A Touch of Zen is one of the most inventive martial arts films you’ll see. It combines a bunch of genres, including the historic Samurai films of Japan, haunted house horror, and the classic hero’s journey adventure films. Plus it adds it’s own styles have been hugely influential on later martial arts films. There’s plenty of epic widescreen landscape shots, bouncing characters (that you’ll also see most noticeably in Crouching Tiger, Hidden Dragon), and innovative editing to create some stunning CGI-free action sequences. On top of that, it focuses on a powerful female fugitive and an unstoppable Buddhist monk. It’s all shot from the perspective of a regular guy like us to bring us into the action. It’s one of the best wuxia films you’ll see.
You may have seen a lot of films without really paying attention to how they’re put together. But to get the most out of The Assassin you’ll need to become aware of the subtleties on camera. Everything is set up to celebrate the art of the assassin and it’s just beautiful!
Why Watch The Assassin?
It’s one of the most beautiful films of the 2010s!
To immerse yourself in 8th Century China
If you’re a fan of martial arts and want to see the art of an assassin
Because it Hou Hsiao-hsien won Best Director for this film at Cannes
The Breakdown
The Assassin is set in 8th century China when the Tang dynasty is in decline. It’s based on the story of Nie Yinniang written by Pei Xing, a writer from Tang dynasty era China. Sometimes knowing the origin material of the film isn’t that important, but knowing the story of Nie Yinniang will help you get the most out of watching The Assassin. Check out a short summary below!
Summary of Nie Yinniang
(Mostly based on info from the internet – for more in depth summary and background to The Assassin check out this article on Taipei Notes)
The Tang crown prince sends his tenth daughter Princess Jiacheng and her twin sister to a nunnery for safety (from the Anlushan rebellion). Princess Jiacheng returns home when it’s safe, but her sister stays on and leads an order of assassins.
Later on, Princess Jiacheng marries Tian Xu (who holds power in the Weibo district of China) to secure peace in the region. The Princess adopts Tian Ji-an and gives birth to Yinniang, who both grow up as childhood friends. When they’re both older, the Princess gives two jade disks to Tian Ji-an and Yinniang to symbolize their future marriage. However, their relationship is broken off when Tian Xu marries his son to the daughter of one of his strongest allies. Yinniang is then sent to the Taoist nunnery to live with Princess Jiacheng’s assassin twin sister. She later returns when her old childhood friend has taken over from his father on orders to assassinate him.
The Breakdown continued
The Assassin is not like your usual martial arts film. Firstly, it helps to have a bit of background (as written above) as Hsiao-hsien rarely delves into any exposition. Secondly, the whole film is a piece of subtle beauty geared to celebrate the art of the assassin. And before you stop reading because I’m sounding a bit pretentious, I’ll try and demonstrate why.
For most of the film, the only thing you’ll hear is nature, from birds singing to the wind blowing. Similarly, for the most part, the shots are mid-distance and still. Both these things create calmness as the sounds are natural and the pictures are still. Think of the ambience/tone it creates as a still lake.
The stillness creates an environment for the assassin to showcase her skills. She must do her job without disturbing the serenity of her environment, or using our analogy, without splashing into the lake. And of course, she does this well. Firstly, she sneaks around the house of Tian Ji-an without making any noise (you’ll always hear the same natural noises in the background). Secondly, the director rarely breaks from mid-distance shots. When he does for the action scenes, the assassin deals with her victims quickly to avoid creating a disturbance or ripple. She never sticks out. Yinniang and the director, showcase the art of the assassin.
Conclusion
I’m not sure how this film was overlooked by the Academy Awards after picking up the Best Director at Cannes. Perhaps, because many viewers come out a bit confused as the director chooses not to offer too much exposition.
If you take a moment to read up a bit of background before you watch this film (see above) and are up for delving deeper into a film than usual, by watching it more than once, this may well become one of your favorite films.
If you like food, Eat Drink Man Woman is your film. It’s at the centre of the Chu family from Taipei. It brings them together, it fuels their romantic escapes, and even brings them in touch with their past. It’s a guide through life in Taiwan.
Watching Le Moulin is like walking round a great Taiwanese museum. All the interesting stuff is listed next to some intriguing artifacts from the period. You will come out of the film feeling like an expert on Taiwanese literature in the 20th century.
Why Watch Le Moulin?
If you want to see a proper art house film
To learn a contemporary history of Taiwanese literature, especially the influence of Surrealism (pretty specialist stuff)
See a documentary told through a range of artistic forms (paintings, poems, and of course film) reminiscent of Weerasethakul’s A Mysterious Object at Noon
Learn a bit about the history of Taiwan as well from the pre-war 1930s to the Kuomintang ruled 1950s
The Breakdown
Le Moulin starts with dice rolling on a board. Disorientating music plays as we watch four men with their heads and feet out of frame line up to be photographed. Next we see the picture crystalising on a piece of photo paper in it’s chemical bath.
The four men are part of a collective of Taiwanese poets that tried to establish a Taiwanese voice against the Japanese colonisers. You’ll follow their story from the early 1930s when Taiwan was occupied by Japan, through to the 1950s when Kuomintang declared martial law.
You will learn a lot about Taiwanese history and literature watching Le Moulin. However, the main attraction is it’s form. One minute you’re watching a re enactment of the collective and the next you are being shown incredible still pictures from the era and having poems read to you in full. You’ll even notice art work from Picasso, Cocteau, and Chaplin dotted around the film.
All in all it is a complete documentation of modern Taiwanese literature. It leaves no rock unturned.
Conclusion
The style and form sets Le Moulin apart. It weaves in photos, mementos, art, poetry, and reenactments to create what is effectively a museum exhibit on Taiwanese literature. A must for someone interested in how to use form in historic documentary films.
For a fictional film which also experiments with form, I’d recommend checking out Apichatpong Weerasethakul’s Mysterious Object at Noon.
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