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The Little Girl Who Sold the Sun (Senegal) – Meet Dakar’s Street Kids

The Little Girl Who Sold the Sun Film Difficulty Ranking: 3

The Little Girl who Sold the Sun is an ode to the potential of Africa’s most oppressed. The main character, Sili, is a poor, disabled girl trying to make a living for herself and her blind grandmother. The odds are stacked against her – is there any hope? Find out by watching it here (Amazon).

Image result for the little girl who sold the sun

Why Watch The Little Girl who Sold the Sun?

To meet the marginalised people of Dakar
Get inspired by the spirit of young Sili
It’s only a short film – so you can watch it in 45 mins
Girl Power! This girl can do whatever the boys can!

The Breakdown

The Little Girl who Sold the Sun starts with a chaotic scene on the streets of Dakar. A woman is accused of being a thief by a man in the street. The man runs up to her, grabs her bag from her, and rummages through the bag whilst the woman indignantly shouts that she’s innocent. A crowd of spectators gathers around them to watch and laugh at the fight. It’s an opening that quickly establishes a few things:

There’s sexism in Dakar – men hold power over women and can subject them to random searches and accusations and get away with it.
Classism – people in positions of power pick on poor people making a living.
The implicitness of everyone in Dakar. The spectators simply watch the powerful accuse the innocent and laugh at the unfortunates victimisation. Everyone is a part of the entrenched sexism and classism.

Our Saviour = Sili

Introducing Sili. She’s not meant to succeed in life: she’s poor, disabled, and a young. On top of that, she has to look after her blind grandmother.

So, how does she succeed? What isn’t obvious from first impressions is her incredible spirit and perseverance. She sees a few boys selling newspapers in the street and sees an opportunity. So she walks up to the newspaper office and demands some newspapers to sell.

She gets 13 newspapers (a lucky number) to sell, but she also inherits a bunch of rival sellers (all boys) and some jealous cops eager to see her fail. Watch the film here (Amazon) to see what happens.

Conclusion and What to Watch Next

The Little Girl who Sold the Sun is a great film to watch to revive your faith in humanity. Sili’s spirit gives hope to the oppressed of the world. It’s well worth sparing 45 minutes of your time to meet her.

If you want to watch more films about street kids, check out these three films:

Slumdog Millionaire: A film many of you will have seen, it’s a brilliant rags to riches story of two kids from the Mumbai slums.
City of God: For more violence and less hope, check out Fernando Meirelles film about street kids come slum lords in Rio de Janeiro
Tsotsi: Follow a young thug from the Johannesburg slums and see what he does when he finds a young baby in the back of a car he robs.

Or if you’re looking for more great contemporary West-African films, check out Wallay. You’ll meet a young kid from Paris who is taken on holiday to Burkina Faso to visit his family. What he doesn’t know is that his father intends to leave him there to work back the money he has stolen from him. It’s a great coming of age story.

Absent Present – One Man Disappears in a Documentary About Migration

Absent Present Film Difficulty Ranking: 3

Why Watch Absent Present?

If you’re a fan of Malcolm Gladwell’s Revisionist History
To uncover the mystery behind a missing person, like Luis Ospina’s A Paper Tiger
To examine the legacy of colonization and slavery on African migration

From: Germany, Namibia, Europe, Africa
Watch: Trailer, IMDb
Next: A Paper Tiger, A Storm Was Coming, Little Dieter Needs to Fly

It’s All About How the Story is Told

Angelika Levi’s Absent Present is one well made documentary. If you’ve ever listened to an episode of Malcolm Gladwell’s equally well constructed Revisionist History you’ll find similarities with Angelika Levi’s documentary method. Like Revisionist History, Levi starts with an event – in this case the disappearance of her friend Benji – and unravels the threads linked to it to uncover a whole chain of associations from colonialism to migration. Having explored more of the threads linked to Benji’s life, we see his disappearance in a new light.

