Sepet Film Difficulty Ranking: 2

If you like rom-coms you’ll love Sepet. But even if you don’t there is much more to this film then a cheesy romance. Sepet exposes the class and race dynamics of Malaysia of a society that evidently still hasn’t recovered from the effects of colonialism.

Why Watch Sepet?
  • It’s a chick flick with substance
  • You’ll learn a bit about the legacy of colonialism on Malaysia
  • Watch it here on YouTube
  • Learn about social and racial discrimination in Malaysia
The Breakdown

The romance between Jason and Orked starts after a chance encounter at Jason’s VHS stall on a busy Malay street. However, they are both from opposite ends of Malay society, Jason (or Ah-loong) is ethnically Chinese whilst Orked is ethnically Malay. As you’ll learn, this is a problem. Chinese-Malays are seen as inferior to ethnic Malays and therefore relationships between Malays and Chinese is taboo.

In case that isn’t enough to emulate Romeo and Juliet, Jason also has a much lower social standing than Orked. You might notice this from seeing each of their respective houses. Orked walks around in a big bedroom with big closets, walks up and down stairs to show that her house has two floors, and has a maid. In contrast, Jason’s house appears open to the elements with concrete floors. His family all crowd around a small table for dinner.

However, what does Jason do to help his chances of getting with Orked? He tells her his name is Jason, a ‘nice name from London.’By associating himself with Britain, he associates himself with the old rulers: British colonists. Orked doesn’t fall for this trick. She later brings up the issue of colonialism with her friend and references French colonists in Algeria. They instituted a belief that whites were superior and that the darker you were, the more inferior you were. It’s obvious that Malaysia has shared this colonial legacy the way the lighter skinned Malays treat the ‘slit-eyed’ Chinese.

Image result for sepet film

Conclusion

Sepet is a great example of a chick flick that has layers. Behind the cheesy romance is a country still dealing with the legacy of colonialism. Jason and Orked are two sweet teens trying to navigate the race and social boundaries of Malaysia.

Will they stay together? Watch it here on YouTube (although some sound is missing).

 

 

Dakan

Dakan Film Difficulty Ranking: 3

Dakan is the first Sub-Saharan African film to deal with homosexuality. The focus of the film is the plight of two high school lovers in a society rejects them. They don’t fit into traditional or modern Guinean society, shown through Manga’s ‘traditional’ mother and Sori’s ‘modern’ father. As a result, they’re condemned to a life without love.

From: Guinea, Africa
Watch: YouTube, Vimeo, Kanopy
Next: Jose, I Am Not a Witch, Tanna

The Breakdown

Dakan experienced a lot of protests in Guinea during its production, and once you see the first scene, you’ll understand why. For many countries around the world, homosexuality is taboo or illegal, so to have an opening scene of two men making out in an orange convertible like a scene from an American hetero high school romance is a bit of a shock for the world’s conservative viewers.

The two lovers are both high school students hoping to get into university. They openly show affection for each other at school, where they are largely accepted and left alone, but at home their relationship provides a source of friction for their parents. For Manga’s single mother, she sees Manga’s relationship with Sori as a curse that will deprive her of grandchildren. In contrast, Sori’s father sees Sori’s relationship with Manga as a distraction from his studies and his prosperous future in business.

They also differ in their way of stopping their son’s relationship. Manga’s mum relies on traditional methods, sending Manga away to a traditional witch doctor to be cured. In contrast, Sori’s father, a ‘modern’ businessman, sends Sori to work for him in his company. However, neither route changes how they feel about each other. Their solemn faces throughout the film only emphasizes that there is no place for them in a traditional society founded on the family, or a ‘modern’ society founded on economic growth. There’s no place for their love in Guinea.

Overall Dakan is a good African film that uses homophobia to talk about the common African and third cinema tropes of modernity and tradition. There was a moment in Dakan where I feared the film would turn into an HIV disaster film like Kijiji Changu but fortunately Mohamed Camara doesn’t diminish the relatively progressive portrayal of homosexuality in Africa.

What to Watch Next

If you’re looking for more films from the global south that portray homosexual relationships in countries that don’t have a place for it, check out Jose from Guatemala and Rafiki from Kenya.

Or for more witch doctors trying to cure people in Africa, Zambia’s unique I Am Not A Witch is a must watch.

Finally for more films that feature Romeo + Juliet relationships that are forbidden by society, check out Tanna, featuring an controversial relationship that crosses tribes in Vanuata.

Mortu Nega

Mortu Nega Film Difficulty Ranking: 3

Why Watch Mortu Nega?

  • If you want to see an African protest movie from Guinea Bissau
  • For guerilla warfare along the lines of Che and Flame
  • To see that war doesn’t end when the fighting stops
From: Guinea Bissau, Africa
Watch: Trailer, Kanopy, Buy
Next: Flame, Sambizanga, Lucia
Continue reading “Mortu Nega – Guinea Bissau’s Fight for Independence”
The Cruel Sea

The Cruel Sea Film Difficulty Ranking: 3

Why Watch The Cruel Sea?

  • To see what Kuwait was like before the arrival of oil
  • If you want to watch a classical tragedy
  • For energetic editing inspired by the Soviet masters
From: Kuwait, Asia
Watch: YouTube, IMDb
Next: Battleship Potemkin, The Cow, Batuque
Continue reading “The Cruel Sea – A Tragedy Inspired by the Soviet Masters”
I Carry You With Me

I Carry You With Me is an epic cross generational, border crossing love story that hops between Puebla in Mexico and New York in the USA. It’s shot across three time periods: the present in NY, the past in Puebla, and the distant past reflected in childhood memories. The majority of the film takes place in the middle where Ivan and Gerardo meet. It contains the bulk of the film’s emotion and narrative. However, the cuts to the present imbue it with nostalgia by situating it in the past. It makes it feel like a dream period for the couple that contrasts with the uncertainty of their lives in the present.

The style also contributes to the dream like qualities of the middle period. Like Wong Kar-wai’s In the Mood for Love, Heidi Ewing uses a lot of color filters to imbue warmth and feeling to I Carry You With Me. Instead of warm reds and oranges, there’s greens, oranges, and blues that create a world that feels unique and special. It captures the excitement of their romance. Also like In The Mood for Love, there’s food. A plate of Chile en Nogada replaces a bowl of hot steaming noodles. Chile en Nogada being one of Puebla and Mexico’s most iconic dishes and one that is notoriously hard to make. It both situates their romance and symbolizes their love.

The portrayal of Puebla also challenges the typical American Dream narrative presented in U.S.-Mexico films. It depicts a Mexican city full of warmth, beauty, and life to contrast with the lonely, bleak, coldness of New York. In this film, the U.S. is not the land of opportunity that it is often depicted to be. Instead of leaving to escape poverty, they leave for the opportunity to start a new life.

I Carry You With Me is not without it’s own cliches. There’s the gay guy with the female best friend and another who’s best friend is a flamboyant drag queen. Then there’s the haunting memories of the first time their fiercely patriarchal families put them down. Obviously not all families in Mexico are like this, and whilst I don’t doubt these events happened to the real Ivan and Gerardo, they feel like exploitative throw in scenes designed to evoke sympathy and emotion. However, despite the cliches,I Carry You With Me is a brilliantly romantic portrayal of generation and border crossing love.


Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.