Georgia Best Films

The Trader (Georgia) – Get a Glimpse of Life in Rural Georgia

The Trader Film Difficulty Ranking: 3

Ever thought about going to Georgia? If you haven’t, you probably should (especially if you like hiking). In the meantime check out The Trader on Netflix. It will give you a 25 minute glimpse of life in a rural Georgian town connected to modernity by a ‘back of the van’ trader from the city.

Image result for the trader netflix

Why Watch The Trader?

Everyone has time to watch it AND it’s available to watch on Netflix
To get a glimpse of rural Georgia
It won the top short-documentary prize at the Sundance Film Festival
To witness the power of potatoes – they’re food and currency!

The Breakdown

First we’re introduced to Gela as he browses the stocks of various shops in the city he’s from. He’s looking for items to fill his van (his moving shop) before he drives into the country to sell them. As a trader, his aim is to pick any items his customers are likely to need or want, which he can then trade for a portion of the year’s latest potato crop.

It might sound simple, but it’s not. The village he drives to appears half deserted. The grey corrugated iron roofs match the grey skies and compliments the brown dirt ground. It doesn’t look like a place where you’d expect to make any sales. However, sure enough, a few residents and their kids gather round Gela and his shop (the back of his van) and start haggling with him for a few of his wares. After 2 days at the village, he ends up with a few kilos of potatoes to take home. Not a great crop.

But it could be worse, he could be one of the residents living in the remote village. He could be like the old man who regrets never getting an education. Or he could be like the young boy who has absolutely no idea of what he wants to be when he grows up, even after his mum prompts him to say ‘a journalist’. The place is completely devoid of dreams and full of regret.

Is the Trader to Blame?

Hard to say. Gela, the trader, is the only connection for this community to modernity. He is the only one who appears to make the trip to this remote village and give the population a market to sell their excess potatoes.

However, the market is tilted in his favour. The village community have to accept all the goods he brings to sell even if it is a load of useless rubbish. If they keep their excess potatoes they’ll only go rotten as it doesn’t look like they’ll have another opportunity to sell. Therefore they have to accept whatever Gela offers. So they’ll continue to buy second rate goods and as a result, their village never progresses as far as the contents of Gela’s van.

Conclusion and What to Watch Next

If a picture tells a thousand words, The Trader packs enough into it’s 25 minutes to constitute a few essays. Not because it’s complex, but because the dialogue and images so concisely document life in rural Georgia and the importance of one man, the trader.

If the rural town in this film struck you, I recommend checking out Kazakhstan’s The Wounded Angel, also set in a remote, hopeless town. If you’re into more arty film, there’s also Lav Diaz’s From What is Before which charts the effects of a dictatorship on a remote rural town in the Philippines.

Or, if you’re after more great documentaries, I strongly recommend you check out Makala. It follows the complete process of a charcoal maker from cutting down a tree 3 days walk from the nearest city to selling the final product (after walking for 3 days) in said city. It won Cannes Critic Week because it’s one of the most beautifully captured films you’ll ever see.

Taming the Garden – Sundance Film Festival 2021

Taming the Garden is a slow documentary about a billionaire’s project to create a garden of the grandest trees in his country. Bidzina Ivanishvili, the billionaire, and former Prime Minister of Georgia, is the invisible villain of this film, as we follow the construction teams that uproot trees around the country and transport them across seas to his home.

As you’d expect from the poster, the visuals in Taming the Garden are almost unbelievable. It’s not often that you see huge old trees floating on the sea or driven down country roads. These images are more than enough to keep you engaged with the slow pace of the rest of the film. However, it’s a shame most viewers weren’t able to see it on the big screen.

The slow pace of the film shows no sign of a director. Instead, the focus is on the people on the construction team and the local people affected by their project. In between the shots of the trees we hear the conversations and opinions of the locals. It exposes us to a bit of the Georgian psyche – that what’s happening is just another cruel fate that they can’t avoid. Their complaints sound like a group of neighbors gossiping about their hated neighbor.

