place on the infamous “la Bestia” train
Maria Full of Grace – follows a Colombian girl used as a drug mule
Flee – tracks the memories of an Afghan fleeing to Europe

You could also try The Load from Serbia, which follows a Serbian truck driver delivering secret cargo to Belgrade from Kosovo.

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Writing With Fire – Sundance Film Festival 2021

If you’re looking for an inspirational documentary that follows a group of trailblazing women in India, consider Writing with Fire. It follows a group of Dalit women – Dalits being the lowest caste in the Indian caste system – that start a newspaper in Uttar Pradesh, one of India’s largest and most politically important states. The newspaper, Khabar Lahariya, stands out from the others both because it’s written only by women and because of its emphasis to seek out the truth no matter what.

It starts with one of the paper’s lead journalists reporting on a local rape case. In it, we witness their reporting process. Meera first interviews the victim’s family for first hand info, then heads to the police station to press them further on the crime, before beginning to form a report. We see this process a few times throughout the film as they interview politicians, Dalit women without sewage systems that the government has promised, and worker’s strikes. Because of the topics they shine a light on and their determination to find answers, they face a lot of trouble.

This is clear when the reporters are out in the field. One reporter has to confront one union leader who at first refuses to talk with her because she’s a woman. Another reporter covering the upcoming elections has to banter with the male politicians just to try and get comments from them. It’s clear that being patronized is a part of their day job in the patriarchal society. However, they also have to put up with it at home from husbands that berate their independent working spirit.

It’s not just the patriarchy that is framed as dangerous to the reporters as the rising Hindu nationalism within India is posed as a threat too. One example is the young member of some kind of Hindu Youth League that patrols his neighborhood armed with a machete to fight crime. His role feels a lot like the Hitler Youth from Nazi Germany. He doesn’t appear to have much direction apart from his hatred of Muslims. The rhetoric of the local politicians are equally alarming, with the directors pointing out the new state leaders remarks that Islam is intrinsically linked with Terrorism. It feels like that the freedom of Khabar Lahariya and its female journalists are threatened by the continued rise of the male dominated BJP Hindu political party.

Lastly, it’s quite interesting to see exactly how a start-up newspaper is run. In addition to seeing how they gather a story from outside, we get to see how the newspaper is run at the office. We see their daily meetings – including one where one reporter gets disciplined for a low output – and hear about their growth strategies. Currently, they’re all embracing the switch to the growing digital reality by equipping all their reporters with camera phones and giving them lessons about YouTube. As the film runs, these YouTube clips are inserted into the narrative as milestones for their growth as their subscribers rocket to a few thousand after a few weeks work.

Whilst it’s probably a bit longer than it needs to be, Writing with Fire is well worth a watch for anyone interested in learning about inspirational women battling the patriarchy around the world. If anything, you’ll learn a bit about the current state of India and running a newspaper.

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Hulhudhaan (Maldives) – Family Drama on Perils of Addiction

Hulhudhaan Film Difficulty Ranking: 2

Hulhudhaan is a family drama that focuses on the perils of drug addiction. It features a recently retired father and his drug-addicted daughter that comes to him for money.

From: Maldives, Asia
Watch: YouTube, IMDb
Next: Hand of Fate, Where I Come From, Cargo

Hulhudhaan – Breakdown

Social issue cinema can be problematic. Focusing on trauma and suffering to generate a base emotional response is exploitative, especially without character development or context in the plot. When this happens in film, it resembles charity commercials, which show malnourished kids to emotionally exploit viewers into donating. It also simplifies complex issues into a quick fix problem + solution equations.

In the case of Hulhudhaan the social problem is Sama’s drug addiction, and the solution is her father’s love and forgiveness. Sama took up drugs because she didn’t get enough of her father’s attention in childhood, and she’s addicted because she doesn’t realize her father still loves her. This presents a happy and dangerously easy solution: love can overcome addiction. The problem with this is the simplification of the issue and solution. Not all addiction is due to a lack of love, and love isn’t the silver bullet for drug addiction.

The depiction of the two main characters is also a little problematic. Manik, the father, is portrayed humbly whilst his daughter, Sama, is shown to be fragile and in need of help. Manik’s respectability is shown through his work ethic (he remains at work throughout the day as other employees come in and out), his tidy apartment, and his religious devotion (he faithfully wakes up through the night for prayer). He appears to be trustworthy and honorable. As Sama doesn’t receive a similar level of character development, the audience naturally sympathizes with Manik, the more complete character. This makes it easy for the film to deliver the love as cure for addiction solution – particularly led by the trustworthy Manik in saving his fallen daughter. It feels like it’s directed at men to take care of their women (especially considering the happy ending).

What to Watch Next

If you liked Hulhudhaan and want to watch more films which deal with social problems, try Hand of Fate (arranged marriage), Cargo (immigration), Where I Come From (poverty).

Or for other films that depict drug addiction, try the entertaining world of Trainspotting or the brutally real world of In Vanda’s Room.

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Executive Order – Los Angeles Latino International Film Festival 2021

Executive Order starts in the court room as Antonio, a young black lawyer fights a case for reparations for Afro-Brazilians. Meanwhile, a number of Brazilian news reporters live stream footage of an old black lady entering the department of state to collect the very first reparations payment in the country. However, just as you think this is going to be a utopia from the positive start, the government officials turn the old lady away, kicking off a downward cycle of police presence and prejudice against Afro-Brazilians.

The cases of blatant and behind-closed-doors racism that the director presents don’t feel too surprising. The scenes – such as the one featuring the racist man in the bar – feel carbon copies of similar scenes documenting racist events from Hollywood movies. Neither is the descent of the country into a dystopian fascist state that forcibly deports all people with African blood back to Africa as we’ve already seen bleak dystopias on screen in The Handmaid’s Tale. However, the surprising part is that it’s mostly presented in a pretty upbeat manner. The music, colorful pictures, and light banter between the main characters matches the light tone of a Spike Lee neighborhood film. It gives the film a gospel-ish feel – that despite all the terrible things going on, there’s still hope for the Afro-Brazilian characters. Maybe it would have been too hard to see this film without the upbeat tone considering the current state of Brazilian politics. So instead of being a gritty, depressing film, Executive Order is a palatable Hollywood-style dystopian drama that allows space for a few laughs at the absurdity of the white supremacist state.

Whilst it could have been more ‘radical’ and a bit less obvious, it’s good to see a light hearted drama that anyone can watch and enjoy tackle rarely mentioned topics like reparations on the big screen.

Head to our LALIFF 2021 Hub for more reviews from the 20th edition of LALIFF.