Uncovering the Mystery by Looking at the Big Picture

Benji’s disappearance is a mystery that Levi tries to unravel by following his path. Born in Namibia, he was one of many young Namibian children that were brought to the GDR (German Democratic Republic otherwise known as East Germany) having survived the Cassinga Massacre (a South African bombing raid on Namibian independence fighters). He spent 11 years in East Germany from ages 3-14 at an orphanage and German school, and became a naturalized East German citizen. However, in 1989 the GDR collapsed, East and West Germany reunified, and Namibia gained its independence. As a result, Benji was sent back to Namibia despite having grown up in Germany. Back in his birth country, Benji was kidnapped by Angolan soldiers and forced to join their liberation struggle. He managed to escape and returned to Europe disguised as a tourist. He eventually made it back to Germany, but disappeared a few years later. Levi travels from Germany to Namibia and back to Germany in Benji’s footsteps to try and investigate his disappearance. But ultimately, as she retraces his steps she finds the foot prints of more African refugees in Senegal and Spain and starts to uncover the hypocrisy of anti-immigration policies. By following the footsteps of migrants like Benji, Levi gives us a look at the big picture, which gives us a context to help explain Benji’s disappearance.

The Hypocrisy of Anti-Immigration Policy

Levi starts her broader investigation with the Columbus monument in Barcelona, a grand 19th century column that celebrates the discovery of the New World. At the top, Columbus points towards his ‘discovery’, a world where Columbus received gifts of welcome and from which Spain gained incredible wealth and prosperity. The hypocrisy of the monument is that it celebrates a migrant that crossed oceans in search of wealth, whilst today the same country that benefited from the wealth of other continents turns away migrants with similar intentions.

Levi also highlights the underlying racism behind Spain’s treatment of African migrants in the Canary Islands, juxtaposing images of white tourists relaxing on beaches and running through woods with images of Africans detained in camps just meters from tourist hot spots. The fact that these camps, that almost specifically hold African migrants, are built on the foundations of former slave camps makes it all the worse. Seen in this context, it’s not surprising that Benji tries to return to Europe disguised as a tourist with bleached hair. For Benji, and the African migrants that are detained in Spain, Europe is the only option left in their attempt to survive. It’s “Barcelona or Barsaak” (the Wolof for land of the dead). Viewed in its historical context, the anti-immigration policies of Europe look like an evolution of the legacies of slavery and colonialism. The Africans were forcibly brought to Europe and the Americas as slaves, forcibly exploited in colonialism, and now they are forcibly shut out of the riches their work and land created, detained as migrants.

Whilst the big picture Levi uncovers in Absent Present doesn’t answer why Benji disappeared, it does connect Benji’s forcible removal from his home country, and forcible repatriation to a brutal history of exploitation. It uncovers a hypocritical and racist history that takes African bodies when they’re needed and discards them when they’re not. Seen in this context Benji’s disappearance is not a mystery, but a symptom of the legacies of slavery, colonialism, and illegal immigration.

What to Watch Next

If you’re looking for another documentary that attempts to find a missing person, check out Luis Ospina’s A Paper Tiger. It tries to track down a Colombian artist named Manrique Figueroa by interviewing all the friends he left behind.

Or if you’re looking for more films in which migration and colonialism are a major topic I’d recommend exploring the following:

Atlantics – a feature film from Senegal that conveys the impact of a lost generation venturing north on their friends and family back at home.
Tenere – a documentary that tracks migrants crossing the Sahara desert on the back of Mad Max style converted trucks in Niger in quests to reach Europe.
A Storm Was Coming – a documentary that artistically represents how the Spanish Empire erased the indigenous cultures of Equatorial Guinea.

Or if you’re just looking for more documentaries narrated in English by great German film makers, check out Werner Herzog. His film, Little Dieter Needs to Fly is a great place to start. It’s a film about the life of a German war survivor that becomes a prisoner of war in Vietnam.

