Rowan Sullivan, Author at FilmRoot

171

Supa Modo – Online African Film Festival 2020

If you like heartwarming stories of communities coming together you’ll love Supa Modo. Happy tears are pretty much guaranteed.

Supa Modo focuses on Jo, a young girl with a terminal illness, who is brought home by her mother and sister from the daycare where she lives with other kids like her. The only problem is that at home, she’s far away from her friends at the daycare. Instead of watching her favorite Kung Fu movies with her friends, her mum keeps her locked up indoors and buried under blankets to keep her protected from the outside world. Jo’s situation is more heartbreaking because despite her young age, she’s acutely aware of her mortality (“we all leave someday”) and seems to sense that her end is nearer now that her mother has brought her home.

Luckily for Jo, her neighbors want to help her feel special for her last few weeks on earth. They come together to help turn her into a superhero. The stunts they pull are a lot like the real life heartwarming story of Batkid, where San Francisco came together to turn a young cancer patient into Batman for the day. It demonstrates the power of film – they help people to escape from whatever troubles their experiencing; to generate happiness; and to bring people together.

Supa Modo is also a welcome alternative to the typical African festival film that focuses on war, poverty, and aids. It’s a perfect example of the Afro-Bubblegum style (see Akasha and Rafiki): a style that expands the view of Africa and who Africans are internationally with films that make art that is fun, frivolous, and fierce. It’s also refreshing to see a young character with a terminal illness that isn’t a white American (see Fault in their Stars and Me and Earl and the Dying Girl); all young people around the world experience the same depressing illnesses. So if you’re looking for a new African film that presents a different ‘African’ story to the war, poverty, and aids stories that typically make the festival circuit, check out the heartbreaking but inspiring Supa Modo.

172

Kings of Nowhere – Visit a Sinking Town the Residents Refuse to Leave

Kings of Nowhere Film Difficulty Ranking: 3

Kings of Nowhere feels like it could be a sequel to Once Upon a Time in Venezuela. Instead of showing a small town on the lake that is being destroyed by sediment like in Once Upon a Time in Venezuela, the town in Kings of Nowhere has already been consumed by water. The handful of people that have refused to move live on limited resources at threat from local bandits. It doesn’t look like a town that will last much longer as it tries to survive without the support of the government and other communities.

From: Mexico, North America
Watch: Trailer, Rent on Vimeo, JustWatch
Next: Once Upon a Time in Venezuela, Fausto, Peace

The Breakdown

Kings of Nowhere starts with a man navigating a motor boat through a forest of dead tree trunks sticking out of the lake. A layer of mist sits on the lake, blocking our view of the shores or town. From the dead branches and mist, it feels like we’re being taken through a mythical underworld. Added to the clusters of half sunken buildings we see in the next scene and it’s apparent that this town isn’t one that should still be supporting human life. It has been almost completely consumed by the lake.

The director never reveals what happened to the town. Instead of hearing why it is the way it is and how people struggle to live in the town, the director allows the subjects to tell their own stories. Early on, a ferryman starts laughing as he recounts old happy memories of the town. Later, a middle aged couple talk about a sign from God which led them to start renovating the town church that had been forgotten when the people left the town. Both feel like they’re clinging onto a past that has disappeared instead of trying to start a new life elsewhere.

You also feel this in the tone of the documentary. The slow pace and lack of movement of the sequences embodies the desire of the characters to stay where they are. The languid shots of the town’s inhabitants also reveals their acceptance of the futility of life. The remaining residents lounge around, renovate churches without congregations, and boat across the lake to visit lost cows. All their actions seem pointless. Nothing they can do will bring back the town or attract new residents, which they seem to be aware of. Occupying the time they have left is all they can do to postpone the inevitable decay of the town.

Kings of Nowhere is a story of people refusing to die. Their town is the place where they’ve forged their lives and connection to their happy memories and past. Moving on would sever roots that have grown too strong and stiff. They show the stubbornness of people not willing to change at all costs – after all, home is home.

What to Watch Next

First of all you, should watch Once Upon a Time in Venezuela before or after watching Kings of Nowhere. Set in a town that is being slowly consumed by sediment from the lake, Once Upon a Time in Venezuela feels like it could be a prequel to Kings of Nowhere.

Or if you enjoy Mexican documentaries that drift through places listening to the inhabitants and their stories, check out Andrea Bussmann’s Fausto.

For more languid observational documentaries you should also check out Kazuhiro Soda’s Inland Sea and Peace.

173

Midnight Traveler – Follow A Family Fleeing the Taliban

Midnight Traveler Film Difficulty Ranking: 3

Midnight Traveler is the ultimate first hand account of a family fleeing across Western Asia and Eastern Europe from death threats received in their home country Afghanistan. Because the filmmaker has made movies deemed immoral by the Taliban, he and his families safety is in danger. After having requests for asylum denied by Western countries, the Fazili family are forced to try their luck at migrating to the safety of Europe. However, little do they know that the the troubles and prejudices will increase when they hit Europe. Through the cell phone footage of their journey, you’ll get a idea for what it feels like to no longer have a home and to be criminalized for trying to escape death. If you’re a citizen of a country whose citizens don’t live in fear, consider yourself lucky, and spare a thought and 88 minutes to join the Fazili family in their quest for a normal life.

