Samoa

1

The Orator (Samoa) – Follow the old ‘Samoan Way’

The Orator Film Difficulty Ranking: 4

When you think of Samoa, you probably think of pacific island paradise. The Orator not only showcases the island’s beautiful scenery but also Samoan culture. It’s your chance to try and follow the ‘Samoan Way’. Check it out on Amazon here (free for Prime members).

Image result for the orator film

Why Watch The Orator?
  • Get to know Samoa, from it’s beautiful landscape to the Samoan language and the ‘Samoan way’
  • Meet a courageous little person
  • And a crazy smoking, paint spraying rugby coach
  • To see some great button up shirts
The Breakdown

The Orator starts with rain and the views and sounds of the natural landscape. It’s beautiful, lush green, and full of life. Then human voices start singing and the camera cuts to a picture of two grave stones in the middle of the forest.

They’re the graves of Saili’s parents. He visits them almost every day and tries to clear the graves of yam plants local farmers have planted around the site. But because of his size (he’s a dwarf/little person) he gets bullied around by the village. And the farmers planting yams around his parents graves threaten to cut of his head if he keeps vandalizing their crops.

Who’s Saili? It’s not entirely clear. All we know is that he’s a taro farmer and that he has a job as the night-time security guard of a local shop. He lives with his wife and her daughter although their relationship seems pretty cordial and friendly rather than romantic. His wife is an outcast just like him, after she was exiled from her home village for reasons we can only assume (probably for having her daughter out of wedlock?).

Why is there so little exposition?

Director Tamasese doesn’t waste time with exposition in The Orator. Instead he immerses us straight into the movie, straight into the Samoan landscape, language, and culture. As a result, we have to figure out what is going on, as well as who the characters are and how they’re related to each other.

His aim is to make you feel like an outsider, just like the two main characters. They have lived most of their lives outside of the ‘Samoan Way’ and have to rediscover it whilst we are trying to figure it out. As a result, we identify more with their journey and struggle.

Conclusion and What to Watch Next

The Orator is a window into another world. With beautiful cinematography and a slow contemplative rhythm, you’ll slowly be introduced to the ‘Samoan Way’.

There are quite a few great films of indigenous people and customs from across Australasia. I strongly recommend checking out:

  • Tanna – a Shakespearian love story adapted to the Vanuatan rainforest
  • Rabbit Proof Fence – to cheer on three children from the ‘stolen generation’ trying to walk home after they are separated from their parents
  • Another Country – to meet an indigenous community in Australia

Or for another contemplative drama with a strong flavour of local life, check out Timbuktu, where you’ll see how the three tribes/ethnic groups of Timbuktu get along.

2

Vai – A Tribute to the Indigenous Women of the Pacific Islands

Vai

Vai Film Difficulty Ranking: 2

Why Watch Vai?

  • For a collection of 8 short films set across the Pacific Islands
  • See a shared indigenous Pacific Islander experience
  • It’s a powerful feminist tribute, featuring 8 women, and directed by 9
From: Cook Islands, Fiji, New Zealand, Niue, Samoa, Solomon Islands, Tonga, Australasia
Watch: Trailer, Amazon Prime, Tubi, JustWatch
Next: Whale Rider, Boyhood, The Orator

a collection of short films

Vai is a collection of eight short films made by 9 women which takes place across seven different countries (Fiji, Tonga, Solomon Islands, New Zealand, Kuki Airani, Samoa, and Niue). The titular character, Vai, is played by eight different indigenous women aging from 6 to 80.

Another interesting thing to note before watching is that ‘Vai’ translates as ‘water’ in each of the countries named above. Water is an integral part of the story. It surrounds each of the islands, which isolates each community, making traveling between islands harder. It’s ability to provide food is threatened as companies infringe on and overfish in traditional fishing waters. Drinking water is also rare and hoarded by the privileged. Most importantly, it gives life, both spiritually (as in the final short) and physically.

“We sweat and cry salt water, so we know that the ocean is really in our blood”

Teresia Teaiwa

A Common Indigenous Experience

Vai’s journey is played by 8 different indigenous actresses across 7 different countries and 8 different ages. In the first short, Vai is a 6 year old girl in Fiji, and the film progresses until the final short shows her as an 80 year old woman in Aeotara (New Zealand). By shooting Vai’s journey with different actresses across different countries, Vai creates a common indigenous Pacific Islander experience.

One common theme is the cycle of leaving and returning. In the first three shorts, Vai lives without her mother or father, as they’ve been forced to travel to New Zealand to try and provide for their family. In the fourth, Vai has already left Samoa and is studying in New Zealand. The final four films feature an older Vai that has returned to home. She returns and has to relearn the traditional ways she has forgotten. Whilst she regains her community, her younger relatives leave their homes just as she did, repeating the cycle of coming and going.

(Insert analogy comparing the coming and going of the people and tradition to the coming and going of the sea tides).

A Life Well Lived

The Pacific Islander experience may be new to some viewers, however, the experience of life is much more universal. It’s scope reminded me a little bit of Linklater’s Boyhood, except here the scope is much larger. Instead of focusing on a child from 8 years old to 18, Vai follows a woman across a whole lifetime. In doing so it encapsulates the entire experience of life in 90 minutes. When you’re watching Vai as an 80 year old, the memories of the shorts of Vai as a 6 and 13 year old are still clear in your head which allows us to enter Vai’s old age with a greater understanding of where she came from. These are memories that we often lose touch of once we hit adulthood in our own lives. Showing it all in one film lets us see life repeating itself and allows us to better empathize with Vai as an older woman.

What to Watch Next

If you’re after more indigenous stories from the Pacific Islands, check out Whale Rider, The Orator, Waru, or even Tanna. For too crossover films you could also check out Hunt for the Wilderpeople and Rabbit Proof Fence.

Or, if you’re looking for more films which follow a single character across different ages, I’d strongly recommend checking out Boyhood and Moonlight. They’re two great U.S. films about growing up.