The Wolves (Los Lobos) – Berlinale 2020

The Wolves is a spiritual sister to Sean Baker’s The Florida Project. Instead of a boisterous white mum and daughter living in a motel by Disney World, The Wolves features a single mum with two young boys that have just crossed the border into the United States. The kids are happy to follow their mum and spend more and more days passing time in a shabby apartment on the understanding that they’re going to Disneyland.

The two boys are stuck at home everyday making their own entertainment whilst their mum works double shifts to try and create a better future. There’s no school for them to go to and they’re forbidden from leaving the apartment. Any chances of being caught and deported must be avoided.

Despite being stuck in the apartment all day, The Wolves is presented with a lot of warm nostalgia. There’s a slow and lazy guitar soundtrack that generates the same warm melancholic tones of films imbued in Americana like Mud, Bombay Beach, or even parts of Thelma and Louise. There’s also warmth in the games that the two boys play to keep themselves occupied and the drawings that come to life in their imagination. Even though the melancholic soundtrack and bleak surroundings hint that the American dream is out of reach, their playfulness shows it won’t stop them dreaming.

The Wolves is an ode to the faceless people of America. Not just the immigrants that cross the southern border seeking a better life, but the homeless, and anybody scraping together a life living below the poverty line. A few times in the film, Samuel Kishi Leopo (the director) inserts montages of portraits of people from different racial and ethnic backgrounds living within the new family’s community. All the portraits feature people staring straight into the camera like you might see in a National Geographic magazine, showing them without anything to hide. It shows them purely, in front of their humble homes. What these people have in common is an absence of the white picket fenced house promised by the American dream. It’s a sign that being American, or simply being in America for those that migrate north, doesn’t automatically grant you a well spring to health and prosperity. The Wolves honestly highlights the people that the country has left behind.

For more films from the Berlin film festival, head to our Berlinale home page.

Vai – A Tribute to the Indigenous Women of the Pacific Islands

Vai Film Difficulty Ranking: 2

Why Watch Vai?

For a collection of 8 short films set across the Pacific Islands
See a shared indigenous Pacific Islander experience
It’s a powerful feminist tribute, featuring 8 women, and directed by 9

From: Cook Islands, Fiji, New Zealand, Niue, Samoa, Solomon Islands, Tonga, Australasia
Watch: Trailer, Amazon Prime, Tubi, JustWatch
Next: Whale Rider, Boyhood, The Orator

a collection of short films

Vai is a collection of eight short films made by 9 women which takes place across seven different countries (Fiji, Tonga, Solomon Islands, New Zealand, Kuki Airani, Samoa, and Niue). The titular character, Vai, is played by eight different indigenous women aging from 6 to 80.

Another interesting thing to note before watching is that ‘Vai’ translates as ‘water’ in each of the countries named above. Water is an integral part of the story. It surrounds each of the islands, which isolates each community, making traveling between islands harder. It’s ability to provide food is threatened as companies infringe on and overfish in traditional fishing waters. Drinking water is also rare and hoarded by the privileged. Most importantly, it gives life, both spiritually (as in the final short) and physically.

“We sweat and cry salt water, so we know that the ocean is really in our blood”
Teresia Teaiwa

A Common Indigenous Experience

Vai’s journey is played by 8 different indigenous actresses across 7 different countries and 8 different ages. In the first short, Vai is a 6 year old girl in Fiji, and the film progresses until the final short shows her as an 80 year old woman in Aeotara (New Zealand). By shooting Vai’s journey with different actresses across different countries, Vai creates a common indigenous Pacific Islander experience.

One common theme is the cycle of leaving and returning. In the first three shorts, Vai lives without her mother or father, as they’ve been forced to travel to New Zealand to try and provide for their family. In the fourth, Vai has already left Samoa and is studying in New Zealand. The final four films feature an older Vai that has returned to home. She returns and has to relearn the traditional ways she has forgotten. Whilst she regains her community, her younger relatives leave their homes just as she did, repeating the cycle of coming and going.

(Insert analogy comparing the coming and going of the people and tradition to the coming and going of the sea tides).