From: Afghanistan, Asia
Watch: Trailer, Kanopy, JustWatch, IMDb
Next: Saudi Runaway, Los Lobos, Sin Nombre

174

When the Stars Meet the Sea – Life’s Journey set in Madagascan Myth

When the Stars Meet the Sea Film Difficulty Ranking: 3

Why Watch When the Stars Meet the Sea?

If you like mythology – Kapila’s Madagascan origin story is like a dark version of Hercules.
It’s also a Siddartha-esque story about tuning out hate for peace and happiness.
To see how Raymond Rajaonarivelo uses the landscape to represent the story of life.

From: Madagascar, Africa
Watch: Trailer, Vimeo, Kanopy, IMDb
Next: Zerzura, Kirikou and the Sorceress, Sleepwalking Land

Kapila is born during a solar eclipse in the opening of When the Stars Meet the Sea. According to traditional Madagascan beliefs this gives him destructive powers, so his father secretly leaves him in a cattle pen to be trampled. He’s permanently crippled, but before the cows kill him, he’s saved by Raivo, who takes him to the city to raise as her own child. However, even though he’s brought up by a loving adoptive mother, he’s never able to fit into the community because of his crippled leg and growing supernatural powers. So he starts to question his roots, and with the help of a mystical blind woman he starts a journey into his past.

A dark Madagascan version of Hercules

When the Stars Meet the Sea feels a bit like a modest Madagascan version of Hercules. In both, a child with supernatural powers is left to die but is saved by a humble villager that raises him as their own. Similarly, they both grow up with supernatural powers and realize that their humble families are not their own. So they go on a quest to find their true identity. However, whilst Hercules is destined for greatness, Kapila is cursed to use his powers for destruction.

Taming Vengeance with Love

Kapila’s journey therefore becomes his battle with destiny. Society believes he’s evil because of his birth date, and the glimpses of his destructive supernatural power justify their fears. It appears in his weakest moments: when’s he’s bullied or grieving. In order to allay his power, he has to quell his desires for vengeance against those who cross him, and replace those desires with love. In this way, his journey resembles that of Siddhartha: he can achieve peace and happiness if he tunes out his anger and desires for vengeance. It’s a journey of purification and finding peace with oneself.

The Landscape Holds the Ultimate Journey

When the Stars Meet the Sea infuses the landscape into the story. As Kapila walks through the Madagascan landscape on his way home he passes through the desert, woodland, mountains, and the savannah. The variety of scenery may look like an advertisement for the beautiful landscapes of Madagascar, but it’s also representative of the diversity of our own lives. In traditional Madagascan beliefs, the sky (where Kapila draws his supernatural powers) and the sea (where he journeys towards) represent birth and death. The earth represents the life in between. His journeys through the different Madagascan landscapes therefore represent the diversity of life and its challenges whilst his journey towards the sea represents life’s ultimate journey in this world: from birth to death.

What to Watch Next

If you’re looking for more African films in which the main character embarks on a magical quest, check out Zerzura from Niger. It features a psychedelic journey into the desert to fight the Djinn. You could also watch the brilliantly animated Kirikou and the Sorceress which features a magical baby that takes on an evil sorceress that demands human tributes from his village or Sleepwalking Land which features a post-apocalyptic Mozambique.

Otherwise if you’re looking for more films with a bit of magic and family secrets, go watch Eve’s Bayou, an American film set in rural Louisiana.

175

Saudi Runaway – Sundance Film Festival 2020

Despite reforms from MBS, the current ruler of Saudi Arabia, 1,000 women escape Saudi Arabia each year. Saudi Runaway follows Muna, a typical Saudi Arabian woman trying to make herself one of the 1,000 to escape the oppressive patriarchy. All the footage is shot on her phone camera, often in secret from under her hijab, to document a snippet of her life.

Muna gains our trust right from the start by showing us things we shouldn’t see. She takes us into the crowds of the Hajj pilgrimage circling the Kaaba by capturing the crowds from a phone camera hidden under her veil. She also documents her family secretly in prayer and the patriarchal words her family and fiance say without realizing they’re being filmed. From these secretive observational moments we can start to build a picture of the society and family she lives in and its restrictiveness. We can also feel the risk she’s taking in secretively filming her family. She obviously hasn’t told them about the film as all they’re faces are blurred. Because of the risks she takes and secretive shots she has shared with us, she immediately gains out trust and empathy.

The film strengthens our connection with Muna through a series of video diary entries in which she shares experiences from her life and plans her escape. We hear about the patriarchal oppression she faces: how her husband won’t let her drive and how she can’t go to the supermarket or leave the house without a man. We also hear about her slim chance for escape: she cannot leave the country without a man’s permission in Saudi Arabia, so she has to get married before attempting an escape in the UAE whilst she’s on her honeymoon. Amazingly, she captures all of the tension of her ordeal, even taking a minute to document her final thoughts before she attempts her escape.

The only fault I could give this exciting documentary is the touch of melodrama the European director adds to the raw footage from Muna. In some of the tense moments, the soundtrack feels like it’s emphasizing the emotions more than it needs to. It makes the film feel ‘more produced’ and therefore less intimate and trustworthy by taking away from the realness of the first hand footage shot by Muna. The ‘dear Sue’ addresses in Muna’s video diary also make the film feel more like an act, by recognizing the foreign hand in its creation.

Overall, Saudi Runaway is a documentary that any fans of escape documentaries (see Midnight Traveller) or viewers interested at an inside look of Saudi Arabia should watch.

Head to our Sundance Film Festival Hub for more reviews from the Sundance Film Festival 2020.