You can understand why they’re complaining. This invisible billionaire is buying and disappearing the most beautiful trees from their neighborhoods. They’re all trees that have taken centuries to grow, trees with sentimental value, that hold memories from their childhood. Whether it’s taken for granted or not prior to their removal, they give some sort of happiness to the local communities. Their removal therefore uproots some of the memories and happiness it holds, leaving an empty feeling in it’s place. In contrast to the time it takes for these huge trees to grow, Ivanishvili shows that money can quickly take them away.

The kicker of this movie comes in the final scene, when we finally get to see Ivanishvili’s garden. Ivanishvili is still nowhere to be seen. The only people we can see are gardeners patrolling the humongous property in golf carts. They’re the only people that see the beauty of the trees now, and now that they’re placed by so many other beautiful trees, they hardly stand out.

That’s not to say the garden isn’t beautiful. It is. The place, shrouded in mist, appears like a tree heaven that these trees have been transported to in their old age. The immense wealth of Ivanishvili has given him the power to create a garden of Eden. He’s created a garden in a few years which should have taken centuries to create. That it exists, demonstrates the power of a billionaires impatience. And that it exists alongside the rural poverty he’s taken them from highlights the inequality in the country.

Beginning – A Mother’s Existential Crisis in a Targeted Outsider Community

Beginning Film Difficulty Ranking: 3

If you’re looking for a provocative transcendental film that captures a mother’s existential crisis you’ve come to the right place. Beginning uses slow pacing and a classic film look to shock Yana’s humble existence within a Jehovah’s Witness community in rural Georgia to the core. As her peace is shockingly disrupted, she’s forced to reevaluate her life as a mother as part of her remote community.

From: Georgia, Asia
Watch: Trailer, JustWatch, Mubi
Next: Fire Will Come, Loveless, Taming the Garden

Beginning – The Breakdown

Beginning follows Yana, a failed TV actress that has been ‘saved’ from the entertainment industry by her religious husband. She’s taken on some of the responsibilities that are expected of a mother in a Georgian Jehovah’s Witness community but always looks like an outsider within an outcast community. As religious extremists infringe on their world and corrupt, power hungry detectives stalk the group, Yana’s small bubble begins to collapse with shocking consequences.

The most noticeable feature of Beginning is the film’s look. It’s grounded in the foundations of transcendental film, using takes that linger longer than you expect. These long takes force you to watch minute of ‘dead time’ in which the character’s aren’t doing much. It’s also shot on 35mm at a 1:33 aspect ratio, which eschews width and the modern look of digital film for the narrower and grainier classic film. The character this adds to the film heightens the dramatic long takes by eliminating the distractions of a widescreen aspect ratio whilst giving the film a more epic, classical look. The long takes and film style both set up the shocking images that are scattered through the film (such as the church on fire). Within the context of the high amount of ‘dead time’ and narrower, grainier film, these images are even more of a surprise. They look more powerful, like a piece of classical art in an empty museum. Beginning practices serenity to make these few chaotic moments feel even more disruptive.

The film’s style mimics Yana’s inner self. Her life is mostly peaceful; working with the kids in the community and raising her son. This is emphasized in the many moments of peace on screen – such as a very long shot of her lying, eyes shut in the woods. However, these serene moments are punctuated by moments of chaos that cast doubt on her otherwise serene life, signifying her existential crisis. Despite her family ties, she appears more and more uncomfortable with her life as an outsider living within an outsider community. The uncertainty surrounding the terrorist attacks isolates the community even further from Georgian society whilst the suspicious detective isolates her even more from her family. She’s questioned by her husband and feels more distant from her son as he grows to resemble him. In her existential crisis, the chaotic moments, emphasized by the film’s style, offer her a twisted olive branch to free herself from both the community and her family.

What to Watch Next

If you’re looking for more brooding films that patiently unravel, check out Oliver Laxe’s Fire Will Come. It features the return of a notorious arsonist to his small hometown in Galicia where he is treated with scorn whilst he tries to adapt to his new life. You could also try Loveless by Andrey Zvyagintsev, a slow burn thriller that captures another mother uncertain about motherhood and her role within her family.

Or for more great films from Georgia, try Taming the Garden. It’s a slow paced documentary that highlights the wealth inequality in the country through a billionaires tree theft.