A Life Well Lived

The Pacific Islander experience may be new to some viewers, however, the experience of life is much more universal. It’s scope reminded me a little bit of Linklater’s Boyhood, except here the scope is much larger. Instead of focusing on a child from 8 years old to 18, Vai follows a woman across a whole lifetime. In doing so it encapsulates the entire experience of life in 90 minutes. When you’re watching Vai as an 80 year old, the memories of the shorts of Vai as a 6 and 13 year old are still clear in your head which allows us to enter Vai’s old age with a greater understanding of where she came from. These are memories that we often lose touch of once we hit adulthood in our own lives. Showing it all in one film lets us see life repeating itself and allows us to better empathize with Vai as an older woman.

What to Watch Next

If you’re after more indigenous stories from the Pacific Islands, check out Whale Rider, The Orator, Waru, or even Tanna. For too crossover films you could also check out Hunt for the Wilderpeople and Rabbit Proof Fence.

Or, if you’re looking for more films which follow a single character across different ages, I’d strongly recommend checking out Boyhood and Moonlight. They’re two great U.S. films about growing up.

The Trader (Georgia) – Get a Glimpse of Life in Rural Georgia

The Trader Film Difficulty Ranking: 3

Ever thought about going to Georgia? If you haven’t, you probably should (especially if you like hiking). In the meantime check out The Trader on Netflix. It will give you a 25 minute glimpse of life in a rural Georgian town connected to modernity by a ‘back of the van’ trader from the city.

Image result for the trader netflix

Why Watch The Trader?

Everyone has time to watch it AND it’s available to watch on Netflix
To get a glimpse of rural Georgia
It won the top short-documentary prize at the Sundance Film Festival
To witness the power of potatoes – they’re food and currency!

The Breakdown

First we’re introduced to Gela as he browses the stocks of various shops in the city he’s from. He’s looking for items to fill his van (his moving shop) before he drives into the country to sell them. As a trader, his aim is to pick any items his customers are likely to need or want, which he can then trade for a portion of the year’s latest potato crop.

It might sound simple, but it’s not. The village he drives to appears half deserted. The grey corrugated iron roofs match the grey skies and compliments the brown dirt ground. It doesn’t look like a place where you’d expect to make any sales. However, sure enough, a few residents and their kids gather round Gela and his shop (the back of his van) and start haggling with him for a few of his wares. After 2 days at the village, he ends up with a few kilos of potatoes to take home. Not a great crop.

But it could be worse, he could be one of the residents living in the remote village. He could be like the old man who regrets never getting an education. Or he could be like the young boy who has absolutely no idea of what he wants to be when he grows up, even after his mum prompts him to say ‘a journalist’. The place is completely devoid of dreams and full of regret.

Is the Trader to Blame?

Hard to say. Gela, the trader, is the only connection for this community to modernity. He is the only one who appears to make the trip to this remote village and give the population a market to sell their excess potatoes.

However, the market is tilted in his favour. The village community have to accept all the goods he brings to sell even if it is a load of useless rubbish. If they keep their excess potatoes they’ll only go rotten as it doesn’t look like they’ll have another opportunity to sell. Therefore they have to accept whatever Gela offers. So they’ll continue to buy second rate goods and as a result, their village never progresses as far as the contents of Gela’s van.

Conclusion and What to Watch Next

If a picture tells a thousand words, The Trader packs enough into it’s 25 minutes to constitute a few essays. Not because it’s complex, but because the dialogue and images so concisely document life in rural Georgia and the importance of one man, the trader.

If the rural town in this film struck you, I recommend checking out Kazakhstan’s The Wounded Angel, also set in a remote, hopeless town. If you’re into more arty film, there’s also Lav Diaz’s From What is Before which charts the effects of a dictatorship on a remote rural town in the Philippines.

Or, if you’re after more great documentaries, I strongly recommend you check out Makala. It follows the complete process of a charcoal maker from cutting down a tree 3 days walk from the nearest city to selling the final product (after walking for 3 days) in said city. It won Cannes Critic Week because it’s one of the most beautifully captured films you’ll ever see.